StyleSk8r
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
David Holt (rawiri42)
If I were a shooting enthusiast, this DVD would be quite useful as a skeet! As it is, I'm not a shooter and so the only other use I can think of for the disc is to use it to make a mobile where it will reflect all the colours of the spectrum and, maybe, give some pleasure - because, as a movie, it sure as hell doesn't give any!I have often thought that I would like to visit Perth in Western Australia but, after wasting over an hour-and-a-half on this, I'm not so sure. It seems that there are no adults there - just mindless teenage morons who hold parties in mega-expensive houses and attend a school where there are no teachers and the haves enjoy bullying the have-nots. (I think - because, to be honest, I have no idea what was going on most of the time!). I have given this movie 1 point only because I liked Adelaide Clemens and hope that she hasn't totally ruined her prospects by allowing herself to be used in this load of rubbish.Another reviewer has described this as Lord of the Flies with SMS and, whilst that is quite succinct, I think it does Lord of the Flies no favours because to even mention both film in the same breath is insulting!This has to be the worst film I have seen since I-don't-know-when. Rather than watch it, take up shooting or go and make yourself a cool mobile!
ken_martin-932-430106
not your typical slash and burn revenge movie. although the ending leaves the viewer hanging (how dearly we want to see the villains squirm some more), it wouldn't have been as effective. prevalent in any society are bullies and the people who let them get away with it. what the movie aims to impart is that we can do something about it. I could understand why the female protagonist felt so helpless, its because of the fact that society will tend to put the blame on her for putting herself in that position in the first place. and she knew that. i've read most victims of rape will not report it to the police for fear that no one will believe them. suffice it to say that i like how it turned out in the end. even if it took me a few minutes to do so:) we see the male protagonist leaving it up to general consensus on who will be shot dead, him or hes step-brother. and i guess humanity didn't loose its innate sense of justice and choose well..
Nic
It's easy to see Ben C. Lucas' first feature, Wasted on the Young, simply as a stylishly directed teen melodrama on steroids and cocaine. In the film, the romance developing between the lovely-but-sassy Xandri (Adelaide Clemens) and the cool-but-geeky Darren (Oliver Ackland) is brutally thwarted by an all-powerful clique of popular kids led by Darren's step-brother Zack (Alex Russell). It is set mostly in either sleek school grounds or drug-fuelled parties, but there is not a school teacher or parent in sight. Early hints of impending violence are realized at a party at Darren and Zack's house, during which tech-savvy Darren prefers to stay upstairs in his room playing violent video games and chatting online, despite Xandri's text messages enticing him to join her. In the wake of the incident that occurs in Darren's absence, the tension and violence rise quickly to a fever pitch, as the popular clique uses technologically enhanced peer group manipulation to suppress their crime, and their victims seek their own technologically enhanced revenge. The twists and turns along the way artfully maintain the tension as the plot unwinds to its conclusion, and the young cast all give great performances, especially the menacing Alex Russell. As a straightforward thriller, the film also offers some easy morals, though the finger wags have been modernized to the era of social networking and cyber bullying.But although it's possible to watch Wasted on the Young as just a teen-thriller, there is much more to get out of it. For instance, a more interesting way to watch Wasted is as fantasy. Or rather, twin fantasies represented by the two main characters, step-brothers Darren and Zack. One, Zack's, is the fantasy of ultimate popularity, freedom from authority and unrestrained hedonism. The parties in the film may seem unrealistic, the members of the popular clique may be one-dimensional and the power they wield, and the violence with which they wield it, may sometimes be absurd. But that is the point of a fantasy. The other fantasy, Darren's, is the dream of a humiliating and violent revenge shared by anyone who has been victimized by the powerful. Where you find Zack's fantasy, you also find Darren's.These are common fantasies and the cinema has a long history of indulging them. Revenge fantasies in particular are a favourite of action films, thrillers and, especially, teen films. More and more, our wider culture also indulges Zack's fantasy. The technologies through which we increasingly communicate encourage vapid interactions and the quest for popularity and acceptance — as Zadie Smith recently pointed out, it's not hard to see that Facebook was dreamt up by a 19 year old male. And reality TV shows, perhaps the most Orwellian concept ever coined, indulge our love of popularity contests and our desire to eliminate the unwanted by the sheer force of popular opinion. This sort of fantasy world is the one the characters in Wasted on the Young seem to inhabit, and there are plenty of suggestions that this is what Lucas had in mind.Seen in this light, Wasted takes just the form it should. The fancy-editing, ultra-slick production and relentless pace make for just the sort of popular entertainment we should think about more critically. It's exaggerated elements — like the violence and drug-taking — and some strange plot features (including the absence of adult interference) are weirdnesses that point to the fact that we're in the realm of wish fulfilment and nightmares. The film's saturation with social networking tools and recording devices isn't a transient comment about those particular technologies, soon to be outdated, but a more lasting observation on how the technologies we use consolidate particular ways of interacting with each other. And while on the level of a thriller the ending may seem over-the-top, it actually works to remind us of the sorts of entertainments we're so routinely offered. In this way it's not unlike the strange, post-climactic scenes of Taxi Driver. The film takes on the form of the fantasy it wants us to think about.As a film highlighting our various fantasies and the way we, as a culture, indulge them in the cinema and elsewhere, Wasted is by no means unique. The most recent predecessor I can think of is Tarantino's Inglorious Basterds, in which we are offered the ultimate revenge tale — obliterating bastard Nazi's! And in some ways there are parallels between the two films, since Wasted so deliberately recalls so many films, especially cult teen flicks (think Heathers and Donnie Darko to name just two). But Lucas takes the idea in new and interesting directions and uses a tense thriller as his vehicle. It's fantastic to see an Australian film, a Western Australian film in fact, that aims so high and achieves so much.As a teen thriller, Wasted is genuinely compelling, but if that is the only way it is received then it really will be wasted on the young.
Tom Goodfellow
(Full disclosure: I am acquainted with director Ben C Lucas) I saw Wasted on the Young at its world premiere at the Sydney Film Festival,and it got a strong reaction from the audience. I'm not sure I can say we enjoyed it, because it is a disturbing film in many ways, but it was certainly a highly impressive debut from a rookie team.A plot synopsis will make it sound like a generic high school movie; cool kids bullying uncool kids, drug-fuelled parties and so on. Halfway through, though, an event occurs which takes us into altogether darker territory and what the director terms "a moral fable".Technically, the film has many virtues. The bleached-out cinematography, the strikingly shot swimming pool sequences and the nightmarish music/sound design during the party scenes all serve the story well, and are far more ambitious than most Australian movies.Wasted on the Young shows high school as a horrifying and hermetically sealed environment (I don't think we see any parents or teachers at all), and a cast headed by the impressive Oliver Ackland really convey the tension and conflict of the story.