MamaGravity
good back-story, and good acting
Plustown
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
Hadrina
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Walter Sloane
Mostly, the movie is committed to the value of a good time.
dazzling37
I loved this documentary! I've always been taught to just 'ignore' men when they whistle or say something about me when I'm on the streets - my friends all do the same. It does make me angry though, that men can check me out and comment and talk to me, and I'm just supposed to avoid eye contact and pretend nothing's happened when something has happened and it does affect me.That's why I love this documentary, finally instead of just ignoring this issue - some women has turned the 'harassment' of men back onto them, by 'harassing' them about their harassment - by filming their actions with a video camera and then confronting them about it, on video.I also loved the way the director pointed out how invasive and inappropriate it was for a complete stranger to make a comment to another complete stranger like that. Women don't do anything like that to men, but many men seemed to think that it was totally okay to talk to a complete stranger like that. For many people, sexual harassment on the street/in public seems like a small thing, something that 'just happens' and you ignore - so I was glad that someone considered it offensive enough to make a documentary about it! The director's links between the concepts of stranger danger, rape, and being talked to (in a sexual way) by a stranger on the street was fantastic.
sign4deaf
I just finished watching the gritty documentary "War Zone" and feel strongly compelled to write my views. While I applaud the film's goal of educating men to the problem of a woman's perception in society, I feel that the message was drowned out in the aggressiveness and confrontational style of its filmmaker.I wholeheartedly agree that the objectification of women is a problem in society and has/can lead to a wealth of terrible situations. However, I do not agree that the answer to this problem is the practice of stripping away the right to privacy of men AND woman in an attempt to "outshout the crowd."Ms. Hadleigh-West certainly made a lot of noise with her denigrating, insulting style of filming, but did she do her important cause any good? For communication to be effective, the message must be delivered in such a way as to influence the recipient toward the speaker's intended viewpoint. The only thing accomplished by this film was to offend by labeling all men as "potential rapists" and damage the cause of women's rights by reinforcing the stereotype of feminists as offensive, confrontational bitches.To put her views in perspective: In the past 15 years, my parked car has been hit in a parking lot on 2 occasions, both times by a female driver. Am I now justified in proclaiming that all women should have their driving privileges revoked? This supposition is as ludicrous as this film's slanderous premise.Her tortured use of an actual 911 call by a rape victim only served to hype her own sense of indignation at the expense of the woman whose life was so brutally violated by the act. While she champions her claim of personal rights and privacy, she continually stripped those rights from all others involved in this film. She repeatedly thrust her camera into the faces of men, insults and degrades them, and then feels vindicated when her harassment provokes ill-tempered reactions. She actually seemed surprised that a man on the sidewalk became angry when she said she imagined he was "unemployable", "had deeply rooted problems", and asked if he were a sex offender.Her constant attacks and blind labels of all men only prove lie to her stated purpose to educate and assist. Ms. Hadleigh-West has simply used a true societal problem to shout from the rooftops, "Look at me, I'm a woman."
lasherxl
While the premise of the film sounded unique and intriguing after watching the first 5 minutes of the film I could have stopped there and gone on with my life. She does get some interesting comments and reactions from her subjects, but not really enough to add to the validity of the film.
I also felt she went a bit overboard with many things. If a guy said a filthy comment, grabbed her, or made some disgusting gesture to her, I would say go for it, bring him down, he's a pig. What bothered me though is she would walk around in revealing clothes and be surprised when guys would look at her and give them hell about it.I think somehow she forgot that being attracted to other people is a part of human sexuality and a big part of who we all are. Guys will look at beautiful women, especially when they dress provocatively, just like women will look at men when they are wearing a tight tank or no shirt at all.
Some women may hate me for this, but I hope not. I have much respect for women. I was raised by one. I also come from a Spanish family and we are very matriarchal. My grandmother was the center of my family for years, but I don't really feel this did anything to help women's rights and from what the filmmaker even said herself, some women were offended by her project.
Claudia-
The film maker confronts men on the street about their harassment of women.The footage is necessarily raw; it takes a lot of concentration on the audio. For the effort necessary, I wanted a bigger payoff. The film certainly has its provocative and revealing moments, but overall it didn't convey much to me that was new and interesting. Her threshold for when she would confront men was low enough that I found some exchanges unnecessary and therefore annoying.