Matialth
Good concept, poorly executed.
Seraherrera
The movie is wonderful and true, an act of love in all its contradictions and complexity
Alistair Olson
After playing with our expectations, this turns out to be a very different sort of film.
Brenda
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
malcolmgsw
In the seventies I was offered a job in the Rank Films legal department,but luckily I turned it down,as their proposed programme of film production was short lived.After all you can only sustain production programme so long by making remakes.Whilst a competent film in itself it is not a patch on the Hitchcock classic.The Big Ben finale looks so phoney with the process workGive me Mr Memory anytime
ultron77
It is said that it is hard for a remake to reach the level of its original counterpart, but this film is the rare exception. It reaches the level of the 1935 Hitchcock film and vastly surpasses it. Instead of the restricting in-studio black and white shots, this film offers the realm of colour and the expansive location shooting of the Scotland hills.Set in 1914 before World War 1, Thirty Nine Steps follows the story of Richard Hannay (Richard Powell) on the run from London after being framed for the murder of a spy (Sir John Mills), and being pursued across the Scottish landscape by both the police and the real murderers, led by the scheming villain, Edmund Appleton (David Warner).Appleton plans to assassinate someone of great importance at a certain time back in London,and it is up to Hannay to interpret the clues the murdered spy has left behind, evade his hunters, and return to England. This leads to one of the most fantastic climaxes the cinema has ever seen.
roger-763
A great film and underrated because of its predecessors over inflated significance. Robert Powell's finest hour and a great cast of actors and actresses. The period setting of very late Edwardian and early 1900's feel is very accurate and pleasing to the eye. The steam train and Big Ben scenes are magnificent. The characterization is superb and the acting first class. Making any other version very unlikely to reach the zenith of the performances in this dramatization.The Late Sir John Mills adds urgency and class to the film, and the scene where Scudder's identity is revealed to the Prussian agents outside in the street, outside his apartment, is brilliantly played, and draws us into the film and the musical score adds excitement, urgency, verve and great atmosphere and grace.The film's warning of impending war with Germany only adds to the fascination with the film, and through retrospect we know that the First World happens, but the film's message of British agents and anyone caught up in espionage, during these tense years. Only goes to show how Britain was buying time, and trying to hold off the advances of its rapidly catching up super-power neighbour, that was becoming Germany.The Grand finale at Big Ben at Westminster was a treat to watch.The film cannot be faulted, because everything is flowing in pure visual delight.
kenharris8
Much like "North by Northwest" but without a name star like Cary Grant attached to it. Great performances turned in by Robert Powell and, albeit briefly, Sir John Mills. David Warner gives a very good turn as the ringleader of a group of spies in 1914 Britain, before the start of WWI. Powell becomes the center of their attention when he comes to the aid of Colonel Scudder played by John Mills. Powell escapes from the spies clutches and the chase across England is on as Powell tries to decipher the mystery of the thirty-nine steps. Karen Dotrice turns up near the end to help our man Powell stop the spy ring. The only bad thing about this movie is the absence of any feel of the historic time period. While England's presumed entry into WWI is mentioned it isn't really relevant to the story. The same story could have been told using any time period.