TrueJoshNight Truly Dreadful Film

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Muswellmedia Director Peter Whitehead was something of a one man band as a film maker making news items and what we now call pop promos. So what we get here is a number of the kind of films he was producing at the time joined together, collage like, rather than a rounded supposedly complete vision. But hey thats what it was like, there was no simple straight line narrative knitting it all together. Personally I think this makes it more honest and valuable as a document of the time and the reason why TV programmes are still using this material to illustrate programmes about the period. My favourite moment features the Stones playing the Royal Albert Hall and whipping the audience up into a rioting mob that flood the stage with Brian Jones laughing his head off at the chaos. Also Lee Marvin and Michael Caine define cool while Vanessa Redgrave sings out of tune.

apigpuke This film is a great reflection of London and the British scene in the 1960's, dated for 1967, with authentic film footage of Pink Floyd with brilliant Syd Barrett heading them. Some people say it is boring, but should not leave reviews if they feel so strongly to negate a film which requires patience and culture, perhaps a more enlightened perspective. It features cameos by Lee Marvin parading about, as well as Eric Burdon, another legend. The reason why some do not understand it is because it is'nt filled with gimmickery or special effecst or some ellaborate script that fits into some conventional genre. But it is an experimental film, a time-capsule with rare raw footage that Floyd fans or any British scene enthusiast would love. I personally was thrilled and would reccomend the film to anyone with interest or the I.Q. to comprehend the film's inherent idea. If you are looking for some passionate drama or an Arnold S. gore-fest, go elsewhere. Dig this film!

wwe3 If you in no way enjoy Pink Floyd music, then do not buy/rent/steal this video. You will not like it.However, if you really like Pink Floyd and really get into their early stuff, this video is a real find. Peter Whithead directed this as a dedication to Syd Barrett and to capture the mood of swinging London. It includes the greatest version of 'Interstellar Overdrive' ever recorded. And a song called 'Nick's Boggie' which is a very hard to find Pink Floyd track. See this film for no other reason than to hear the music and enjoy the scenery.If you like the film, another good video to get is the Pink Floyd London '66-'67 video. It is 30 minutes long and was used as a Promotional trailer for 'Tonite, Let's all Make Love in London'. The film 'More' is also an interesting film with a soundtrack by Pink Floyd, that features their earlier work.

Monster-17 I swear to God this is one piece of cinematic filth that should be burned, it's soooooooo boring.1: Don't rent it.2) Don't buy it.3) Heaven's forbid, if you find yourself enjoying it do make sure you get some much needed help.