Hellen I like the storyline of this show,it attract me so much

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Asad Almond A clunky actioner with a handful of cool moments.

arfdawg-1 Not a bad B picture with Lugosi as the romantic lead. The sets are kewl -- wonder where they came from?Don't expect Indiana Jones and you'll be OKThe Plot.The Black Magic cult of Ubasti, based on the isle of Lemuria, believes that Nadji, a princess of Egypt, is a reincarnation of their long-dead goddess, Ossana, and intend to sacrifice Nadji so that Ossana may be resurrected. Nadji has taken refuge at the California home of Frank Chandler, an American raised in the east and possessed of White Magical powers, who calls himself "Chandu". Vindhyan, high priest of the cult's California outpost, learns of this and ultimately succeeds in placing her in a trance which Chandu cannot easily break, propelling him to move her to safety, choosing the port of Suva in the South Seas. There, aided by his sister Dorothy, nephew Bob and niece Betty, Chandu is able to revive her and deal with Vindhyan, only to have the evil Voice of Ubasti, highest of the high priests, spirit her to Lemuria through the magic Circle of Ola.

whpratt1 Years ago many big studios promoted serial films that were shown in movie theaters's in between the actual features along with a Newsreel of current events, plus cartoons, especially on a Saturday afternoon. (The parents loved it mostly) "The Return of Chandu" was a 12 episode serial where Chandu,(Bela Lugosi),"The Mysterious Mr. Wong",'34 is a magician with super natural powers and travels to the island of Lemuria to rescue the kidnapped princess of Egypt,(Nadji)Maria Alba,"Dr. Terror's House of Horrors",'43. Princess Nadji is held captive by the black magic cult of Ubasti, who believe that she is a reincarnation of their long-dead goddess Ossana. These 12-episode serials take you way back in time and are very well produced, considering we are talking about 1934 !

ptb-8 Unlike others on this site, I really enjoyed the dreamlike spookiness of CHANDU and I assume PRINCIPAL Pictures were absorbed into REPUBLIC the following year along with Monogram and Mascot. I was watching each chapter or two with a smart 3 year old and we eagerly looked forward to the next episode, probably in the right spirit as it was meant to be seen. For a cheap production using leftover sets it has some really effective eerieness and apprecizated the MUMMY - like pagan witchcraft on offer. We both loved the wizardy cat costumes, the cardboard temples and madness that pervaded each chapter. The opening titles and the Gong intro is wonderful. CHANDU almost works because of the mangy production values and is very enjoyable on any level.

bsmith5552 "The Return of Chandu" is notable, if one can say that, for the casting of Bela Lugosi as the hero rather than the villain. Why he even gets the girl. The story as such, involves the Black Magic Cult of Ubasti trying to capture the last Egyptian princess Nadji (the delectable Maria Alba) and use her as a sacrifice as a means of reviving their ancient leader who just happens to look like Nadji. Lugosi as Chandu, who possesses magical powers, tries to thwart the villains. Director Ray Taylor does his best with limited resources and extensive stock footage. Fans of King Kong (1933) will recognize the giant doors that were used to keep Kong at bay in several scenes. The acting is for the most part, awful. The actor who plays the high priest (I believe Lucien Prival) for example, uses that acting coach inspired pronunciation that was so common in the early talkies. The less said about the others the better. It is a mystery why Lugosi accepted parts in independent quickies at this stage of his career, because he was still a bankable star at Universal at this time. Maybe it was because in this case he got to play the hero and get the girl, who knows. As his career started to spiral downwards in the late 30s, this kind of fare would become the norm for Lugosi rather than the exception.