Matrixston
Wow! Such a good movie.
Greenes
Please don't spend money on this.
Neive Bellamy
Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Leslie Howard Adams
Somebody didn't like this under Review/Comments (evidently incorrectly thinking it violated correcting cast errors in this space.) I wasn't correcting cast errors when I wrote it originally and I'm still not. I'm pointing out the facts regarding the unique way the credits were presented on the first chapter. The name of actor John Carroll is not shown on the original-release, Chapter 1 film credits until it appears on a sixth-page of actor credits; the first page is a full-body image of ZORRO. The second page is split between head-shots of HELEN Christian and REED HOWES; the third-fourth-fifth actor credits page features singular shots of DUNCAN RENALDO, NOAH BEERY and RICHARD Alexander. That is followed by an "And" page that lists: John Carroll, Nigel de Brulier, Robert Kortman, Jack Ingram, Roger Williams, Edmund Cobb, Mona Rico, Tom London, Harry Strang and Jerry Frank. None of the role names are shown. Additionally, a feature version, running 68 minutes and with an-intended title of "Mysterious Don Miguel", was edited from this serial and released theatrically on September 22, 1938, and this feature version was re-released theatrically again on January 16, 1959 in order to take advantage of and cash in on the popularity of the Zorro television series produced by Disney and starring Guy Williams. . The 1950s syndicated television version of the serial consisted of six twenty-six and one half-minutes chapters running exactly 156 minutes, leaving the television version 56 minutes short of the 212 minutes of the theatrical version. This Comment reference the hstory of this serial contains no spoilers and no data corrections.
Neil Doyle
This was typical Saturday afternoon serial stuff from Republic with the script reduced to good vs. bad shootouts, this time involving a crooked man (NOAH BEERY) who wants to take over a railroad and will stop at nothing (including bombs and derailments) to get his way. Only thing stopping him is our man Zorro (JOHN CARROLL) who dons the mask whenever he has to get down to business.The episodes I watched were three of the earlier episodes (#3, 4 and 5) where the villains open a derailment switch and almost trap Zorro before he can release his foot caught between closing tracks as a train approaches. He uses a unique way of getting out of the situation.Lots of scenes with the villains using the wireless to contact each other as Zorro overhears their plans. HELEN Christian and REED HOWES are two of the most bland performers in the history of serials, judging from their work in this serial. Christian has the femme lead and she almost disappears while talking.Carroll is okay as Zorro using his slight Spanish accent and looking boyishly young before he made it to better films as a featured player.Something only the kiddies could really love--standard serial stuff.
tomwal
A good effort from Republic,with exciting effects including a horse to train transfer by Yakima Canutt, concerns Noah Berry's efforts to take over a railroad and John Carrols[as Zorro] heroic efforts to stop him. Good location photography,and supporting acting adds to the excitement. Whitney and English direct in fine style.The primitive musical score [used in earlier serials],detracts. Though not the same caliber as Zorros Fighting Legion, this is still a top notch serial,well worth viewing.
kelsci
I first saw this serial on TV in the 1950s in New York. It was my first exposure to the "anachronistic westerns" that republic pictures produced at that time. Six Guns, railroads, airplanes horses,gunfights,a machine gun and automobiles; what a combination in a western serial. One would probably have thought seeing this and other republic features made along these lines that people walked around with six guns like the old west in modern times living in California. This formula however in my opinion worked very well. Republic's music scores of that time were wonderful with basically the same themes used in this and other films of 1937. The casting was fine for this serial. John Caroll made a wonder modern Zorro. In a change of pace, Richard Alexander, the unselfish prince Barin of Flash Gordon,1936, makes a marvelous villain as the character, El Lobo (Brad Dace). Kudos to the rest of the cast especially Duncan Renaldo. There is no question that the production company knew how to put together a rousing actioneer of all the components I mentioned above. The closest of films that we see today that even approach the mood and mystique of this serial would probably be the Star Wars epics. This is one of my favorite serials because it has "entertainment value"; one to pop on a vcr to enjoy and relax more than "once a year".
