Mjeteconer Just perfect...

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Billy Wiggins Bill Kiowa (Brett Halsey) practices his pistol-handling everyday in prison, using a carefully carved wooden replica gun. Kiowa was framed, we learn, and up to the very morning of his release, he repeatedly whips the gun up and out of an imaginary holster, hoping to perfect his draw for the one moment he has dreamt of: facing the man who framed him.TODAY... opens as Kiowa gets his release, and the story unfolds with Kiowa rounding up a gang of mercenaries to help track down and confront the man who framed him, James Elfego. (The character's nationality is never mentioned but he is played by the Japanese actor Tatsuya Nakadai. Elfego dresses and acts like the other cowpokes in his gang -- minus a hat -- so the casting might be a lark, or meant to have some deeper subtext.) Kiowa's father gives him a stash of loot to use for paying off the hired guns, and dad is happy to recommend four top-shelf men for the job. Each man is a colorful, distinct personality, and each is played by a legitimate Euro-Western leading man, making the team an all-star squad of sorts. We have Franco "Chet Davis" Borelli, star of DEAD MEN DON'T MAKE SHADOWS, as a clean-cut ladies man; Wayde Preston from BALLAD OF DEATH VALLEY portraying the no-nonsense sheriff; Western stalwart William Berger as a frilled, bejeweled, card-shark; and lastly, the legendary Bud Spencer in full-on "Bambino" mode in the part of a Herculean giant.The first third of the film, wherein Kiowa assembles the gang, is kind of light-hearted, and has a BLUES BROTHERS-esque "let's get the old band back together" feel to it. Despite Halsey's menacing demeanor, the gang is seemingly primed more for a rip-roaring good ol' Western adventure than a fierce, intense showdown with a band of violent savages. Particularly curious is the conceit where Kiowa will meet with a prospective gunman, lay out the terms of the job, and, BANG, we cut to a shot of them riding together side-by-side. So first it is Kiowa alone, then he picks up his first hire and it's two men riding, then another hire and bang, three men riding, etc. Set to the pic's spritely, bouncy, main theme, it's definitely more mirthful than menacing, though hard to determine if that's due to the director's intent or his clumsy touch.Finally, Kiowa's gang set out on their cat-and-mouse chase of Elfego and his gang. Will Kiowa finally get his chance to kill his rival? The story has been given much attention by fans and students of cinema, due to it being an early writing effort of horror film master Dario Argento. But truth told, it is a very ordinary and generic revenge story, one that could have been done by anybody. The interesting aspect of a Japanese man playing the villain is never really addressed within the story itself, so we don't know if it's a "choice" by the writer, or what.Direction by Tonino Cervi is efficient if unremarkable. This film is the only Western on his resume, and its direction is straightforward, and notwithstanding the sepia flashback setpiece, pretty ordinary. The scenery lends a bit of moody and distinctive ambiance to the action, especially in the final showdown sequence, which is set in a lovely, densely-wooded forest. And as mentioned previous, the pic's recurring title music is a little bit too bright and happy to be a good match for the revenge setting of the story. Angelo Lavagnino is the composer. Yet despite the ill fit of the pic, it is a catchy theme.Brett Halsey (billed as Montgomery Ford), an American TV veteran leads the cast as the morose and intense Bill Kiowa. This is the first I've seen of him in a Western, and I am impressed. His style here is straight from the Franco Nero Django school, with bright brooding eyes, stubbly beard, and big over-sized scarf. He is the lone member of the "good guys" that is played straight, that is to say, without a wink or smirk, and he's very good in the part. Wayde Preston is good, bringing a John Wayne-type swagger as the quick-shooting lawman. Bud Spencer is as ever, the wry, sarcastic behemoth of a man, always fighting with his fists rather than engaging in gunplay. (And just an aside, but why does Spencer never wear a hat in any of his roles? Vanity? Who knows.) The standout among Kiowa's men is the delightful William Berger as Colt Moran. His sideways grin and dapper styling are a delight to watch, especially in a scene where he confronts an underhanded poker cheater in a saloon. Toward the film's climax, Berger dispatches a bad guy and betrays no emotion other than to bemoan the blood splatter on his fine, frilly shirt.The villains are led by the evil Elfego, played by Tatsuya Nakadai, a veteran of the Japanese screen including several appearances in Kurosawa pics. His performance here is pretty brilliant, all wide-eyed, intense, and deeply felt. He is a good match for Halsey's low-key, brooding hero. Elfego is dressed like a western gentleman (no hat, though) and packs a big machete in addition to his pair of six-shooters. Was the machete intended to bring to mind a samurai sword? Maybe, but I really wish we had some explanation to his character's origin and backstory. It might have opened up a new level of intrigue to an ordinary plot.It's not an essential eurowestern, but I would call TODAY WE KILl... a solid entry in the genre. Worth seeking out for a standard tale efficiently done, and for fine turns by Halsey, Berger, and especially Tatsuya Nakadai.

anxietyresister My first positive review for a while, and it's for this little Western potboiler. A guy who has spent five years in prison for the murder of his wife which he was not responsible for organises a band of the meanest hombres around and goes to kill the real culprit of the crime. The murderer happens to be the leader of a bunch of merciless gangsters who hold up stagecoaches and dispose of anyone who gets in their way, so our hero and his desperadoes have their work cut out for them. But where there's a will..Lacking the technical expertise of Clint Eatwood's finest, this is still a thoroughly engaging spectacle. So what if the dead bodies sometimes move, and the fists obviously never make contact with skin? Thanks to robust characterisations, lashings of wit, enthusiastic gun battles and an infinitely hissable villain this is well worth catching at the wee crack of dawn when you can't sleep. In fact, it's so entertaining I am postponing my own bedtime at 2.30 a.m to recommend it to everyone. Now that's commitment. YAWN. 6/10.... ZZZZZZZZZ *Head collapses on Z key*

Witchfinder General 666 Co-written by Horror-great Dario Argento, one of the filmmakers I have the highest respect and admiration for, Tonino Cervi's "Oggi A Me... Doani A Te!" aka. "Today It's Me... Tomorrow It's You" of 1968 is an average Italian revenge Western that has its highs and lows, certainly no highlight of the great Spaghetti Western genre, but a film with some definite qualities and some very good moments.After spending five years in prison, Bill Kiowa (Brett Halsey) seeks nothing but to take revenge on merciless Outlaw James Elfego (Tatsuya Nakadai), who has destroyed his life. In order to fight Elfego's notorious gang, Kiowa hires five men, among them the huge O'Bannion (Bud Spencer) and gambler Francis 'Colt' Moran (William Berger)...It is beyond doubt that Dario Argento is not only a Horror genius, but also a brilliant writer of Westerns, since he co-wrote the story to Sergio Leone's ingenious "Once Upon A Time In The West". The plot of "Today It's Me... Tomorrow It's You!", however, certainly has some interesting points, but is ultimately nothing more than average. One of this movie's biggest qualities is the cast, as it features the legendary Bud Spencer in one of his early Western roles, the great Spaghetti Western regular William Berger in one of his typical cool-cat roles, and the famous Japanese character actor Tatsuya Nakadai, who is just great as the diabolic villain. Brett Halsey is not too charismatic in the lead, but his performance is not bad either.The quality of the score differs throughout the movie, I didn't like the main theme, but some parts of the soundtrack are pretty good, especially the drum sections, accompanied by a yell, and Nakadai's character's theme. The movie's biggest flaws are the buildings and locations. They look OK at times, but over-all the movie delivers the visual impression of European woods in the fall much rather than the old West. This could have been a lot better if it had been filmed on better locations (such as the Spanish Almería), but it is an overall decent Spaghetti Western. My fellow Spaghetti Western enthusiasts should have a good time. 6/10

Mike E Monster Overall, just okay, really, although I will say kudos in particular to Tatsuya Nakadai, who played a great lead villain (he later played the leading role in Kurosawa's "Kagemusha"). What makes him even cooler is that - besides the fact that he wears no hat, nor does Spencer for that matter, Nakadai also wields a wicked machete when things get cooking! Halsey plays an effective lead too, in particular visually - I mean, the dude can grow a good scruff and done a wicked black cloak and hat!The one drawback is the obvious low budget, never more obvious than the fact that - outside of the "good guy" gang and the "bad guy" gang, I think there is like 5 more people in the ENTIRE movie - seriously! The entire third act takes place in a barren forest as the two gangs square off - very weird, really. Kind of like a First Blood thang, with dudes hanging from trees and ambushing guys from the bushes and stuff. I REALLY would have loved to have seen a more seasoned-Argento tackle something like this. The possibilities would have been endless . . .