Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

AboveDeepBuggy Some things I liked some I did not.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

bshljtbaruah80 Waste Land is a true classic depicting inner humane values radiating through art forms of exuberance. Vik Muniz's extraordinary artistic zeal spiced with humanity in collaboration with those true aspirations of the characters that the former portrait gives the entire plot a genuinely vibrant touch. It ignites the recycling power of our inner self as it makes us feel the universal human appeal more deeply then ever. It allows us to peep through the vibrant colorful membrane of civilization straight into the lives of those standing at the 'fundamental sphere' of d civilization super structure, coping up with life with whatever means they are provided with....living rather in their own happy times sans any involvement in petty vices of so called "modern civilized society". But still they are human...they have been unable to acquire the taste of life in fullest terms but they still possess that zeal to improvise their life style, at least into another level. Vik Muniz just provided them that platform,standing on which they can at least level up themselves with the other lot of the society. Simply a Masterpiece!!!

dromasca In one of the several memorable sequences in 'Waste Land' world famous artist Vik Muniz teaches his audiences about looking at art in a museum. People tend, he tells them, to get closer to the painting, then farther, then closer, then farther again, several times. When they are far away they get the overall idea of the art work. When they get close they try to understand how it is made. From far they see the idea. From close they see the matter.The great idea of the documentary directed by Lucy Walker is to describe the process of creation in which the subjects are the Brazilian garbage pickers, called 'catadores' while the matter is the recyclable materials extracted from the huge garbage ground called 'Jardim Gramacho', which gathers most of the waste of the huge metropolis of Rio de Janeiro. However this is only the inner circle of this smart film, as the first part describes the search that triggers the project in which the artist explores the space of the big garbage dump. At first it looks like one of its work, a square on the map, getting closer men seem to be visible at the dimensions of ants, then zooming in we discover a full human landscape composed of people who may be working physically in garbage but they do it with pride and dignity and a sense of purpose of their work and its benefits for the overall good of the community. The human dimensions of the characters discovered by Muniz are best material on which relies the quality of his art and the quality of the film director Walker made about the process of creating his art.'Waste Land' is beautifully filmed, the characters are well chosen, and one can say that garbage never looked so beautiful and full of colors and the garbage people never looked so clean and sexy as in this film. There is one more ethical question that needs to be asked about the realization of this documentary. By picking a few of the people of 'Jardim Gramacho' and making them for a few months part of the artistic creation process, Muniz, Walker and their teams took them out of the social medium they were living in and exposed them not only to art, to better work conditions, but also to the broader world living at a very different pace, social relations and living standards. Even as the money raised from the selling of the works returned to the people involved and to the social activities in the 'garbage garden' I could not ask whether the human involved will be able to get back to their previous work, or even as they use some of the cash earned for the participation in the project will they be able to overcome the short glimpse they witnessed of the world of glamor of art trade? Although Walker's documentary tried to give a rather positive answer to this question I could not avoid a slight suspicion of manipulation, or at least of a self-righteous perspective of the facts as they were presented. But maybe I am just over-concerned, or maybe Muniz and Walker are right in their approach, and the path to help the under-privileged of this world starts not with 99 or 100 of the lucky ones enrolling to help, but with the first of the 100.

Claudio Carvalho The Brazilian artist Vik Muniz rooted in New York decides to make the difference and travels to Jardim Gramacho, the largest landfill of the world in the outskirt of Rio de Janeiro, with the intention to help the pickers to improve their lives using his art. Vik recalls an event when he was very poor and lived in Brazil. He tried to break up a fight between two men, and he was shot when he was walking to his car. Later the shooter gave him some money that allowed Vik to travel to USA.Vik and his friend Fábio spend two years in Jardim Gramacho and get closer to a group of pickers of recyclable materials and takes pictures of them. He uses his talent to make art using recyclable material and photographs the results. Then he travels to London and sells one of the portraits in an auction. With the money, the pickers buy a truck, equipment and build a leaning center and a library. The pickers that worked with him leans how to improve their lives and leave Jardim Gramacho. "Waste Land" is a must see uplifting documentary that shows another side of Rio de Janeiro unusual in the cinema: the lives of people that earn their lives honestly working in the greatest landfill of the world and how they could improve their lives with social investment.Vik Muniz gives a lesson to our corrupt politicians that embezzle money that are dedicated to people of the lower classes and shows how it is possible to improve lives using the money properly. His humanitarian work should be publicized worldwide and specially in my country. Maybe in the future, the president and politicians would be outraged not with handcuffed corrupts but with the damage that corruption causes to our people. My vote is nine.Title (Brazil): "Lixo Extraordinário" ("Extraordinary Garbage")

bandw The first part of this movie has modern Brazilian artist Vik Muniz (based in New York) visiting Jardim Gramacho, one of the world's largest garbage dumps, near Rio de Janeiro. We are introduced to some of the "pickers" who sort through the giant mountains of trash for recyclable materials. One of the messages of the movie for me was to see that the pickers, while living tough lives, are pretty normal people, many with families. Most of them are quite philosophical about their jobs, feeling that they are doing a useful and needed service and getting paid on the order of $20 a day. This first part of the film disabuses you of any stereotypes you may have of the people working in the dump.About a third of the way in it looked to me like this was going to be more of the same, seeing Muniz photograph more workers and talking with them. That was interesting enough, but if that was all that was going to happen, I was on the verge of bailing out. But then I found out what Muniz was really trying to do, which was to create an art work. He projected his photos onto the floor of a large hall, enlarged to a size of about 100 feet by 100 feet. Then he had the subjects of the photos bring in materials from the dump and arrange them artistically around the photo outlines on the floor. The final product was a photo of the arrangements on the floor. Seeing how the people reacted to their artistic efforts was when I became truly taken in. From there the movie held many surprises.Muniz pledged to contribute all monies from the art works resulting from this project ($250,000 at the time of filming) to the improvement of the lives of the pickers. The effect that the experience of working on this project had on the pickers was most interesting. It changed their lives, and the life of Muniz as well--to his surprise. I particularly liked the part where Muniz visits his childhood home in São Paulo and notes that, absent an accident in his youth that had fortuitous consequences, he could easily picture himself as having wound up among the pickers, instead of being a financially successful New York artist. There was an engaging dialog between Muniz and his wife as to whether lives had been changed for the better.The photography often reveals an artist's eye and there is is some original music by Moby that enhances the experience.I don't think I have ever seen a better example of the trans-formative power of art. This film, that I thought was going to be a downer, turned out to be inspiring.