The Rains of Ranchipur

1955 "Theirs was the great sin that even the great rains could not wash away!"
5.8| 1h44m| NA| en| More Info
Released: 23 March 1956 Released
Producted By: 20th Century Fox
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Budget: 0
Revenue: 0
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India. The spoilt and stubborn Edwina Esketh, comes to a small town with her husband. She falls in love with an indian doctor, Dr. Safti. She also meets an old friend of hers, the alcoholic Tom Ransome. An awful earthquake is followed by days of rain.

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Director

Jean Negulesco

Production Companies

20th Century Fox

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The Rains of Ranchipur Audience Reviews

Linbeymusol Wonderful character development!
Smartorhypo Highly Overrated But Still Good
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
eyecandyforu This film is one of those movies I sit through ("Elephant Walk" being another good example) for the special effects laden climaxes. "The Rains" is one of the greatest examples of Hollywood miscasting and racial bait and switch ever. First we have Richard Burton as Dr. Safti, a HINDU doctor. He plays the role like a weak rabbit in costumes that make his macho form especially wimpy. Eugenie Leontovich plays the Grand Diva of Ranchipur "The Maharani" who tries valiantly to out-diva Lana Turner but alas, fails. Both are unconvincing but the camp factor is worth the experience. Fred MacMurray has a turn as a drunk with a heart of gold and Michael Rennie is wasted as Lana's husband. Then there is Ms. Turner. Playing a poor little rich girl to the hilt, she manages to be uber glamorous even in the midst of a deadly fever. The romance between Turner and Burton is embarrassing in a "I love you but I really can't back it up" kind of way, and you start rooting for the rains to do their thing. When they finally get going, it's a good old-fashioned disaster movie for a while with heroics all around, then it's back to the potboiler and a disappointing ending. If you want a fake Bollywood extravaganza with Lana Turner getting drenched in high heels, this is your film.As a postscript to this review, if you want to see the real thing, check out the 1939 classic "The Rains Came", a much more entertaining, higher quality version with a very, very different outcome. It makes this one look like a bad made for TV movie.
Hans C. Frederick For those among us who grew up watching a lot of television in the 1960s,it's always a lot of fun seeing stars doing supporting roles earlier in their careers.And who's doing the bluff,hearty,amiable Sikh police captain?None other than John Banner,who went on to do the comic heavy Schultz,on"Hogan's Heroes."And,for all of his teutonic ponderousness,he does manage to carry it off.
NewEnglandPat This wide-screen romance yarn showcases the lovely Lana Turner as a wealthy and restless socialite who becomes smitten with a handsome native doctor during a trip to India. This is the main thread of the film although there are other sub-plots at work here. Richard Burton is good as the object of Turner's affections and Eugenie Leontovich is regal as the Maharani who raised Burton from childhood. This sage queen watches the blossoming romance with cold displeasure, deeply jealous of Turner's hold on him. Fred MacMurray is involved in another clincher with Joan Caulfield that doesn't ring true and adds very little to the main story. Michael Rennie has a thankless role as Turner's husband, whom she keeps at arms's length throughout the movie. The ensuing monsoons, flooding and earthquake in the region are awesome and terrible in their destruction, the special effects of which are very good. Turner is clothed in a first-class wardrobe and the film's sets reflect the lavish production. Milton Krasner's camera and Hugo Friedhofer's exotic music score are first-rate.
Nazi_Fighter_David Lana Turnmer is Lady Edwina Esketh, a beautiful, wealthy, and attractive man-hunting, the sort that finds it expedient to take her husband along on her wanderings... When the married couple arrive in Ranchipur as guests of the Maharani, they meet Dr. Safti, a young Hindu who is the ruler's protégé and in whom the Maharani has recognized the greatness that will be all-important to her country... Edwina, however, decides then and there that she must add this young man to her 'collection.'The Maharani does, of course, try to prevent the doctor from falling in love with Edwina, whose reputation as an amoral woman has preceded her to India... But as he becomes harder to get, Edwina becomes more and more determined to have him and, out of her yearning, there is born to her the first stirrings of genuine emotion... Soon, Dr. Safti admits his love for her and tells the woman he is prepared to go away with her...But a severe 'Mansoon' intervened, and the rains came to Ranchipur, followed by a devastating earthquake that destroys most of the bridges, schools and buildings, and smashes the structure of a dam promising for another catastrophe...Interwoven with all this was a secondary love story concerning a hard-drinking, disillusioned American engineer named Tom Ransome (Fred MacMurray), who wins back his self-respect as well as the love of Fern Simon (Joan Caulfield), a missionary's daughter attracted to him with the confident expectation to accomplish something good in her life...Lady Esketh, whose character is established in the film's first five minutes when her husband (Michael Rennie) calls her 'greedy,' 'selfish,' 'decadent,' and 'corrupt' all in one breath, is probably the most determined, straightforward femme fatale the star has ever essayed on the screen... "I just look at what I want," she tells the Hindu doctor... Her pretty dangerous character basically matches that of Doña Sol (Rita Hayworth) in "Blood and Sand." Eugenie Leontovich portrays with strong bravura style the 'demanding' Maharani who raised Dr. Safti as an honest man faithful to his duty, to his people, and his country... This truly remarkable woman proves not selfish for herself but a lot for Ranchipur...The film's final scene—a juicy, climactic confrontation between Lady Esketh and the Maharani—gives Lana the opportunity to utter that attention-getting line: "I don't give a damn!" We have heard these words in the climax of the all-time movie classic when Rhett Butler used it to tell off Scarlett O'Hara sixteen years earlier...Based on Louis Bromfield Novel, and with an excellent cast, "Rains of Ranchipur" is a tedious remake of Clarence Brown's "The Rains Came." Milton Krasner's photography in CinemaScope and DeLuxe Color is excessively flattering, and Lana Turner looks gorgeous in her elegant gowns, and Richard Burton specially handsome in the turban...