Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

fdevos6 Zatoichi and the fugitives is definitely one the few that stands out from the rest of the series much like how 'Zatoichi and the chess expert' and 'Zatoichi the outlaw' did (that is if you watched the films in the order it was released).'Zatoichi and the Fugitives' features some of the most ruthless villains to have appeared in any of the zatoichi films preceding this title. These villains really gave 'Zato no Ichi' (played by Shintaro Katsu) a tough time. Its the first time I actually worried for his safety which is a rarity since he is mostly portrayed as a practically invincible swordsmen as seen in 'Adventures of Zatoich' where he slayed an entire guard post with scores of skilled swordsmen. However this time Zatoichi has many close calls which gives a change of pace from the mass-slaying zatoichi we are so used to, suspense is no stranger to this film.Takashi Shimura of 'Seven Samurai' and 'Red Beard' fame that played Dr Junan really left me impressed. The dynamic between the blind gangster/swordsmen/anma and the kind-hearted doctor made for a very entertaining watch. Takashi Shimura did not disappoint.The use of Manzai comedy and the customary gambling scene where Zatoichi always manages to split the loaded dice in half is left out of this film. Instead one can expect a dark and suspenseful tale with a very solid story that doesn't feel too reminiscent of the previous 17 films.If you have made it to the 18th installment of the long-time running zatoichi series than that means your already hooked to this very likable icon. Zatoichi and the fugitives is definitely one of my favorite Zatoichi films.

Ersbel Oraph Overall, this is the second worst movie of the series after no. 16.After the break of the Chessmaster movie this comes back as a bad choice. Again, there are the fountains of badly made blood, poodles of unconvincing thick blood staying like some common paint, severing of body parts. Let's call them special effects, but such bad execution should be convincing enough for the makers to re-shoot the scenes without the gratuitous gore.From a script stand point this is even worse than the 16th movie of the series. This is some sort of Rocky of Japan. Usually Zatoichi does not wait for too many proofs for bad guys, yet this time waits for all to pile up in an idiotic and unrealistic Hollywood way. And when everything is way too much - he does it badly wounded and after losing a lot of blood. Sure, this turns out to be more of a legend, yet, a legend that needs blood not to keep alive, but to spill some red stuff in a vane attempt to increase drama... this turns out bad.It would have been acceptable if this was the last movie of the series, having him die off screen and try to explain the ridiculous scenes by the last wish.I've given it 5 stars out of respect (Hollywood does something worse in the first movie and the sequels are far worse, yet this is the 18th!) and because it still has a lot more script than most of the movies employing katanas.Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch

MartinHafer While the opening scene isn't too unusual for a Zatoichi film, the music that follows as the credits roll is. Instead of the usual fare, the song has a beat similar to some of the Spaghetti Westerns, though the singer is Japanese--an unusual style to say the least, though the Zatoichi films ARE at heart very similar to these Italian films (similar themes of good versus evil and the almost super-human hero).As for the rest of the film, it's full of the usual elements in a Zatoichi film--assorted bad guys who want to kill Ichi AND torment the masses, an evil but beautiful woman (not in all of these films, but a familiar element) and Ichi again not wanting to kill. And, as usual, the film begins with an attach on Zatoichi. Soon afterwords, Ichi arrives in the same town where a gang of assassins are being hid by a corrupt government official. Ichi strikes up a friendship with a kind and generous doctor that invites him to live with him and do massage on his patients. However, not unexpectedly, the assassins end up killing a lot of people for the evil official--necessitating Ichi to kick butt. However, in a twist, he's severely wounded by a gunshot and is practically dead on his feet during the final two confrontations--the first with the official and his gang and later with the assassins.Overall, a pretty typical but always good film from start to finish.By the way, at the 43 minute mark, there is a confrontation between Ichi and some jerks. This has to be one of the coolest and funniest ones I've seen in these films! It's a truly memorable scene.

Brian Ellis From the opening credits and the blaring song that starts the movie, it was obvious to me that the Zatoichi franchise was making an attempt to make a spaghetti Samurai movie. In earlier Zatoichi films, the villains were bad, but they were usually cowardly buffoons hiding behind hundreds of henchmen and the occasional hired gun. In this movie, the fugitives are particularly loathsome: dirty with no respect for anyone. The violence is more brutal and even Zatoichi gets one of his worst beatings in a long time.Unlike the Italian westerns, the violence happens mostly at the end; Zatoichi tries to warn off the fugitives, but even he mutters that these people are trouble. I think his Italian counterpart would have wiped them out as soon as he met them. The typical Zatoichi touches are still there, the twist at the end (which is so obvious, I think even the filmmakers weren't too concerned with making it hard to guess) and the large bodycount at the end, for example. I give the filmmakers credit for trying to stay up with the times and the film is enjoyable but I also feel that some of the Italian "gimmicks" weren't needed (most notably the jarring music).