The Questor Tapes

1974
6.8| 1h40m| NA| en| More Info
Released: 23 January 1974 Released
Producted By: Universal Television
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Budget: 0
Revenue: 0
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Project Questor is brainchild of the genius Dr. Vaslovik: he developed plans to build an android super-human. Although he's disappeared and half of his programming tape was erased in the attempt to decode it, his former colleagues continue the project and finally succeed. But Vaslovik seems to have installed a secret program in Questor's brain: He flees and starts to search for Vaslovik. Since half of his knowledge is missing, he needs the help of Jerry Robinson, who's now under suspect of having stolen the android.

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Director

Richard A. Colla

Production Companies

Universal Television

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The Questor Tapes Audience Reviews

ReaderKenka Let's be realistic.
ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
Padrick Questor was the latest in a line of androids, his predecessor being the scientist who built him as a replacement (his own existence being finite). He was one of a long line of androids put on earth ages ago to "help us along". He escapes the center in which he is built in order to find his creator and complete his programming. John Vernon (best known as Dean Wormer from Animal House) played government agent Darro, who's mission was to find and facilitate the destruction of the "dangerous" Questor. Questor succeeds in finding Vaslovik, who is too far gone to be of assistance. Close behind, Darro learns the truth, and fools the government into thinking that Questor has been destroyed.
compstud I'm wondering why this movie has never been released on DVD or VHS! This is one of the most fantastic concepts of the late, great Gene Roddenberry and would still play well today - more than 30 years later. I wish there was some kind of movement to get it released, as I would really love to add it to my collection of sci-fi movies. If you get a chance to ever see this movie and you like science fiction, don't miss it! Roddenberry is a master of the future-possible. He resisted the temptation that so many sci-fi writers fall prey to - the temptation to paint a dark and horrible future for mankind. Roddenberry believed in the future of humanity. You can see this in the uplifting spirit of his creations. Everyone immediately thinks of Star Trek when they think of Roddenberry, but he had a vast quantity of other great work - and The Questor Tapes was as good as any of them. So a word of advise - if you are looking for Science Fiction, but you want entertainment that is also positive in its approach to the future (as well as thought-provoking), then get your hands on anything Gene Roddenberry put his name on - you won't be disappointed. And as I said, The Questor Tapes is an example of one of his best works. I fear it is in danger of being completely forgotten. That would be a crime.
storman Another great Gene Roddenberry TV-Movie Pilot. The networks dropped the ball, on not making Questor Tapes into a TV series. It seems every time Roddenberry came up with a great new series(Questor Tapes, Genesis II, Planet Earth, Spectre) the networks failed to see his vision. Someday I hope someone remake's these into movies or pilots again they are sure deserving of it.
slawman In his heyday, no one made televised science fiction like Gene Roddenberry, and this is one of the finest examples. Created as a pilot for a proposed TV series (which, unsurprisingly, was never produced), this is one of the best instances of science fiction meeting philosophy that has ever occurred anywhere (big screen included). The performances are astonishingly good considering the cast of mostly TV actors (in particular, Robert Foxworth gives the performance of his career as the android). The movie does steer itself away from its own track once in awhile (some of the details in the subplot about Helena Trimble hardly seem relevant to the film and were probably created in case the series was approved), but overall, the pacing is excellent. Some dated technology and an ear-piercingly poor musical score knock this down a notch or two, but its premise and resolution are wonderfully humanistic. Not a special-effects movie, then, but sci-fi that cares more for its characters than its visual appeal. Now could we please just have this on video?