Neive Bellamy
Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Myron Clemons
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Portia Hilton
Blistering performances.
Payno
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
HumanoidOfFlesh
A girl named Nami is viciously raped by sexual deviant in an abandoned warehouse.Two years later.Sensei is a fetish pornographer who is taking pictures of Asian ladies during inappropriate sexual situations.He has his cameraman named Kouichi and his resident model Mako who wears nice "Jaws" t-shirt.A mysterious woman named Yoshie begins to stalk Sensei.What are her hidden motives?"Zoom Up:The Beaver Book Girl" is another great pinku eiga flick from Nikkatsu vaults.It's filled with fetishistic sex and quite graphic nudity.There are also golden showers and crucifixions.If you like Japanese exploitation cinema you can't go wrong with this one or giallo-influenced "Zoom In:Rape Apartments".8 water sports out of 10.
Danny Blankenship
Just once again explored some more of the Japan erotic cinema and I must say that the Asian people once again don't disappoint when it comes to a skin flick. This title "Zoom Up: The Beaver Book Girl" is once again a Japan erotic masterpiece from the Nikkatsu collection. The tale involves a sexual mystery set in the world of the pages of adult magazines. Starting many years ago with a Japanese woman who was brutally attacked in an old factory, with her attacker escaping leaving behind a trail of money. Connecting up with the present many years later an adult photographer who's snapshots of underwear pictures meets a mystery female who's a model in disguise. This encounter will reveal a hidden mystery. Overall good Japanese erotic film that pushes the limits showing the violent and mind numbing side of sex this is one film you will remember.
