Supelice Dreadfully Boring

Stevecorp Don't listen to the negative reviews

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

DKosty123 This one happened because Letterman was young and talented and he was being mentored by johnny Carson. since Carson was much more modest and shy too those he helped had to have the talent to make it on their own. Letterman turned out as a Cum Laud graduate. Carson wanted to name David as his replacement and World Wide Pants was actually a production company associated with Carson directly.The reason NBC did not make Letterman the new tonight show guy was an NBC exec was still angry they had to really give Carson such a generous contract. NBC had to really open the vault to give Carson all he asked for but that money is on of the reasons this got started.Letterman did the rest and created a late night that would not create an empty space when Carson retired. He did it very well and would go on to fill the Empty Ed Sullivan Theater as well.

george.schmidt Letterman has always been aces with me ever since I started watching his iconoclastic show back in '84 (I know he started in '82 and prior to that in '80 w/an am talk show - I caught glimpses of that once) and still continues to provide an evening's worth of laughter just before I go to bed after what is usually a daily ritual of a thankless job and the mundane idiocy of humanity. His insouciant gap-toothed sardonic grin, clever razor-sharped wit and 'go screw' attitude fit like his trademark Adidas wrestling shoes and proved to be a refreshing take at the ol' chestnut - the talk show - proving a verbal jester with the gift of gab and a knowing wink to the viewer at home who was really in control when the next 'lovely and talented' guest was to partake of the chum-letting to the shark-feeding frenzy that is Dave.So many funny moments I'll never forget in the following stream of consciousness: Chris Elliot in any manic form; frequent guests Teri Garr, Pee-Wee Herman, Andy Kaufman, Tony Randall, Brother Theodore, David Sanborn, George Miller, Marilu Henner; Larry 'Bud' Melman (how truly ironic in a word also best to summarize the show in itself, making irony into a true art form that he would be considered 'intellectual property' owned by NBC/GE when Dave left NBC for CBS in '93) clueless to any events at hands in the show's proceedings particularly in his ventures outside 30 Rock (his notorious visit to the Port Authority greeting arriving bus passengers with hot towels had Dave in hysterics and his lengthy ill-conceived tour of good will to Tierra del Fuego, South America in which a clearly exhausted Bud demanded to comeback home to NYC!); Gerard Mulligan's stooge-personification when Dave would berate him to the point of suicide; 'Stupid Pet Tricks' (again a new art form of the ridiculously sublime; kudos to Dave's ex-Merrill Markoe, for her vision there); 'Viewer Mail' and Flunky The Viewer Mail Clown (portrayed by writer Jeff Martin who would go on to write for 'The Simpsons' and using a thinly-veiled attribute to Dave with Krusty The Clown considered Dave's alter ego); 'Brush With Greatness'; the avuncular announcer Bill Wendell (and his legendary parties); Dave visiting GE with a fruit basket much to the anger of the security head (a real film vault moment in dealing with 'corporate weasels and pinheads'); Elevator Races with Bob Costas; specialty shows (i.e. Viewer's Choice detailing how everything would be shown on the show; broadcasts from planes, the back of a pick-up truck; a mid-town hotel; etc.) such as the one where the screen did a full turn during the progress of the show; Crispin Glover's infamous appearance where he nearly knocked Dave out with a swift kick of his platform shoes; cantankerous comic book artist Harvey Pekar; one of the funniest moments ever was when he had some woman on with her monkeys and they were being taught manners and the female one was very antic and got a kick out of Dave and threatened to strike him at any minute prompting him to declare, 'She's gonna leap up and grab a vein outta my neck and kill me!'; Dave using puppets to show his disdain for the GE weasels during his infamous contract disputes; the suits made of Alka-Seltzer, bags of nacho chips, magnets and Velcro; trips to Chicago, LA & Vegas and on and on. I always said to truly get/enjoy Dave is the stand-by of watching Dave for Dave and not for who he had on the show (that would be attributed to Jay Leno who arguably was way funnier pre-'Tonight' show ascension; he's completely homogenized and mainstream and unfunny). Perhaps my fondest memories were when I actually went to see the tapings of the shows live (including the 10th Anniversary Special from Radio City Music Hall!). My first time I went with my college roommate and we brought Dave a gift, a t-shirt from our college, and oddly enough we were allowed to present him with it just prior to the taping. However it turned out we weren't the only ones with clothing as gifts ('Jesus, it's T-shirt City, tonite Paul,' he cracked after the umpteenth t-shirt handed over to him) and when I finally gave him ours he shook my hand, asked my name and where I was from and then the coup de grace he simply said to me, 'Well have a seat on me, but not a seat on me!' Dave will always be aces with me!

prionboy People today take for granted the style of humor that is so common today on late night TV. Don't forget that in the 1980's no one was doing that "anything goes", "screw those executive weasels", "hey, it's only TV, let's have some fun" type of show except Letterman. Dave Letterman spawned an entire generation of pale imitators such as Conan and Leno and many others. Letterman showed just how funny remote segments could be if perform with wit and disregard for consequences. Tom Green has only the latter, Leno has neither. Letterman showed that you could do a celebrity interview show without sucking up to the guests and that most celebrities actually have a sense of humor about themselves if given a chance. Letterman also turned the cameras on regular people with no special performance talent, showing that they could be as funny as anyone in the right situation. Chris Elliott and Calvert DeForest are still getting mileage out of their appearances. Fans of the old show will never forget Al Frisch, Jimmy Fitzgerald in "Technician's Corner", Gerard Mulligan, or Chris Elliott as the guy under the seats. No one could have made "Stupid Pet Tricks" and "Stupid Human Tricks" fly like Letterman could because Dave can take any silly situation and improve upon it with his quick wit. That is truly the mark of a great talk show host and no one is better than Dave. I could go on and on about all of the great comedy bits Letterman has done over the years and a couple of them may seem relatively tame by today's standards, but no one has ever improved upon the standard that Dave has set over the last 20 years. His current show isn't as anti-establishment or daring as his NBC show, mainly because there are no more barriers to break down. But the fact remains that if you want to watch a talk show that relies on cleverness and wit as opposed to smarmy pandering or mindless obnoxious behavior, The Late Show with David Letterman on CBS is the only place to go.

William H. Shannon "Late Night with David Letterman" is without a doubt the most clever, experimental (apologies to Steve Allen and Ernie Kovacs), and downright hysterical television program in TV history. To describe it would be pointless, because so many different things would happen in a given show. From about 1986 to about 1990 was Dave's finest period (he was still smiley sarcastic Dave and hadn't yet become angry sarcastic Dave), but the show was very solid overall. The Top Ten lists on those shows were 50 times better than the lists on the CBS show, and to me are some of the most valuable comic documents of this century, a sort of numerological Dave Barry.Kids, you think Tom Green was the first person to get into confrontations on camera? Check Dave when he went to bring "those weasels at G.E." a fruit basket and was promptly escorted out. Sure Viewer Mail and Stupid Pet Tricks were Dave's trademarks (both superior to the CBS versions), but it was things like the "Late Night Thrill Cam" and "Network Time Killers" and the show filmed in an airport, and the show that was played at a high speed to "save time," etc. that made Late Night the best thing on TV when it was on.