Joanna Mccarty
Amazing worth wacthing. So good. Biased but well made with many good points.
Bluebell Alcock
Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Marva-nova
Amazing worth wacthing. So good. Biased but well made with many good points.
misswestergaard
I just watched this little known film on Netflix. It's gorgeous and fascinating, allowing both frustration and identification with each of three main characters. A modern Adam and Eve story with Ray Milland as a charismatic snake, Debra Paget as a frustrated and sympathetic Eve and Anthony Quinn as an alternately tender and vengeful Adam. The film straddles multiple genres--film noir to melodrama to western---reminding me particularly of Willian Wellman's The Purchase Price and Victor Sjostrom's The Wind in it's thematic exploration of tough urban girls who grow in moral dimension as they learn to appreciate men who have a practical intimacy with the earth.One wonders if the compelling New Mexico/Arizona scenery is on location. This is Technicolor at it's most subtle and beautiful. What a movie.
edwagreen
Routine fanfare with Debra Paget marrying Anthony Quinn after her parole from prison. Dissatisified with her life on the ranch, she soon becomes "liberated" when ex-boyfriend and murderer Ray Milland shows up. The two run off and when Quinn tries to reclaim his bride, he is brought into Milland's plot of fleeing to Mexico. The gun keeps going back between Milland and Quinn. Paget comes to realize how dangerous Milland really is.Coming off of playing Lilia, the flower girl, in 1956's blockbuster "The Ten Commandments," Paget gets to show her sexy and most vulnerable side.The cinematography is beautiful, but the film itself is rather a blend of good versus evil, and evil losing at the end-even when it tries to do something good. Redemption gone wrong.
moonspinner55
Harold Jacob Smith co-adapted his own short story "The Highest Mountain" about a cattle rancher near the Mexico border who reluctantly harbors a fugitive; seems the rancher's new bride was once a pushover for this manicured killer, and now she's involved with him again. Handsomely-produced, sloppily-directed crime-drama with western applets doesn't seem to have anywhere to go after the set-up is clear. A few senseless murders don't do much to enhance Ray Milland's crook-in-a-suit (he's passable, but that's all); Debra Paget isn't bad as the fiery woman caught between the two men, however Anthony Quinn's performance in the lead strikes gold. Alternately a big brother and a daddy-bear husband to Paget, Quinn knows exactly how to handle this scenario, and never overplays. One comes away wanting to know more about this character and hoping he'll be all right--and that's solely due to Quinn's acting. The cinematography and the score (which pushes the oldie "You'll Never Know" a bit strenuously) are both classy, but director Allan Dwan doesn't know how to stage this showdown, and occasionally one loses patience. ** from ****
Martin Bradley
A first class B movie from the redoubtable Allan Dwan who, over the years, became something of an expert in making silk purses out of sow's ears. Not that this resembles anything like a sow's ear. It's got a decent script and good performances from Ray Milland as the cold-hearted killer trying to get across the border into Mexico with a suitcase full of money and Anthony Quinn as the farmer who is taking him there. What gives the film its kick is that none of it's three protagonists, (the third, Debra Paget, is the farmer's wife who happens to be the killer's former partner), is particularly noble, (indeed all display varying degrees of rottenness), and all are psychologically very well drawn. It's also very handsomely shot in wide-screen and combines studio and location work to good effect.
