Hellen I like the storyline of this show,it attract me so much

Cathardincu Surprisingly incoherent and boring

Teringer An Exercise In Nonsense

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

mbribel Sometimes you just want to watch a movie that is not too "deep" from an earlier era like the 1940's. Walter Pidgeon is the absolute stand-out here. Surprisingly funny and yet combined with a no-nonsense attitude, his performance easily stands-up to Ginger Rogers' iciness (until of course she melts). The other star of the movie is the Waldorf Hotel itself. It's absolutely fascinating to see the inner workings of what must have been state-of-the-art hospitality service. Lastly, although I'm not a big fan of either Lana Turner or Van Johnson, they're both effective and touching. If you're looking for art this is not it, however, if you're looking for something pleasant this will certainly do.

edwagreen In my opinion, one of the best romantic comedies that ever was made is "Weekend at the Waldorf." This 1945 film has dramatic overtones and a cast worth pots of gold.The movie is so good because the plots don't stop getting twisted. It's basically the story of 2 women finding romance and love at the famous hotel.When stenographer, a sweet and pert Lana Turner, finds love with GI Van Johnson, who is facing an operation, she has the opportunity to break out of her 10th Avenue existence, by working for Edward Arnold, in his usual craft role; this time as the phony executive trying to pull a deal with Arabs.Secondly, we have Hollywood star, Malvern, played to the hilt by Ginger Rogers, who is lonely. She finds romance with war correspondent, Walter Pidgeon, a great guy with some designs of his own.Notice Rosemary De Camp's authentic European accent in the film. An absolute gem of a film which shouldn't be missed. The film trumpets a bygone era.

sonny-miller This movie was a very entertaining film. I would love to have it on DVD and incidentally, why isn't it on DVD? The romantic situation between Walter Pigeon and Ginger Rogers is enough to make you want to own it. Also, the film has several small stories that give it an extra appeal. An added tidbit is Robert Benchley's dog having puppies while he nervously reacts to the event as would an expectant father. Van Johnson is superb as a Army pilot whose fate is in the balance because of some previous injury. The film industry of today should recognize Van Johnson's contributions to films in the 1940's and 1950's. The character actors are as ever perfect in their roles.

Neil Doyle MGM updated its "Grand Hotel" storyline, gave the four principal roles to Walter Pigeon, Ginger Rogers, Lana Turner and Van Johnson, set them in some plush hotel surroundings amid a not too involving weekend situation and just let things coast along merrily. When the story sags a little, they even bring in Xavier Cugat and his Orchestra for a Starlight Roof floor show. None of it seems real, not for a moment, but it's all as light as the frosting on a cake and no one expects you to shed any tears as they did with the original story.The ladies have the camera in love with them most of the time. Rogers and Turner are both seen at their photogenic best and give assured performances in roles that require a modicum of thespian talent.Rogers gives the more effortless portrayal, clearly having a good time when she finds herself in a situation not far removed from those she shared with Fred Astaire in many an RKO romantic comedy. Turner is there for eye candy and little else. Van Johnson is enthusiastically boyish as the Army man concerned about his health and Walter Pigeon is as debonair as always as a pipe smoking war correspondent who has marriage on his mind with Rogers as his prospective bride.It's all photographed in dreamy MGM style, everything smoothly crisp with the story shifting back and forth between a couple of minor sub-plots involving Edward Arnold, Phyllis Thaxter and Keenan Wynn.Ginger Rogers has never looked more glamorous as the worldly movie star who is not quite sure whether she yearns to be alone and Walter Pigeon is excellent as the man who eventually wins her heart.Pleasant fluff, but easily forgotten. A nice cast does what it can with stock characters and that's about it.A warning: The ending is unbelievably theatrical and corny.