The Mod Squad

1968

Seasons & Episodes

  • 5
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  • 1
7| TV-PG| en| More Info
Released: 24 September 1968 Ended
Producted By: Thomas/Spelling Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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The Mod Squad was the enormously successful groundbreaking "hippie" undercover cop show that ran on ABC from September 24, 1968, until August 23, 1973. It starred Michael Cole as Pete Cochren, Peggy Lipton as Julie Barnes, Clarence Williams III as Linc Hayes, and Tige Andrews as Captain Adam Greer. The executive producers of the series were Aaron Spelling and Danny Thomas. The iconic counter-culture police series earned six Emmy nominations, four Golden Globe nominations plus one win for Peggy Lipton, one Directors Guild of America award, and four Logies. In 1997 the episode "Mother of Sorrow" was ranked #95 on TV Guide's 100 Greatest Episodes of All Time.

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Thomas/Spelling Productions

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The Mod Squad Audience Reviews

SmugKitZine Tied for the best movie I have ever seen
Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Mister_D_Loomis Mod Squad epitomizes the idea of fun and fantasy prevalent in the campiest era in television history. Three young adult delinquents transformed into undercover police officers with no guns, unlimited authority to self assign criminal cases and access to the latest and trendiest fashions, cars and accessories unattainable to your average, run-of-the-mill entry-level law enforcement we assume are not "on the take".As a casual fan during its initial run Mod Squad fit into my tastes for the likes of Batman, Star Trek and others brought to us for the first time in "LIVING COLOR". So we made fun at its attempts to dramatize "hipness" in its "Spelling-est" of hilarity. Julie getting smashed in the face endless times while mostly helpless and unusually understanding during her roughest tribulations while awaiting Linc and Pete to ride in and save the day in a spectacular hand to hand combat and no weapons.Still its a joy to watch currently and a mellowed appreciation for these type of shows has grown into genuine affection for television of this vintage. Though it may not be realistic it does have a certain patina of coolness the older it gets.
ian I was a teenager in the 60s. This show was typical of Hollywood trying to keep up with the young and failing miserably. It was always the same; by the time the studios became aware of a fad it was already outdated and the kids had moved on. For those reviewers here who think it was so hip and cool, seriously, do you honestly think Aaron Spelling had his finger on the pulse of the younger generation? The concept is laughable.If any of us at the time watched this it was to jeer and laugh at Hollywood trying to be cool. Mod Squad? Mods were ancient history when this was shown. The heyday of the Mods in England was 64,65. When this came out the young had moved on to other things. By 1968 the really hip were abandoning the hippie stuff and were busy inventing punk. Films and TV then and now were always years behind the times except for the independents.I've watched several episodes since those days and the whole show is ridiculous in concept and execution. Everyone involved should be embarrassed.
cooperhmc I write this commentary not as someone reminiscing about a show that they watched as a kid or adolescent; that reflected the era they grew up in - as many do on here, but as someone who discovered the show a generation later. I was not born until 1972 - so just as the show was ending its successful run. I didn't see the MOD Squad until it was shown as a rerun in the UK (where i was born and raised) in the late 90's/early 2000's. From memory it was on at 1.30 in the afternoon and I watched it during a brief period of unemployment. From reading episode synopsis' on several sites, it must have been season 4 I was watching. What I remember thinking was - what a cool premise. Three kids from conflicting backgrounds, anti-establishment, setting aside their differences, working together to help others. Yes, the cover is that they are working as young cops, ultimately to solve crimes but, to me, the show had a much more philanthropic message. At a torrid time in the USA and the world as a whole, the show commented on things such as Vietnam, race, social injustice - things that were actually quite risky for a mainstream TV show to be commenting on at the time. One thing that really sticks out is an episode where a soldier has just returned from Vietnam. Pete firmly shakes his hand and welcomes him home - in a time and a USA where returning veterans were, generally, not welcomed. The villains weren't always clear cut villains - it wasn't a case of black and white - the show exposed the fact that there are always several shades of grey in between; that there are often human tragedies lurking beneath the surface. The show had a lot of angst, the central characters Pete, Linc and Julie often having to examine their consciences; being faced with making difficult decisions. However, amongst all this, they always had each other. Maybe I am looking at this through rose tinted glasses but what I have really enjoyed through rewatching the newly released to DVD season 1, is the fact that these three 'kids' really care for each other; look out for each other - are always THERE for each other. Was it really like that at the time? Well, I like to think so - I think people were more neighbourly and mindful of each other back then. Is it like that now - sadly...no. I wish I could say it was but I really can't say it is. And this is from someone who did not live through that era - I was born to it but the world had changed a great deal by the time I was old enough to really start taking notice. I really hope that the distributors have had enough success with the release of the two season 1 DVD's to warrant a release of the subsequent 4 seasons. I know its all about profitability - sadly. But I think a lot of people would really appreciate this show - not only those who remember it first time around but perhaps those who enjoyed the reruns in latter years and, who knows, there may well be a new audience waiting amongst the generation of today. I can't think of any other show at the time that gives such an accurate social commentary of the time and if I was pointing anyone in the direction of a memorable show from that era to reflect ' how it really was' that would be the one.And boy......Was Pete Cochran ever sexy!!!!
jgarner136 Watching this show as a teenager, Julie was my idol; hip, intelligent, beautiful, with a cool job, great clothes, and hot guy friends.Seriously, Mod Squad was a well-done show with interesting characters. When Aaron Spelling, with Danny Thomas and Sheldon Leonard, ran the show, it was very good. Later, when Harve Bennett replaced Spelling, it went down a bit, but was still worth watching just for the stars: Michael Cole, Clarence Williams III, and Peggy Lipton. No insult intended for the stars of the movie, but these three will always be the Mod Squad, with Tige Andrews as Captain Greer. I would still rather watch episodes of the show than the movie.For a young girl living in a small town, Mod Squad was a window into another world, giving me a glimpse of life outside my boundaries. What I learned about being cool back then, I learned from Julie Barnes.

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