Walk Hard: The Dewey Cox Story

2007 "Life made him tough. Love made him strong. Music made him hard."
6.8| 1h36m| R| en| More Info
Released: 21 December 2007 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.walkhard-movie.com/
Info

Following a childhood tragedy, Dewey Cox follows a long and winding road to music stardom. Dewey perseveres through changing musical styles, an addiction to nearly every drug known and bouts of uncontrollable rage.

Genre

Comedy, Music

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Director

Jake Kasdan

Production Companies

Columbia Pictures

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Walk Hard: The Dewey Cox Story Audience Reviews

ClassyWas Excellent, smart action film.
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Yash Wade Close shines in drama with strong language, adult themes.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Neddy Merrill Some interesting decisions here from Judd Apatow and company. They start with just the essential choice to parody a modestly well-know music biography - "Walk the Line" which had come out only 2 years prior. Unlike "Spaceballs", the Mel Brooks parody of perhaps the most famous films of all time and one rife for satire likely the vast majority of film-goers won't even catch most of the allusions to Johnny Cash's story such as the death of his brother who haunted him his whole life. Also, Cash's name continues to carry artistic cache unlike a John Denver or even Elvis Presley so some viewers may have found themselves offended by the send-up of Cash's life story. Another interesting choice involves using a script made up of only jokes until the final 10-15 minutes of run-time when the film becomes very sentimental finishing on an incongrously uplifting final performance of a legitimate tune. The strategy seemed to be to launch one joke after another with the idea that enough will land to make the overall experience funny. While there is some sophisticated humor (Dewey's first wife played by Kristen Wiig promises to support his muscial career no matter what before nearly instantly trying to get a legitimate job for him in a slaughterhouse even after he has become wildly sucessful), for the most part - including the actual name of the film - it is a long series of racial, scatalogical, and genital jokes. There are many Python-esque absurdist moments as well particularly focused on fourth-wall breaking (much is made of John C. Reily playing Dewey at 14, 19, and 21). In short, probrably more of a party movie for groups enjoying some inerbriates.
elshikh4 The idea was spoofing many singers' bio-pics and lives, especially after a string of musical bio-pics within a few years earlier like Beyond the Sea (2004), Ray (2004), and Walk the Line (2005). Well, it sounds tempting. And I have to admit; the trailer got me. But regrettably, it was ugly. So abysmally ugly ! First of all, John C. Reilly, who's a very good actor, looks incredibly ugly, if not scary, as the title character. There was a love scene for him that I suffered from, and couldn't even understand, where he was totally unfunny, and with slow pace, no music, and low-angle—turned into killer horror ! Throughout the whole movie, he does nothing laughable, and seems really cheap. By the way, don't try to search for anyone else. Save Reilly, the rest are cameos.Comedy means smartness. A rule that this movie never heard of. Therefore its writers chose the ultimate easy solution; which is filth, disappointing every attempt to write a good situation or dialog, resorting – instead – to absolute dirtiness that any mean adolescent could create, and while immersing into it, the whole movie turned into mean adolescent itself ! Actually, the script is jammed with many kinds of filth. Filthy jokes, filthy images, and even filthy meanings. For instance, the matter of addicting different drugs along the years exceeded being a running gag, to be some sort of drugs' glorification, as if no genius or success can be reached without them. This is not a parody inasmuch as publicity ! I really got fed up with movies that have nearly nothing but swearing, nudity, and drugs, while presenting themselves as comedies. These are crimes more than fun. "Rated R for sexual content, graphic nudity, drug use and language" will transform movies into hard porn, if hasn't done that already! It's clear that Hollywood in the last decades drives us to obtain entertainment from sewers, addressing dreadfully an animalistic side in us.So as a comedy, Walk Hard: The Dewey Cox Story didn't make me laugh. It did make me abhor. And as a comedy from Hollywood lately, it's another monster disguised as a pet. It's not a movie for me. It's a repulsive toilet, where nobody cared to flush once, to make an audience of repulsive toilets as well. The thing is, if I wanted something else, it's no where to be seen. Because big percentage of Hollywood comedies nowadays became trashy, or frank trash. And anyone with an atom of brain, or sensitivity, must flee to the old comedies, where intelligence, respect, and human were still part of the mix. For my, their worst is better than those saddening contemporary comedies.
Python Hyena Walk Hard: The Dewey Cox Story (2007): Dir: Jake Kasdan / Cast: John C. Reilly, Jenna Fischer, Raymond J. Barry, Kristen Wiig, Tim Meadows: A grand and hilarious masterpiece satire of the stability of musicians and the hassles of fame. When his brother dies in a freak accident, Dewey Cox aims higher and becomes a famous musician. An instant sensation leads to two wives, several children, and many trips to rehab. Director Jake Kasdan presents a comedy that mirrors Walk the Line. He previously made the entertaining Orange County but this is one of the more original concepts. John C. Reilly is hilarious as the naïve Cox who battles his feelings towards relationships and family under fame and drugs. Reilly portrays Cox from an amusing thirteen up to his seventies where he finally receives recognition. Jenna Fischer plays the June Carter Cash role who will become his second wife. Despite his lifestyle choices she remains the most current. Raymond J. Barry plays the father that regrets his son's very existence due to his favor over the deceased son. This is all concluded with a hilarious turnabout of realizations. Kristen Wiig plays whiny first wife Edith whose lack of support provides some of the best lines. Tim Meadows plays Cox's drummer whose running joke has him on every drug imaginable. A great mock bio pic that walks hard over fame, family and delusion. Score: 10 / 10
Tss5078 I'm not a fan of farces, and to be honest, I'm not that crazy about John C. Reilly, but one thing you can be sure of, is that when I see Judd Apatow's name attached to something, I'll eventually see it. Walk Hard is a mocumentary about an Elvis Presley type persona, whose music spanned an evolved over a 50 year career. As styles changed, so did Dewey Cox, his outfits, personality, and his music, it was all very clever. I especially liked when he ran into the Beatles at a monastery in India. Walk Hard has some very funny moments, but this film would be nothing without John C. Reilly. It seems like he's in everything these days and most of the roles are quite forgettable, but Dewey Cox is easily his crowning achievement. Reilly is an actor I don't care for, in a style of film I don't care for, yet I was still very amused by the whole thing. The one negative I can give the film, is that is was exceptionally long for this type of film and it spent far too much time on the early stages of his life. The end of the film felt rushed to avoid it becoming a three hour movie, which to me suggests that maybe it should have been split in two. The inherit problem with comedies is that the longer they are, the more tiresome they become. While I enjoyed the first half of the movie a lot, by the end I really couldn't wait for it to end. Farcical comedies are usually way out there and Walk Hard has some of that, but by and large it was an interesting take on fifty years of American pop culture. The film and it's star far exceeded my expectations and for what it was, I was impressed.