Pacionsbo Absolutely Fantastic

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

edwagreen Didn't the maid played by Esther Dale have a strong resemblance to Eleanor Roosevelt? I thought I was seeing the former first lady in the role.An absolutely delightful film with June Allyson acting as a 14 year old so that her talents could be displayed. Van Johnson is the impresario, quite a character with so many clients, that hardly anything gets done. Gig Young portrays the reporter willing to go along with the story so that he can get his girlfriend Allyson and finally get a good scoop on a fantastic story of a hoax being perpetrated.Allyson is so cute as the masquerading 14 year old. She goes along with this since when she introduces her real self, Johnson couldn't care less, only wanting the young lass for musical fame.Keeping her in line becomes a focus and the two, even though he thinks she is still a child, develop feelings for each other.

Panamint June Allyson's acting is really good in this film, I think its one of her best performances. Van Johnson gives a good performance but seems a bit uncomfortable in the role. Gig Young delivers his usual effortless and somewhat detached performance in a thankless supporting role.My problem is that this story and whole film are contrived, being nonsense about a child pianist who is or is not a child, with one awkward set up after another revolving around this one idea. Its a deliberately contrived movie for its star. The whole idea is misguided as an overall movie, but ironically serves its one and only purpose- to be a starring vehicle for June Allyson and showcase her acting talents and charm.This is a star who gives a fine performance, and this is a starring role custom written for her. It seems like she is in every scene, and she might be. So if you like June Allyson, you will like "Too Young to Kiss", if you don't like her, you won't.

lcantoni A pleasant film about a Midwestern girl trying to make it in the cut-throat world of professional classical music. It definitely resembles "The Major and the Minor," but it's neither as funny nor as endearing. Still, it's chock full of "popular" classical music, which makes the movie extra entertaining. (The theme that one recognizes from "The Wizard of Oz" is actually Robert Schumann's "The Happy Farmer.") June Allyson is always fun to watch, but her comic talents aren't really given full play here. Van Johnson is a bit too hyper (and a little sleazy); indeed, the whole movie seems a bit too full of nervous energy, as if everyone in it were in a big hurry to get it over with.

Ripshin Did anyone notice that background music written for "The Wizard of Oz" was used in the opening credits and background music for this film? In "Oz", the music plays over the opening scene of Dorothy and Toto running along the road, presumably after encountering Miss Gulch. You hear it many times afterwards. I guess, for this film, they pulled it from the MGM music library, not knowing "Oz" would become such a classic, and that any bit of music from it would be so recognizable over sixty years later. The original piece for "Oz" was (erroneously)titled "Trouble in School." UPDATE: I have been informed that the above-mentioned piece of music is actually not original to "Oz," but is,in fact, a classically composed children's melody.