Reptileenbu Did you people see the same film I saw?

BoardChiri Bad Acting and worse Bad Screenplay

ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.

Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

biffot A ground breaking Expensively made show with motion picture quality Production, indeed this was The FIRST TV Series taken from a TV Movie pilot: "Fame is The Name of The Game" (1966)... each Series episode running at 90 minutes, a TV Movie, this show clearly paved the way for Universal's later "Mystery Movie" success... with Susan Saint James going on to "McMillan & Wife", and many "Name of The Game" guest stars later featured, including Peter Falk - "Columbo" - Dennis Weaver - "McCloud", plus Ben Murphy & Pete Duel, later of "Alias Smith & Jones".... "The Name of The Game" Featured THREE Famous Alternating Lead Actors who were each different enough to warrant a series of their own...yet they linked together really well to give the show a Distinctive "Three Faced" identity...Gene Barry ("Burke's Law") and Robert Stack ("The Untouchables") were very famous Established TV Faces, having also made well known films. Tony Franciosa was then more of a Film Star ("The Long Hot Summer", etc).TONY FRANCIOSA - Portrayed The "Charismatic" Star Reporter Jeff Dillon, Slightly younger & Trendier than his two co-stars, Franciosa's Dillon was a likable,Sharp,tireless crusading reporter who became involved in current affairs tales; Exposing a fake Doctor ("Keep The Doctor Away"), industrial spying ("The Other Kind of Spy"), even Prisoner of war training camps that become too realistic ("The Prisoner Within")....Dillon appeared slightly less frequently than his two co-Lead stars & was normally accompanied by his "Girl Friday" Research Assistant Peggy Maxwell (Susan Saint James) ...while Gene Barry made brief cameo appearances "as Glenn Howard" for continuity purposes in a few Dillon tales ("Fear of High Places" ,"Collector's Editon", "Connie Walker", "Jesse Gil").A Memorable "Jeff Dillon" story: "The Enemy Before Us" featured Narration by Orson Welles.Tony Franciosa was in the first and second seasons, but later left the show, amid some acrimony, during the Final Third season after filming three of his episodes ...whatever Dillon's Tales were always excellent.GENE BARRY - Appeared as the "Impeccable" Publisher Glenn Howard. Millionaire Playboy Head of Howard Publications producing the two Top Periodicals; "People"(Dillon)...several years BEFORE the real "People" Magazine was first Published... & Crime" (Farrell) magazines ...Glenn Howard moved in wealthy, influential circles, and was Mostly involved in absorbing stories in powerful circles of High level Intrigue...be it business ("The Taker") or politics ("High Card", "The Emissary", "Incident in Berlin")...yet Howard also had the most surreal & offbeat tales such as: "Tarot", "Love-in at Ground Zero" & "L.A.2017" (Directed by an emerging young Steven Spielberg)Susan Saint James character Peggy Maxwell was also featured in some Gene Barry episodes...while Cliff Potter (Potts) played Andrew Hill, ..Howard's Assistant (who once Guested as Lead Role in "Pineapple Rose", one of a few "Guest Lead" roles put under the "Gene Barry" segments umbrella ) ...while Tony Franciosa's Jeff Dillon made one brief cameo appearance in Howard's story "The Taker", seen early on at a Staff meeting Howard calls.ROBERT STACK - Played Ex-F.B.I. man turned Crime Reporter the "Resolute" Dan Farrell.Editor of Howard's "Crime" Magazine. Farrell was a determined character steadfastly pursuing injustice bringing his old F.B.I. (indeed "Untouchable" ) styled approach to reporting - be it against rogue Housing agents ("A Wrath of Angels"), Drug pushers ("High On A Rainbow"), or getting involved in breaking news re spree killers ("The Bobby Currier Story"). Ben Murphy played Farrell's assistant Joseph Sample in some episodes, while Susan Saint James' Peggy Maxwell again appeared in some "Farrell" tales...Gene Barry also made a few brief cameo appearances "as Glenn Howard" in some Farrell stories ("Ordeal", "Nightmare", "High On A Rainbow", "The Bobby Currier Story")...speaking on the phone to Farrell, etc..Dan Farrell stories were always exciting crime capers...while they looked in a few more unusual directions such as Illegal Immigration ("Chains of Command"), Crooked Charities ("Give Till It Hurts") & Corruption in sport ("Brass Ring"). Unlike Gene Barry, who occasionally guested in a cameo role in his two co-stars episodes, Tony Franciosa and Robert Stack never appeared together in the series.Robert Wagner, Peter Falk, Robert Culp, Darren McGavin, & Vera Miles appeared as "Special Guest Stars" heading the cast in certain episodes...as either other staff reporters or Freelance journalists Glenn Howard occasionally used. Susan Saint James was the ONLY Supporting Cast member to appear in all three Leading actors episodes "as Peggy Maxwell", She won an Award as Best Supporting Actress, for her work in this series.Cliff Potts (in some Gene Barry tales) & Ben Murphy (in some Robert Stack stories) plus Mark Miller (as Ross Craig) were the other main Supporting Cast members...Many TOP Guest Stars appeared on the show...including : William Shatner, Ricardo Montalban, Steve Forrest,Jack Klugman, Dennis Weaver,Shirley Jones, Pete Duel, Broderick Crawford, Edward Andrews,Boris Karloff, Roddy McDowall, Robert Young, Van Johnson, Frank Gorshin,Pamela Franklin,Honor Blackman,Donald Sutherland, Burl Ives, Barry Sullivan, Brandon de Wilde, Julie Harris, Kevin McCarthy, Anne Baxter,Clu Gulager, Tim O'Connor, Mark Richman, Hari Rhodes, and many more...Steven Spielberg, Steven Bochco ("Hill Street Blues", "L.A.Law"), Dean Hargrove ("U.N.C.L.E."), Gene L.Coon ("Star Trek"), Richard Irving, David Victor, George Eckstein, Richard Levinson & William Link (Creators of "Columbo") were all involved in this Award winning Colour TV show....with Dave Grusin's memorable Great Theme Tune."The Name of The Game" (1968-1971) 76 episode TV Series...along with the 1966 Pilot TV Movie "Fame is..." (Starring Tony Franciosa) is a most Influential, Ground Breaking TV Series, with STRONG Scripts, Top acting and Production, After over Three Decades of being left in the NBC Universal Television Archive, apparently forgotten by Television Executives, this Classic TV Show Deserves to be recognised at last.......and now both finally issued on DVD...and rerun on Television !

Ben Burgraff (cariart) Based on a popular TV-movie from 1966 ("Fame is the Name of the Game"), this 90-minute series was touted as NBC's 'quality' series of 1968, with three high-caliber stars (Gene Barry, Anthony Franciosa, and Robert Stack), movie-quality scripts, and first-class production values. Set in the world of magazine publishing, NBC trumpeted stories "ripped from today's headlines", and "action and adventure on a world-wide scale".While NO series could have delivered everything NBC promised, "Name of the Game" was, in general, an entertaining series, through much of it's run, and occasionally could be daring and imaginative.Top-billed was Gene Barry ("Bat Masterson", "Burke's Law"), as Glenn Howard, multimillionaire head of Howard Publications, replacing crusty character actor George Macready from the TV-movie. Suave and debonair, Barry's character often seemed little removed from his previous role, millionaire cop Amos Burke. But Howard was a crusader, unafraid to take on Washington, and address 'sensitive' issues. His 'starring' episodes tended to be the widest-ranging, with the most memorable single show of the entire series, "L.A. 2017", a nightmarish yet often satirical view of a pollution-poisoned future, based on a Philip Wylie story, and directed by a very young Steven Spielberg.Anthony Franciosa ("Valentine's Day") reprised his TV-movie role as Jeff Dillon, an investigative reporter for "People" magazine (long before Time/Warner created it!) Cocky and intuitive, Dillon would often stumble into major stories by chance, and would, 'Columbo'-like, hound villains until the full measure of their evil-doings would become known. The most 'lone shark' of the three leads, Dillon was Howard's 'bad boy', often in hot water, but always vindicated by episode's end.Appearing least frequently, Robert Stack ("The Untouchables"), ex-cop and crusading head of "Crime" magazine, took on everyone from the Mob to serial killers, willing to tackle cases that law enforcement agencies had given up on. Aided by reporters Joe Sample and Ross Craig (Ben Murphy and Mark Miller), he could dissect 'perfect' crimes, and bring closure to grieving families. Despite his limited appearances, "Name of the Game" offered some of Stack's best work.Making her TV-series debut was Susan Saint James, who, at 20, had been a hit in the TV-movie. Now 22, she would appear in most of the episodes, as Howard's personal assistant and Dillon's bane. Spunky, occasionally loopy, but always endearing, Saint James would become one of television's most popular actresses for over two decades, moving on to "McMillan and Wife" and "Kate and Allie". While ratings would eventually do "The Name of the Game" in (as dwindling quality scripts, and changing formats, necessitated by budget restraints, lost the series it's core audience), and other publishing-themed series proved more hard-hitting and topical ("Lou Grant"), NBC's ambitious series certainly earned it's place in the sun. While many of it's elements seem dated, today, it was as 'cutting-edge' as TV got, in 1968!

schappe1 When this debuted in 1968, I thought it was the best TV show I'd ever seen. It had a "wheel" format of the kind pioneered by Warner Bros. a decade before, which allowed more time to film each episode and allowed the show to attain higher quality than the average TV show. You could also do any kind of story on it. Glen Howard, (Gene Barry) could get involved with boardroom battles, political scandals in Washington, could travel to anywhere in the world. He was involved in everything from a campus protest to a murder investigation in and English country house to the "Prague Spring" to a flashback episode that took place in the old west to a Phil Wylie vision of a post-apocalyptic world. Dan Farrell, (Robert Stack), was Elliot Ness with a typewriter, going wherever crimes were committed to battle the bad guys with the truth and comfort the afflicted. Jeff Dillon, (Anthony Franciosa), was more interested in afflicting the comfortable as a reporter for People Magazine, (Time/Life's version didn't exist yet), His was perhaps the most open-ended job of all. He could be doing a personality piece on a show business icon, going undercover at a paramilitary training ground, investigating a phony doctor, covering the coverage of a search for someone lost in the woods, (an updated version of "Ace in the Hole"). Susan Saint James was the real star of the show as she was assigned as the assistant to each in time for their latest adventure, (a strange practice, it seems to me, but she was always welcome). The whole thing was packaged in a glittery covering of jazzy music and artsy-craftsy direction, (including by a young Stephen Spielberg), that made it all seem "hip" and exciting. Looking back at it now, that's one of the problems. It's so aggressively contemporary that it's now very dated, both in style and attitudes. The "Man From Uncle" doesn't date because it was never realistic to begin with. "Adam 12" doesn't date because it was never about issues. The things those cops dealt with is the same thing they'd deal with today. "Lou Grant " doesn't date as much because it was presented in a straight forward manner. "Name of the Game" seems stuck in it's own time.Another problem is that it got more and more wordy as the show went on. it started out as that rare dinosaur, the 90 minute drama. Coming up with movie length stories on a weekly basis was tough and there was a lot of "fill" in many of the episodes. NBC, experimenting with the notion that longer shows might be cheaper because they meant less shows, eventually expanded it to a series of "special" two hour shows, which not only bloated it more but took it past many bedtimes. What finally killed it was the expense. It was the most expensive show in TV history to that time, (and probably would still be with inflation factored out). it had to be a huge ratings hit to "make it" for a long run. It wasn't and it didn't. But, for a while there, it was something special.

sigil "The Name Of The Game" was, as I recall, a very interesting and well-done "rotating" series that portrayed various and sundry well-known actors such as Gene Barry and Tony Franciosa as personnel connected with a well-known magazine. The peculiar thing was that this "fictional" magazine later became the real thing in life as we know it. It was a fascinating show to watch -- especially if you'd not seen it before and had caught it in passing later in syndication. It also had a very cool theme song, quite an accomplishment in itself.