LouHomey From my favorite movies..

Teringer An Exercise In Nonsense

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Abegail Noëlle While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Michael_Elliott Witch's Mirror, The (1962) *** (out of 4) Mexican horror film from director Chano Urueta about a husband who murders his wife so that he can marry his mistress. Unfortuantly for him, he kills her in front of a witch's mirror, which allows her spirit to come back for revenge. The first thirty minutes of this film are great due to Urueta making the most of his small budget. The opening sequence is brilliant and there's some great atmosphere and art direction but things start to unravel in the final act. The first half of the film certainly isn't original but the second half seems like a mix between Eyes Without a Face and The Hands of Orlac.

ferbs54 I was surprised to learn that "The Witch's Mirror" came out a year BEFORE director Chano Urueta and producer Abel Salazar released their more-well-known cult horror film "The Brainiac" (1961), as this earlier effort by the same team strikes me as a much more polished, effective and professionally made piece of work. "The Brainiac" had almost seemed the result of a Mexican Ed Wood making his first film while on acid, whereas "The Witch's Mirror" turns out to be a bona fide find; one of the best horror films I've seen in a while. The picture can be seen as two distinct stories, actually, cleaving fairly evenly down the middle. The first half tells of the revenge that a witch, Sara (who reminded me of Dr. Joyce Brothers, of all people!), takes on the man who poisoned her goddaughter, as well as on this man's replacement bride. This first half has a positively Gothic feel and could easily take place anytime during the last 200 years. The second half of the film veers off suddenly into "Frankenstein" and "Eyes Without a Face" territory, with a more modern-day vibe. The film offers up some strikingly composed shots, beautiful B&W photography, some eerie moments and, most surprising, some shocking gross-out elements. The FX are, for the most part, very well done (those crawling hands excepted, perhaps), and the picture winds up most satisfyingly indeed. I'm not sure that Debra's (wife #2's) ultimate fate is deserved, but whatcha gonna do? This IS a horror picture, after all, and quite an excellent one at that. My thanks to Casa Negra for rescuing it from relative oblivion. All horror buffs, I feel, should pounce on this one.

Lee Eisenberg Back in the days when the United States film industry was making a number of horror movies starring Vincent Price, Mexico made several similar movies. "El espejo de la bruja" (called "The Witch's Mirror" in English) is one of the coolest examples. It portrays a woman seeing her own death in a mirror and dying shortly thereafter. When her husband remarries, her godmother communicates with her through the grave, and they both come up with a plan to get revenge on the husband...even if bad things have to happen to his new wife.Yeah, it sounds pretty outlandish. But these sorts of movies don't pretend to be anything else! The point is to have fun, and I'm sure that you will. If you aren't totally familiar with Mexico's horror genre, Portland's video/DVD store Movie Madness has a whole section devoted to that genre.All in all, this witch will almost certainly have you in its spell.

evilskip You really never know what to expect from the Mexican Horror movies from the late 50's-early 60's. The rights to most were bought by K Gordon Murray.He dubbed the films generally using the same actors and the same stock music and ham handed re-editing cutting out crucial dialogue/scenes etc. Sometimes the dubbed dialogue is absolutely hysterical (and it shouldn't be).Every once in a while a great film sneaks through.The Witch's Mirror is much better than most.The story concerns a witch's(Sarah) godchild(Helen) who sees her own murder in a mirror. The killer is her husband (a doctor/scientist) who is having an affair.As much as the witch tries to prevent the murder she is unable to do so.Helen is poisoned leaving him free to marry Deborah.Sarah uses the powers of black magic to communicate with Helen in the grave. Helen is able to use the mirror to terrorize hubby and his bride.Flowers die instantly in a vase;cold winds blow through the house and the piano plays Helen's favorite songs..by itself.Blaming the mirror for the haunting the doctor shatters it with a lit oil lamp. Deborah somehow is turned into a screaming fiery torch.She lives but is horribly disfigured.The doctor tries skin grafts from cadavers to restore her beauty.Then he moves on to living women for his needed tissues.Then Helen really gets p----d and her revenge is cruel and ruthless.While you feel for Helen you also feel for Deborah who actually didn't know that her new hubby was married before.The cruelties inflicted on her are almost unwarranted.The husband deserved more punishment than she did.Then again having his wife's beauty destroyed ruins his life in a mad pursuit to restore her.The dubbing isn't as inane as often happens in this film. The plot is good and the film moves along nicely with no tedious scenes.There also isn't any of the usual quick edits in the scenes that jar these films so often.Studio Azteca is really not used to its full advantage as it has been in other films(The Vampire, The Brainiac etc).That's a minor quibble.Gets a big 9+.