Laikals
The greatest movie ever made..!
GamerTab
That was an excellent one.
VividSimon
Simply Perfect
Billie Morin
This movie feels like it was made purely to piss off people who want good shows
itower
I've thought about this show so often, and no one ever knows what I'm talking about when I mention it. I was 10 years old when this was on, and was so impressed with how cool it was. It Takes a Thief was a sad substitute. Would LOVE to see this on some classic television station some time. What I'm having trouble reconciling is the Robert Loggia I now see with the cool (dare I say, sexy) guy I remember being in this show! How funny. I'm afraid the brief run of the series - only 1 season - makes it commercially unattractive, both for reruns on television and for a DVD - not enough potential for profit. Too bad. So many of the shows from that era were really "white bread," and this was different and edgy, as I remember it.
greatstuff-2
There were many great shows that pushed the envelope in the mid-1960s, but none were as pure film noir as T.H.E. Cat. Mr. Cat (the inimitable Robert Loggia)found himself in pitted against the strangest and most lethal array of killers to ever grace prime-time.Robert Duvall appeared twice as two different, but equally deadly adversaries in the series. Additionally, there is a beautifully lensed episode directed by Jacques Tourneur, who directed the Robert Mitchum classic film noir Out of the Past and the occult classics The Cat People and Curse of the Demon. Unfortunately, at this time there are no licensed versions of the series available, but reasonably viewable bootlegs show up at conventions regularly. Finally, while the jazz score of Peter Gunn (courtesy of Henry Mancini and sometimes Shelley Manne) is deservedly held in high regard, I would argue that Lalo Schifrin's theme and the jazz featured regularly on T.H.E. Cat is as good and like the series, more exotic and adventurous than any of its contemporaries. Hard to track down, but worth the effort.
powersroc
In 1966 on Friday nights I had two brand new series to look forward to as a 13 year old.The Green Hornet & T.H.E.Cat were unique among the standard TV offerings of cop shows,lawyer shows,doctor shows & sitcoms.Cat was a former circus acrobat & jewel thief who did his prison time & now was on the side of law.But instead of the standard cliché of his becoming a p.i.,he sold his services as a bodyguard & security expert.This propelled him into many exciting adventures.He generally was clad in black pants & a turtleneck.His weapons were his "Cat's Claws" knives that were hidden up each shirt sleeve.He was athletic & fast and could easily scale over high fences,up the side of any building,& over rooftops with a lithe skill.The Lalo Schifrin musical score is superb,the writing excellent as were the actors,and the show had a dark & gritty look to it.It remains a favorite of mine today even though it only lasted one season.Like The Green Hornet it deserved a long run,but both series managed to become cult classics for many fans even with their short runs.
marko
In his role as Thomas Hewitt Edward Cat, Robert Loggia was undoubtedly the coolest hero of the television 60's. A retired second-story man, Cat undertook missions in which he used his acrobatic skills to their best advantage. NBC advertised the program as a "high tension adventure series you can really sink your claws into," and it was just that.Probably drawing on his earlier portrayal of the cat-like Elfego Baca, an acrobatic western Disney character, the athletic Loggia apparently did a lot of his own stunts in the series. He was everything an adolescent boy of the time could aspire to: he wore a cool black outfit while on the prowl; he drove a cool black 'Vette; he carried a dagger-like knife referred to in one episode as "The Cat's Claw," which he could throw with unerring accuracy; he was, of course, irresistable to women; and he hung out between missions at the Casa del Gato (House of the Cat), a cafe owned by his gypsy friend Pepe, played to the suave hilt by Robert Carricart. The only other recurring character was the one-handed police Captain McAllister, played by the marvelous R.G. Armstrong.The original jazz score by Lalo Schifrin (sort of a flute- accoustic bass-drum trio number) set just the right mood for this dark series -- and Shifrin went on to compose for Mission Impossible!Television later picked up on the theme of using a reformed crook as a hero, notably with Robert Wagner in "It Takes a Thief" and "Switch." But Loggia was the original in this short-lived but lamented series.