Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

freda747 You get the gist of this quickly. Its a mystery set in 1930's England around a black jazz band and the near murder of one of its girl singers. But I was thrown in the first episode by the bizarre way the people were characterized. 1)*** Americans- angry, violent, sexually deviant and slightly uncivilized. No explanation for this. The white American man is insanely rich, fat a woman beater. The black American man was gone from the show fairly quickly. He was incompetent as a manger, thuggishly angry, obsessed with having sex with white women, and - despite having a death sentence waiting for him back in RACIST America- unable to control his violent ego and "attitude" enough to stay out of trouble and not get deported. 2)*** Rich/Royal/ Upper class English- slightly stupid, slightly racist, slightly horny, and potentially dangerous. Black English Jazz band- the band and the music/performances in this program are fairly bad. Not at all what was. 3)*** Black English female singers- This one really threw me! Jesse, the thinner lighter of the 2 singers is being swooned over as if she were stunning. When in fact, the actress is barely attractive. It seems to be an odd English thing to describe mixed race or light skinned people as beautiful without having to actually get one that fits the bill (which an American production would have done). Carla, the darker- but full figured black singer has a much better face. Her bone structure is very striking and on par with the white actresses- yet she is being sold as the less attractive and less talented of the two. Jessie is also being offered as a GREAT singer, when the actresses voice is ...well....nothing. Carla- the darker skinned actress is being played as naive and unambitious, and slightly dim witted- wanting only to prop up her better looking, more talented friend Jess. Its almost bizarre.Of course, the only good people are English and socially in the middle. The white woman photographer willing to love a black man, the black English man- who is very even tempered and plays piano, and the white, lower middle classwriter/manager of the band. *****THIS IS NOT A SPOILER- I have a feeling they will make Carla- the dark skinned girl singer the killer or co-killer (with one of the upper class, stereotypically defective males). She is too tall and too physically large to be good. It fits the weird formula of this mini-series***

petervintner Firstly, at the time of writing (16 September 2013) the information for this on the main page is incorrect. It says this film/series is not yet released. However, I've just watched all 5 episodes on DVD (2 DVDs to be precise), plus the extra almost 1 hour "interview" between Stanley and Louis. The DVD release date was March 2013.Like another reviewer I simply don't understand some of the poor ratings for this film. It was an immaculate production with an excellent cast for, I think, a cracking, well written story. It has style, suspense, humour, sensuality, good looks, great music and, as with so much of Stephen Poliakoff's work, a lot of intelligent dialogue and some fairly long scenes. But that's why I'm a fan of Poliakoff's work - it is literate, well researched and observed, and you have to pay attention. It rewards that attention many time over.I must say there were some performances that were a revelation to me. Jacqueline Bisset for a start, and the late Mel Smith. But everyone was really outstanding in the parts they played. Joanna Vanderham is astonishingly mature well beyond her years (19 or 20 years old during the production) and is destined I feel to be a great actress. One cannot comment on this production without mentioning the singers - 2 established actresses who had never sung in public, in theatre, TV or on film before. They did their own singing and were amazingly good.

Raymondander When was England portrayed as such a weird place? Director Stephen Poliakoff has served up a wonderfully realised vision of a land offering unthinking obeisance to its Princes while casual racism and anti-Semitism is unchecked by the surface good manners. In Poliakoff's 1930s London a black jazz band finds success and tragedy. But this is not just a drama about jazz, as some of Britain's better known critics seemed to expect. Dancing on the Edge casts its net wider than that with an evocation of mood and time both effective and affecting. Some of the sets are worthy of fine painters. Even Degas is referenced in one witty little scene with a ballet class. The BBC deserves praise for allowing the money, air time and creative freedom to realise the director's vision. We're likely to see a lot more of young stars like Tom Hughes (the debonair and highly-strung Julian) and Joanna Vanderham (the sister Julian is so dependent on). Stand-outs in an unusually strong cast of characters are Chiwetel Ejiofor's Louis and Matthew Goode's Stanley. John Goodman puts in as strong a performance as he gave in Oscar-winning Argo, a slight production compared to Dancing on the Edge.

pawebster Good points: Matthew Goode was excellent in his role as Stanley. His character was original and he carried the show, in my opinion. Most of the others were all right and did what they could with the material. The story kept me watching and interested to the end.Bad points: It took place in a depopulated London (reminding me of 'Survivors' or 'Day of the Triffids') and never convinced me for a second that it was 1933. The tame music seemed very unlikely to offend anybody at that date, when much 'hotter' jazz had been available for at least a decade previously. Some of it sounded more like the swing music of the forties. Tom Hughes' character and acting was ho-hum. The hiding from the police became silly and unbelievable in the last episode.Like others, I cannot understand why the BBC think this director is something special and throw money in his direction. But it's worth seeing.