Pacionsbo Absolutely Fantastic

Seraherrera The movie is wonderful and true, an act of love in all its contradictions and complexity

Blake Rivera If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Sam smith (sam_smithreview) This is just purely bad film. With an incredible bad message to all woman. I think this could've been a great film. An all female cast was brilliant and acting was great. But the story and the message?...This film literally tells women that if their husbands cheat and lie to them, then turn the other way as it won't last and everything will work out, live in denial.I was hoping to see a inspiring film about how women can live happy and successful lifes without their lying and cheating husbands. Or at least how if one truly loves someone they fight for him and make the partner see what truly loves is. But no this film, the cheating husband got of a women who he was cheating with as they were now living together, and wanted something that he couldn't have. But he didn't dump the her and then show sadness or loneliness, he was still with her until the end when he asked the ex wife for another chance.So ask yourself, what did the husband learn? or what did audience learn? that if he cheats and then get bored of the affair because she isn't as smart or ambitious as the wife, and asks for another chance then its fine? even if he is still sleeping with her when he is asking you for that second chance?

mrkfolio This movie is an absolute disgrace and so horribly reductive and misogynistic which makes it so unbelievable that it was directed by a woman and women agreed to act in it. These women couldn't be more 90s Cosmo/sex and the city stereotypes who also look like they're in the 90s, only the movie was made in 2008! If it wasn't for all the plastic surgery faces I would definitely think this was a 90s movie, I mean even the colour grade was 90s! I haven't seen the original but I'm sure even in the late 30s they would have been more progressive than this. The dialogue is painful and clichéd at best and it contains many many cringing moments. Cringing not as funny haha but cringing as in the script is absolutely offensive. Ever heard of the Bechdel test? It asks if a work of fiction features at least two women who talk to each other about something other than a man. (Wikipedia) Well this movie fails the test and it's a movie with an all female cast. This movie has successfully become my worst movie of all time followed by Adam Sandler's Click.

Jackson Booth-Millard I saw the trailer for this film and remembered many big female stars in the cast, it is based on an original 1939 film directed by George Cukor, I knew it was rated two out of five stars by critics, but I was still intrigued by what it would involve. Basically clothing designer Mary Haines (Razzie nominated Meg Ryan) appears to be the perfect woman, living in beautiful suburban Connecticut with wealthy Wall Street financier husband Steven and eleven year old daughter Molly (India Ennenga), she is kind, and she can balance her work, including voluntary, and family. Mary's best friend since college is New York City fashion magazine editor Sylvie Fowler (Razzie nominated Annette Bening), who is unsure what to do when she finds out, from chatty manicurist Tanya (Batman Forever's Debi Mazar), that Mary's husband is involved with perfume salesgirl Crystal Allen (Razzie nominated Eva Mendes). Sylvie confides in heavily pregnant Edie Cohen (Razzie nominated Debra Messing) what to do as she still cannot bring herself to tell Mary, but Mary finds out for herself getting a manicure from chatty Tanya, her mother Catherine (Miss Congeniality's Candice Bergen) urges her to keep quiet for a while, but Mary ignores her and confronts Crystal first, then Steven and asks for a divorce. Sylvie, Edie and lesbian writer Alex Fisher (Razzie nominated Jada Pinkett Smith) come together to support Mary, but Sylvie faces losing her job, and after conspiring with local gossip columnist Bailey Smith (Carrie Fisher) the friendship between her and Mary is ended because of her betrayal, but Sylvie is the one who daughter Molly confides in while ditching school and her distracted mother distances herself. With the financial assistance of Catherine, after being fired by her father, Mary gets a makeover and decides to open her own clothing design firm, getting her life back in order she is also able to reconnect with her daughter, who talks about what she knew about her father's relationship with Crystal, and Mary reunites with Slvie who has quit her job. Mary sets out to repair her marriage and unveils her new line of womenswear in a fashion show, with Annie Lennox's "Money Can't Buy It" playing, attended by boutique owners and a buyer from Saks Fifth Avenue, Sylvie reveals she has met the right man and plans to give him her phone number, and Edie has her waters break and goes into labour. During the labour Mary gets a call from Steven and arranges with him to go on a date, Edie gives birth to a baby boy, and in the end the four friends Mary, Sylvie, Edie and Alex are on the cover of a new magazine started by Sylvie, called "Sylvie", Alex publishes her book, there is a hint Crystal is dating Alex's ex-girlfriend Natasha (Natasha Alam), and the women all talk about the joys, heartaches and uniquely special triumphs of being a woman. Also starring Bette Midler as Leah Miller, Young Frankenstein's Cloris Leachman as Maggie, Boogie Nights' Joanna Gleason as Barbara, Lynn Whitfield as Glenda Hill and Ana Gasteyer as Pat. It is nice to see all the big name female stars on screen together, but it is the same old chestnut, the star power ultimately rules this picture, there is hardly any effort to make laughs, and the rest is either trying engage with silly womens' problems (no pun intended) and bitchiness, and even sillier sentimentality, I will definitely have to see the 1939 original version, a bland and rather forgettable comedy drama. Adequate!

Tia Peterson I have seen this movie probably 45 times. At one point, it held a permanent residency in my DVD player.First, the plot as described by IMDb is totally incorrect. Mary Haines didn't bond with any "society women" in the remake, unless you consider the pot-smoking modeling/acting agent played by Bett Middler a society woman! So that right off the bat is misleading and inaccurate.This is a story about a woman who, like many, has completely lost touch of who she is in the busyness of life as a mother and a wife who doesn't really work outside the home (she gets fired by her dad - it's apparent that it wasn't a real job to begin with). She's ambitious and driven, unlike her other married w/children friend who is perfectly happy at home with the kids running around everywhere.When she discovers that her husband is cheating on her with a Saks perfume spritzer, she goes on a quest to figure out who she is again. She discovers that she is unwilling to let it slide, as her society mother suggests. Finding herself at a crossroad, she decides to go down the path of starting her own business.I found this movie hilarious, touching, and strangely familiar. I could relate to every one of the characters, especially Sylvie - the busy magazine editor whose career is passing her by. Sylvie plays a huge role in this movie and her character fits in nicely. Not to mention, it's brilliantly played by Annette Betting.The other characters were just as important. And they were also well- acted. I personally felt that even minor roles, such as the one played by Jada Pinkett, was a fantastic addition. That character, along with the house manager and nanny, added much-needed comedic relief to a plot that is deceptively unfunny.I liked the movie beginning to end.