Nonureva Really Surprised!

Comwayon A Disappointing Continuation

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

labarref If Smiley's People and Tinker Tailor Spy were about the "how" of espionage, A Perfect Spy is about the "who".Whereas the first two were essentially two long investigations, A Perfect Spy, which begins as a non-linear story line in the novel, is about the socio-psychological components of what goes into making a spy.While those who have read the book will find this adaptation surprising, it is also one of the finest. The story is linear, starting with a young Magnus, his con father, and his acolytes.The background of the series is about the issue of what I would call inverted loyalties. Time and again, we see Magnus' relationship with his father as one where the former is criminally tolerant and indulgent, as any son with a deranged father might. During Magnus' childhood, and through his mentoring by Jack Brotherhood, we see an individual with divided loyalties, but seemingly true to both.What this creates for the viewer is the impression that the good guys are actually bad, and vice versa, without resorting to any literary or artistic device. For example, we see immediately that Axel is initially harmless, but while he does something objectionable, nevertheless remains very attaching. For Magnus, it is the same. The buildup of his character during childhood only strengthens our sympathy for him. The reality is only revealed when Egan's character towards the end, when the Americans are catching on) starts to decompose.To my taste, the series spends too much time on the childhood of the hero character. There are also devices taken from the book that are clearly unnecessary for the series (the green filing cabinet for example), and the relationship with Brotherhood could have been expanded, for the sake of balance with that of Axel Hampel.Not to be sexist, but the women in the series are simply annoying. Also, their role in Magnus', Jack's professional lives and the spy craft is merely as sex-pots, which doesn't always conform to the zeitgeist. Although this was perhaps truer in the 1970s, when the novel's action was taking place. Also, some people don't seem to age, yet, they've been apparently working since the end of WW2; i.e. Jack Brotherhood, from 1947 to 1987 without a grey hair...Overall, however, we see compelling acting. Egan, MacAnally, Weigang at the summit of their art.The last ten minutes of the series is the finest acting ever filmed or seen.

Oneillmike I have just watched the whole 6 episodes on DVD. The acting throughout is excellent - no question. There was not quite enough action for me I must say. No real suspense as such, just plenty of first class character development. Nothing like Tinker Tailor in terms of "whodunnit". If you like a good story slowly and carefully told then this is for you. Peter Egan as the lead Magnus Pym is excellent.The film portrayed the life of a traitor. A man who should have been a loyal member of the British Intelligence Service but who was so damaged psychologically by his unhappy childhood that deception became his way of life in all things. As a child he adored his father but his father was exposed time & time again as a crook and a con man. Pym betrayed not for ideology or money but because he needed to deceive those closest to him (wife, son, mentor). Pym is fatally damaged by his father's influence - it has eaten his moral fibre away. He has no real love or loyalty in him.Heavy psychological stuff and not many light moments in the 6 hour series. Very well done though.

pekinman It's been a long time since I saw this mini-series and I am happy to say its remembered merits have withstood the test of time. Most of the components of 'A Perfect Spy', the adaptation of LeCarré's finest novel, in my opinion, are top-drawer. Outstanding aspects of it are the musical score and the masterful screenplay, the latter written by Arthur Hopcraft who was also, I believe, the screenwriter for 'Tinker Tailor Soldier Spy' with Alec Guinness a few years before.The actors are mostly very good, some superb, like Alan Howard's Jack Brotherhood and Ray McAnally's Ricky Pym. Peter Egan is fascinating to watch because his face changes with every camera angle. The passage of time and the effects upon the physical appearances of the characters is very believably done. So much so that I wondered exactly how old Peter Egan was at the time of filming. The only jolt comes after the character of Magnus Pym is transferred from the very able hands of a young actor named Benedict Taylor to those of a noticeably too-old Peter Egan, just fresh out of Oxford. But this is a minor and unimportant seam in the whole.Egan has trouble being convincing only when the text becomes melodramatic and he needs to be "upset" emotionally, ie cry. None of the actors have a very easy time with these moments, aside from the wonderful Frances Tomelty who plays Peggy Wentworth for all she's worth and steals the episode with ease.Jane Booker is annoying as Mary Pym. She has part of the character under her skin but often displays an amateurish petulance that diminishes her as a tough cookie diplomatic housewife, which Mary Pym is. Rüdiger Weigang is splendid as Axel, amusing, ironic and brilliant. I also enjoyed Sarah Badel's camp turn as the Baroness.The British view of Americans is vividly rendered in some dryly hilarious scenes. When the Yanks have come abroad to confab with Bo Brammell (head of MI6) the American contingent are portrayed as empty-headed buffoons who appear to have memorized a lot of long words out of the Dictionary and spiced them liberally with American jargon and psycho babble, much to the bemused scorn of the English. The humor and sadness are subtly blended. LeCarré has a knack for mixing disparate elements in his stories and Hopcraft has brilliantly captured the melancholy, yet wistful, atmosphere of the original.Not a perfect production (what is?) and yet the best of the LeCarré adaptations to reach film or television to date. Highly recommended to all spy-thriller lovers and especially LeCarré fans. DVD available from Acorn.

vicboyd001 This is without doubt my favourite Le Carre novel and it is transformed to the silver screen with all the love and care one could wish for. I read a review on this site that seems to find the characters loathsome but I believe this misses the point. All Le Carre stories are essentially love stories and this is no exception. It is an accurate reflection of the period in which it is set. Betrayal is the key by everybody for the good of nobody. Pym upbringing is so close to my own that I find it chilling watching. Peter Egan is in his finest role and the late lamented Ray McAnally is unbelievably good. Even the smallest roles played by such as Andy de la Tour, Tim Healy and Jack Ellis are spot on. This cast is a Theatre Impresario's Dream. The Story should not be spoiled by ill informed description but suffice it to say it relates to a young mans slow but inexorable destruction and descent into espionage and treason. All my sympathies lie with Magnus Pym and his sole (non sexual) love for Poppy (Rüdiger Weigang-as wonderful as always. His only true friendship but also by definition another in the long line of betrayals. OUTSTANDING! Rent it, buy it. love it.