filmtogo
Prequels can be good as First Class shows us. Michael Fassbender is Magneto or basically Erik Lehnsherr who calls himself Frankensteins Monster. Also we get Hank McCoys transformation into Beast what looks like a Dr. Jekyll / Mr. Hyde moment. So this could also be called a classic monster movie. But that's the problem. Mutants don't wanna be seen as those monsters. Especially Mystique, here played by Jennifer Lawrence who never fits into that role as good as Rebecca Romijn. The best moments of the film are between Fassbender and James McAvoy as Charles Xavier. Director Matthew Vaughn understands perfectly that these two are friends who are stronger and better together but are divided by their different worldviews. Sebastian Shaw, the leader of the Hellfire Club, is a nice villain for this origin story. He works way better than anything that X-Men: The Last Stand threw at us. There is a little love story - i guess? - between Mystique and Beast that really doesn't work. X-Men: First Class is nevertheless one hell of a good X-Men movie with a formidable cast.
TownRootGuy
The prequel idea was great but they should have kept going with the Origins movies as well.This has a good cast, some nice eye candy, good action, great FX AND the funny is first ... rate. It needed more Wolverine and a better Mystique but it was still good. I can watch this yearly.
rupak_speaking
This movie started well for me but fell through midway and I simply did not feel eager enough to continue watching it, like OK, will see the next half some other time. The simple reason is that it was not offering me anything more than the other X-Men movies I saw, other than the fact that they were trying their best to conjure up a credible prequel. I was kind of surprised to see the high ratings it got and felt like the superhero comic strip movies get rated higher than they should be (another good example being Avengers), as if this particular genre loving audience is still in the hangover mode and liking the same old wine in new bottles. I am eager to see something refreshingly new like it was when this Iron Man first came on screen or the Ant-Man, though not well made with a weak script, but still worth an effort. For me the Tobey Maguire Spider-Man trilogy by Sam Raimi still stands out the best superhero franchise till date. Nolan's Dark Knight series I don't even consider here, that's a totally different league. For X- Men: First Class, it gets a 5/10 from me.
MaximumMadness
Since its debut in 2000, 20th Century Fox's "X-Men" film franchise has stood tall as one of the longest-running and generally most successful comic-to-film franchises of all time- currently boasting ten entries and with several more sequels, prequels and follow-ups looming on the horizon. But it hasn't always been a smooth ride as any fan will tell you, and the quality of the individual films has ranged from stellar to sub- par, depending on the entry and the creative team behind them. And this is best exemplified by the first five entries... with the original two films being very fun and well-constructed action- adventures, only to be followed-up by two lackluster let-downs in the form of "The Last Stand" and "Origins."But then something magical happened. After a two-picture absence, original director Bryan Singer returned to produce and co-write the fifth chapter in the ever-growing saga, with Matthew Vaughn taking the reigns and assembling a talented cast of relative newcomers. And together, these brilliantly creative minds unleashed "X-Men: First Class", a quasi-prequel that gives us the previously hinted-at backstory of Charles Xavier and Erik Lensherr, and how they became the best of friends before turning into bitter enemies. "First Class" is a very well assembled and often thrilling installment in the franchise that boasts strong visuals, likable characters and a surprising depth!Haunted by the death of his family and his own exploitation at a Nazi prison camp during his youth, Erik Lensherr (Michael Fassbender) seeks to use his mutant powers of magnetism to strike back against his former tormentor- a twisted man named Sebastian Shaw. (Kevin Bacon) At the same time, young telepath Charles Xavier (James McAvoy) and his shape-shifting adoptive sister Raven/Mystique (Jennifer Lawrence) find themselves pulled into the world of the CIA by agent Moira MacTaggert (Rose Byrne), to be used as consultants working against Shaw. Eventually, the two men meet and form a strong but begrudging friendship, putting together a team of mutants known as the "X- Men"... But Lensherr's past agony and pain might be too much of a burden on the group, and threatens to tear them apart...The strength of the film lies in the surprisingly thoughtful and complex story that Vaughn and Singer weave, in addition the keen visual direction and highly likable cast. The story is an emotional roller-coaster, with many twists and turns to keep the audience invested all while still grounding the plot in real human relationships. Much of the film is centered on the interpersonal friendships between Erik, Charles and Raven, and they give the story a strong foundation to build upon. At its heart, "First Class" is a story about damaged people, and how confronting the past can either save or destroy us. Thankfully, the film avoids being bogged down in constant turmoil through clever humor brought about by the youthful energy of the team, and it strikes a fine balance. It's never too harsh to be entertaining, nor is it ever too fun to be impactful.Vaughn's brilliant eye for composition and flow never ceases to amaze, and "First Class" is arguably the most visually arresting film of the franchise. Vaughn's films always have a certain "hyper-reality" to them in terms of style and tone, and it mixes well with the series that Singer has established. There's plenty of eye-popping action and subversive thrills to be had, in addition to some subtle and very intimate scenes. It's a very well-made film. And this is only made all the better by the magnificent cast. McAvoy and Fassbender both command the screen with their performances, and are each given many a moment to shine as they go through life-changing experiences. Particularly Fassbender, who is just awe-inspiring as the man who will become Magneto. I also quite enjoyed Lawrence (in her pre-"Hunger Games" days) and Byrne in their more supportive roles as the women in Xavier's life. Both have unique and clearly defined character arcs and add a lot to the film. Other parts played by the likes of Nicholas Hoult, Lucas Till and Caleb Landry Jones as members of the "X-Men" team are pitch- perfect in their casting. And of course, special commendations go to the delightful Kevin Bacon, who does a great job as a scenery- chewing baddie that you'll just love to hate. Also, keep your eyes peeled for a surprise cameo that I won't spoil, but made the entire film for me!Unfortunately, I do have to say that there are some minor problems holding the film back just shy of perfection. While the movie is well-paced and well-structured for much of its run-time, the third act is a bit messy and relies too much on generic clichés to strike home with the same impact as the rest of the film. In addition, the fact that the film is a prequel does rob a lot of the suspense as we know who will live or die and how it will all end. And finally... despite being a prequel, the film makes some rather unorthodox choices that really bugged me and contradict what came before. Yes, it was only ever meant to be a sort-of "quasi-prequel" that would bend or change canon and continuity when needed. But the fact it tries so hard to tie into the original trilogy while also incessantly changing key details of the previously-established backstory does genuinely annoy me as an audience member. And that's not spoiling anything, because it happens throughout the entire film."X-Men: First Class" might not be a perfect film, and the questionable choices it makes in regards to the canon and continuity of the franchise might alienate some hardcore series fans. But that doesn't change the fact that it boasts a remarkable cast, keen visual direction and an absolutely wonderful storyline filled to burst with emotion and pathos. It's a darned-fine film and overall a fantastic prequel to the excellent original. And I give it a very good 8 out of 10!
