Throb

1986

Seasons & Episodes

  • 2
  • 1
6.8| NA| en| More Info
Released: 20 September 1986 Canceled
Producted By:
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Throb is an American television sitcom broadcast in syndication from 1986 to 1988, created by Fredi Towbin. It revolved around thirty-something divorcee Sandy Beatty who gets a job at a small New Wave record label, Throb. Beatty's boss is Zach Armstrong, who looks like Michael J. Fox but dresses like Don Johnson. Beatty also has a 12-year old son named Jeremy. Beatty's best friend was Meredith, a single teacher who lived in her building, and her co-workers included hip business manager Phil Gaines, and Prudence Anne Bartlett, nicknamed Blue. During the second season, Sandy moved from her original apartment to the recently vacated penthouse in her building. She took in her co-worker, Blue, to help with rent, but the differences between straitlaced Sandy and the very free-spirited Blue became more pronounced as they both lived and worked together. Notably, it was the first time much of the American TV audience saw Jane Leeves, who later gained fame as Daphne Moon on Frasier. Also notable is the casting of a young Paul Walker, who played Jeremy Beatty for the first season. Walker became a leading man in Hollywood some 15 years later, particularly after his breakthrough role in The Fast and the Furious.

Genre

Comedy

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Throb Audience Reviews

Interesteg What makes it different from others?
Tetrady not as good as all the hype
Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Syl I remember this show being on Saturday evenings back in the 1980s. That was when syndicated television shows like Throb and Mama's Family aired when it didn't succeed on prime time. Anyhow, Throb was alright. It wasn't bad. The writing was decent and so was the acting of Diana Canova. I swear that Jane Leeves from Frasier was on this show but I could be wrong because I don't see her name anywhere here. Like so many sitcoms of the 1980s, this show was somewhat mediocre for network but had a syndicated audience. I remember those days of syndication when you watched independent sitcoms like Throb and not infomercials. Sadly, they don't make many syndicated programs like they used too. Everybody has a network for them. But I do remember a time when syndicated television thrived and shows like Throb thrived or lasted longer than a few episodes. Sitcoms need time to develop and the networks don't give that time anymore and they don't want that audience neither.
nsdtrlover A bright and refreshing comedy. First network then syndicated. It took a look at the day to day of a small record label in a big world. The show was a starring vehicle for Diana Canova. She had previously come to public attention on "SOAP". Her character was a divorced mother with no experience in the music world who gets a job at a small record label and runs with it. Comparisons can always be made to "WKRP In Cincinnati" or any "That Girl" clone, but it still had a freshness of its' own. Well acted and with great sound. The theme was performed by The Nylons and Diana Canova. It always entertained and will be missed. Reruns anyone ???
sschwart This syndicated show followed the ups and downs of a new single mom played by Diana Canova (of the short-lived "I'm A Big Girl Now" TV series) as an employee of a small fledgling record company. She juggles life as a divorcee while juggling responsibilities at her new job at a small record company.If you can ever get a chance to view an episode of this mid-eighties series, you can see an improbably young Jane Leeves (fresh from her stint as a "Benny Hill Show" Girl) as "Blue," the de rigueur British import.The big hairstyles, 80's wardrobes and '80s music would probably make this series seem even more dated now, but not quite seem old enough to be a classic.It was partly a poorer-man's "W.K.R.P in Cincinnati" mixed with a less-ambitious "Mary Tyler Moore" but wasn't much worse than other 80's syndicated shows. No ground was broken here as the plots were as formulaic as they were predictable, but it had a certain scrappiness.

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