GamerTab That was an excellent one.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Prismark10 Melvyn Bragg take time out from the South Bank to criss cross Britain in a Bedford van converted into a mobile cinema in the 1960s.Reel history of Britain was a 20 part documentary series that features archive footage revealing the story of Britain from 1900 to 1970.Having selected the most pertinent footage the programme makers tracked down people who featured in the clips or relatives of the people who appeared and tell the stories behind the footage. It celebrates British working life from fishing, mining to factory work. The cinema is visited by wartime evacuees, teens from the 1950s and relatives of the Great war soldiers.The programmes are not in any chronological order but its a good way to use the mobile cinema device and archive footage to reveal historical events, sometimes emotional and get a grasp of social history.For example in the programme dealing with the Great War we hear about the difficulties faced by a black footballer who joined the army and was not eligible for any medals because of his colour. We hear about the pals platoon as friends and relatives joined up and were posted in the same unit so they would feel camaraderie. The unintended consequences being that when they faced severe casualties, towns such as Accrington were devastated as their young men were dead or severely injured.The programmes were interesting but you do feel that they were also rather padded as Melvyn Bragg repeats information several times which seems to be the curse of many modern documentary programmes.