Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

GamerTab That was an excellent one.

Intcatinfo A Masterpiece!

Breakinger A Brilliant Conflict

steven-222 At first glance, you might think the Johan Falk series was some sort of libertarian fantasy--intrepid lone hero breaks all the petty rules of society to struggle against titanic forces of evil. But of course it's just the opposite--John Falk is slick propaganda for a police state.Why does Johan have to be the lone hero in the first place? Because the powers of law and order are hobbled by all those silly rules of due process and civil liberties, and the only answer (as the stories repeatedly assert) must be a huge increase in the surveillance, regulatory, and policing power of the state. Take that, Ayn Rand! To be sure, the shows are extremely well made, with lots of action, fancy houses, and hot actors. And also lots of hokum about the takeover of Europe by criminal forces, which will justify our only salvation, a total police state. (Do not even whisper the word "Fascism," or Johan will ridicule you as politically correct eunuch.) I hear this is Dick Cheney's favorite show. He probably watches it on his local state-funded "liberal" PBS station.

brumby058 I've just seen this movie tonight on Melbourne's SBS TV channel and had to see what others had thought of it (a pity the professional reviews are all in languages other than English). No matter. While it took a while for the plot to get going, I was engrossed from the beginning. It's great to see non-Hollywood actors (who can also act) in a good movie. For me, seeing unfamiliar faces in a thriller/drama adds to its impact, which doesn't often happen when I see so-called Hollywood "stars" who just can't forget their "star" quality... (eg Cage, Cruise).Some of the events in The Third Wave relied a little too much on coincidence to be believable, especially toward the end. And the Munich riots in the last section were rather "over the top" (I thought I was watching 28 Days Later at one point) - it was reassuring to read others' comments that such wild behaviour wasn't typical of protests in Munich. Nevertheless I was totally involved - I initially didn't have a clue who was to be trusted (thanks to a good script) - and the film's overall quality warranted my forgiving its unlikely coincidences.

Mattias Petersson Swedish action movies. Taste those words put together like that. It just doesn't taste right. Or, at least that is what i used to think. Anders Nilsson has forced me to at least in part reconsider my stance on Swedish action movies with his trilogy about the hard-case Johan Falk.Usually the problem with Swedish action-movies consist of three things: (1) Hollywood complex. It seems that most Swedish directors have seen too many Hollywood action-movies without realizing that they need a budget to emulate that style. (2) The budget. Closely linked to the first point. Swedish movies simply don't have the budget for full-fledged action-scenes. (3) Stefan Sauk. I don't know HOW the man does it, but it seems he uses some kind of supernatural power to force EVERY director in Sweden to cast him in their action movies. Except for Anders Nilsson who stays away from Sauk mercifully enough.Readers might already be acquainted with Anders Nilssons film-making from the first two installments in this trilogy. I can start off by saying that this movie is far superior to both the previous films. The technical quality, the acting and the action are all much more refined. This is without a doubt the best action movie to come out of Sweden for a very long time. Perhaps the best ever?So what makes this such a great movie? Well first of all it seems Anders Nilsson manages to keep his Hollywood-complex in check. It seems he knows that he can't have two hours of intense action so instead he goes for a better approach. The action scenes are few and far between, but well made when they DO happen. Also he doesn't hesitate to use foreign actors which feels like something more Swedish directors should do. It adds substantially to the realism of the movie. Last but not least the script feels properly worked through. Many times scripts for Swedish movies feel unfinished and filled with strange plot-holes and nonsensical twists. This is at least one step up in quality from most others.In the end this finally feels like a Swedish action movie that people outside of Sweden can actually enjoy. That the budget is still well below 5 million USD shows of course, but the money is used wisely and this is an enjoyable experience. Hopefully other Swedish directors now understand that the bar has been raised. I rate this 6/10.

jeb_feer Ok I'm a bit biased but the movie rules. I worked on the movie when it filmed in the towns of Trollhättan and Vanersborg. Not that you'd recognise it though. The viewer will see it as Germany and red light districts. Joakim and Anders deserve alot of credit for the long nights of filming and Jakob is a great guy.As far as the movie goes what can I say. Check out the excellent smoke I was responsible for (Hehehehehe ego ego ego ego ego ego). It's an action movie, full of guns chases and other stuff, all professionally done.Check out Livvakterna too for some EXCELLENT car-chases.