Manthast Absolutely amazing

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Yuki Dive is a two-part film that centres around the life of a talented fifteen year old diver named Lindsey (Aisling Loftus) whose ambition is to join the British Olympic team in 2012. One day, she returns from practice to find that her father is leaving and her mother is in the house with her new boyfriend. Upset by this turn of events, she begins to go off the rails, meeting up with friends and drinking in the park. It's then that she meets a sixteen year old boy named Robert (Jack O'Connell). They quickly become friends and end up having unprotected sex, which results in Lindsey becoming pregnant, putting her Olympic ambitions under threat.The main problem with Dive is that neither the plot nor the characters carry even the slightest whiff of authenticity. In fact, the characterisation in Dive is so bad that it ought to be held up as an example to teach aspiring directors and screenwriters of how not to do it. For starters, it doesn't help that Lindsey herself is an unlikeable character; passive, dull and despondent, who seems to spend most of her time staring into space. There doesn't seem to be any convincing reason for her to be this way. We don't see her having any problems at school and neither her parents, nor her mother's boyfriend are shown to be in any way abusive, violent or negligent. If anything, they're shown to be caring and supportive. Not that it would matter, as Lindsey shows little affection towards either of her parents anyway, which makes the whole "off the rails" scenario look rather implausible. When Lindsey becomes pregnant and she is unsure of whether to keep the baby or not, no reason is given to make us believe that she would risk her ambitions in order to pursue family life; at no point do we ever see a religious, maternal or nurturing side to her character. Presumably, the writers didn't think it important to include any of this. And neither was any real attempt made to make Lindsey's relationship with Robert look convincing; they go from meeting to sex in less than five minutes of screen time, with no chemistry to speak of. The writers obviously didn't want to waste time establishing their relationship in an interesting, meaningful way that might actually endear us to either of these characters.After a while, it becomes clear that the whole situation is ridiculous and that the characters are being made to behave in an implausible manner just to create drama and to drive the plot forward (In an interview, Loftus tried to handwave this by explaining that Lindsey's decisions were "instinctive," just in case anyone mistook her character for a thinking human being.) So it should come as no surprise that after listening to the actors describing their characters that they rarely – if ever – resemble anything seen on screen. Nowhere do we see any evidence of Lindsey being "brave," "astute" or possessing tremendous foresight, for instance. Likewise, nowhere do we see Robert's alleged charisma (not unless "Are you a princess?" and " You're gorgeous," are what pass for charisma nowadays.) But then again, the actors can absolve themselves of responsibility, as the blame clearly lies on the shoulders of the writers. If we populated Dive with characters that acted true to form, Lindsey would probably never have got pregnant in the first place and there wouldn't be a story. The result of all this is a film that only works providing you don't think about it, and even then there are other problems, such the musical score, which is droning and intrusive in equal measure. The dialogue is sparse and unremarkable. And then there's the symbolism, which is sometimes delivered with all the subtlety of a sledgehammer.But what makes it so much worse is the way that the people involved in the production kept going on about how "natural," "honest" and "realistic" it all was (the frequency of these words is rather suspicious). If challenged to point out evidence in support of this, I have no doubt they'd struggle to do so.

freemantle_uk Dive is a touching two part drama, telling the story of two teenagers in a more honest and realistic manner then most programmes and films. It shows how the two form a relationship and how their face their issues.Lindsay (Aisling Loftus) is an ambitious 15-year-old diver who wants to be part of the British Olympic team in 2012. She follows a strict training regime and she is very close to her father (Ewen Bremner). But when he moves out and Lindsay's home life starts to fall apart. Her mum (Gina McKee) finds a new fella, much to Lindsay's discuss. Lindsay starts to go out at night and drink with a group of teenagers. She meets Robert (Jack O'Connell), a 16-year-old who doesn't have girlfriend. That all changes when he meets Lindsay and the two start having sex. Lindsay ends up getting pregnant, which obviously puts a hold on her dream, yet Robert too has personal issues involving his dad and brother Alex (Michael Socha).There is excellent, natural acting from the two young leads as they explore their relationship and the pregnancy. There are supported by experienced actors like Bremner and Kate Dickie who are obviously competent. The characters are realistic, from a caring Lindsay's caring parents who she has grown distance from, Lindsay who actually enjoys her sport and not forced into it which is the normal cliché, Lindsay exploring teenage live and basically jumps in headfirst into a almost chav-like existence (at least with her friends). Robert is also shown that he to has problems at home, and the two teenagers have abandonment issues, but he is more of a dislikeable character. He does try and do the right thing but he is much more selfish thinking about himself.A really strong aspect of Dive is the direction by Dominic Savage, who skilfully explores his characters and shoots in a natural and realistic way. He uses his settings and backgrounds, such as the windmills and the bench, the suburbs and the tower-blocks to add honest nature of the film which is set in a unnamed coastal Northern town. He allows the characters growths and explores the issues raised. He keeps his direction simple, allowing the actors do their thing and allows the drama to be rather touching. There is a simple score which adds to the power of the drama. Savage, his writing Dominic Savage and the actors had a real understanding about how this sect of teenagers think and act, with Lindsay being a good girl starting to rebel. There look at a feckless lot who just go around a park and drink and smoke, which really true and much more normal then say Hollyoaks where every teenagers wants to have sex, commit crime and seek into the local nightclub.However an aspect I did not find realistic is that Lindsay had sex with Robert when there first met, I think considering the nature of that character who was hardworking and never had a boyfriend before that she would not have had a sexual experience straight away. Also there are some pretty strong sex scenes which were not really needed, Savage could have tone them down a little bit.