Drawing from research on early computer chip manufacturing, Vestiges tells the story of a woman who finds an archive of bizarre photographs and begins to be haunted by its images. Vestiges uses similar formal structures as Chris Marker's La Jeteé, using mostly still images to explore ideas of collective memory and the exploitation of women’s, and in particular women of color’s, labor.
Vestiges (2024) is currently not available on any services.
ann haeyoung
