Nonureva Really Surprised!

Micitype Pretty Good

Btexxamar I like Black Panther, but I didn't like this movie.

Staci Frederick Blistering performances.

clanciai Interesting play by Bridget Boland loosely based on the notorious fake trial of Cardinal Mindszenty of Hungary after a month of brainwashing by the communists in 1948. Alec Guinness was himself a catholic and is really living out his catholicism in this great performance of the live dissection of a catholic priest, extremely actual in today's situation with the church immersed in scandals of pedophilia. Bridget Boland makes a very different story from the Mindszenty drama, making the interrogator (Jack Hawkins) an equal to the Cardinal as opponent and prosecutor and seems to be winning but actually loses in the end against the honesty of the Cardinal realizing his own futility, while the prosecutor- interrogator as a victor is the real loser and takes the consequences. Fascinating drama, which should be returned to again and again. In reality, Cardinal Mindszenty's brainwash process only lasted for less than a month and was chiefly conducted by the use of drugs and physical exhaustion. The only parallel torture that Alec Guinness is exposed to is forced insomnia. He is imprisoned for longer than three months with only private talks with the interrogator as a method and finally released, when the "state" thinks it has won by ruining his reputation and exposing him as a fraud, while Cardinal Mindszenty was sentenced for life. The film was made in 1955, the year after saw the Hungarian revolt, and Cardinal Mindszenty was then set free and lived a long life, even writing books and his memoirs. He is still one of the most important icons of Hungary and will remain so. His shrine is at the ancient basilica of Esztergom north of Budapest, a very beautiful place by the Danube.

Miriam Croucher 'The Prisoner,'is a film version of the play by the same title, and is widely based on the life of Cardinal Mindszenty of Hungary. It addresses the topic of religious freedom and therefore, also authentic human rights. Alec Guinness in the role of a Catholic cardinal and Jack Hawkins as his interrogator who represents an atheist, totalitarian state (i.e. a state under communism) are brilliant. The supporting actors are also excellent. The film is tense; it addresses man's inhumanity to man (Jack Hawkins) and the frailty of the human spirit when it is subjected to physical, emotional and mental torture (Alec Guinness). It is the story of one man's battle to preserve his interior freedom and every man's battle with himself; and it shows how a good man's courage and even his frailty unwittingly change the lives of his interrogator, his jailer and a guard. The film's one weakness was that the cardinal's appearance did not adequately reflect the horrific torture to which he was subjected: though tortured for months on end, he is always clean-shaven and there is no gradual deterioration to give credence to his utter physical and mental exhaustion.That said, I loved the film and found it very moving, particularly the scene close to the end when the cardinal looks into the guard's eyes and humbly says 'Try not to judge the Priesthood by the priest.' (It is necessary to have watched the film to understand the poignancy of this remark which cleverly responds to a comment made earlier by the guard).

jump.boy A classic sadly almost ignored and forgotten probably because of it's small scale being a quite simple screen version of the popular stage play. Alec Guinness is the Cardinal arrested by the state during the Cold War, Jack Hawkins is the state inquisitor trying to break him. Ex comrades in arms, fighting in the Resistance against the Nazis; they now find themselves on opposing sides of Church and State. An intense battle of wills ensues, superb performances all round including Wilfred Lawson as the jailer. Highly recommended.

Reb9 This film is often overlooked but if you can find it, it is well worth your while. Adapted from a stage play it is admittedly slow and talky, but it does challenge the intellect. Guiness and Hawkins are brilliant as a churchman consumed with self doubt and a zealot consumed with the state. Their battle of wits forms the crux of this many layered work. A rather pale love story added to the screen play simply detracts from the films power. This is a film that will challenge you to think. It requires work on the part of the viewer and, as a result, is not everyone's cup of tea. Any fan of great acting shouldn't miss it.