SnoReptilePlenty Memorable, crazy movie

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

dromasca "Is justice really necessary if no one demands it?" - this is the moral question that one of the characters of the film is asking at some point, and this is the key question of the film that keeps being asked by everybody who watched this very well made and surprising film noir made by first time Spanish director Jorge Sánchez-Cabezudo.The unconventional setting for a thriller story is a Spanish village, living a quite life where nothing happens until things start happening - a cave is being discovered and in hope it may hide some cave paintings specialists from the big city are brought in to explore it, and a serial rapist hunts its victims in the region. In the turmoil of the events a man is killed in a conflict triggered by confusion, and the local cops called to solve the case prove to be more than willing to cover the facts in order to avoid their own lives being disturbed and their smaller or bigger lies be discovered. All settles back eventually in its apparently normal state, as no one cares about a dead man with no family or sympathies left behind. Yet, the real villain of the story remains uncaught and the ending suggests that he - also a man of family and conventions - will probably hit again.The story is told with a very sure hand, and its structure - six episodes shifting the angle of telling the same facts from one character to another - builds gradually the tension and the interest of the viewers. the director certainly knows well the background of the Spanish villages where the story is set, and its characters are human and authentic. An excellent team of actors sustains the whole movie, Celso Bugalo is especially good as the old policeman who slowly understands the dimensions of evil he is faced with and reluctantly accepts the compromise or at least part of it in order to save the marriage of his daughter, and Manuel Moron as the real criminal, hiding its evil deeds under the masque of an apparently benign sales man and good family man.Spanish cinema has brought many inventive and successful films in various genres in the last decades. 'La noche de los girasoles' combines the classical psychological thriller story set in an unusual place with an older Spanish tradition of bringing up to screen the sins of the middle classes and the dangers of moral compromise. This is a remarkable debut.

benjamin_lappin A hugely entertaining and thoroughly enjoyable experience, The Night Of The Sunflowers is a Spanish thriller which hallmarks the great traditions of European cinema, where a focus on characters and their interactions with each other is the prime driving force. Set in a secluded and seemingly serene Spanish village "Sunflowers" weaves a sinister tale of mistaken identity, love, hate and murder, which can only be described as compelling viewing. What the director Jorge Sanchez-Cabezudo is immediately noted for is his character development within the context of a story. 'Sunflowers' shifts its pace half through way throughout the film from murder intrigue to an entangled web of deceit, but all of this is shown and felt via the superb usage of the varied acting talents at his disposal. Cabezudo knows precisely what he is trying to achieve and does so with an assurance of a director with plentiful more experience, suffice to say his debut is impressive. Shot in a partially non-linear fashion it manages to portray, through chapter-styled segments, how each particular protagonist, and/or antagonist comes to be involved in this situation, providing for a greater well rounded feel and sense of fulfilment come the films finale.What is striking, though, is the theme of fractured relationships which runs vividly and often poignantly throughout the course of the film. The archaeologist and his wife and the untold issues they have who are 'seemingly' brought closer together as the shocking ordeal continues, the police deputy and his wife as he struggles through what he perceives to be a turgid and boring existence, and how he is unable to escape the restrictions imposed by his superior, and father-in-law, in all regards. Not just these, but the dealings of the elderly gentlemen on the outskirts and their eternal war of attrition, and even the title itself carries connotations of opposites being juxtaposed, The "Night" of the "Sun"flowers. The key issue revolves back to a notion of people becoming so infused and becoming so embroiled with their own side-stories, that in turn the key moment of the film is entirely forgotten. What Cabezudo intelligently points out is how we all can become distracted from what is important, that something so explosive came out of initially something so small that it makes you query characters; 'if they had done that', 'if they had done this' it wouldn't have happened. The Night Of The Sunflowers is a frighteningly intelligent, bordering on complex piece of theatre which is cleverly constructed and undoubtedly absorbing upon viewing, that actually gives the audience credit as being somewhat able to put pieces together. It is a truly good Spanish thriller that tackles not only conspiracy and murder, but the people that put themselves into these positions, and allow them to only continue and fester, becoming embroiled in revenge over justice. Whether it be the Sunflowers, roses, tulips or poppies, this is one night worth staying up for.

Agnelin "La noche de los girasoles" begins with a meeting by chance, between a rapist and murderer, and his next victim. The rapist will try to victimize a young woman, and who she is and where it all takes place play a decisive part in the violent events that will ensue.So this movie has several strong points. One of them is showing how someone completely unrelated to the rest of the main characters of the story, someone who meets one of those people (the young woman) by chance, can be the trigger for all we're about to see. Then, the structure is very attractive too, as the director tries to make full portraits of each important character and show us, not only what they're doing there, but where they come from, in every sense; he shows us what that person is like, their personality and motivations, and what they want, basically; then he drops that character into the spiral of events that have been started by the attack to the young woman, and so comes this suspenseful story, involving two speleologists, the girlfriend of their leader, a very honest and stern old cop and a dishonest, corrupt young one, and two old men who live in an otherwise derelict village.Something else I liked about the movie is the fact that it shows how absurd and ungrounded violence is; all acts of violence in the movie are completely gratuitous and coming solely from human primal instincts. The violence comes from a lack of communication and a desire for power and beating the opponent.As is the case with many Spanish movies, the ending lacks momentum and power, but works quite well, in any case, and makes much sense.

writers_reign Someone involved in the creative aspect - writing, directing - has clearly seen Touch Of Evil and 'borrowed' some of the aspects such as a Spanish-speaking small town, corrupt cop (though not the chief of police) and crossed it with Rashomon to come up with a very watchable quasi thriller which ultimately lacks tension. One of the previous commentors has already identified a major flaw in the shape of the killing carried out in silence (apart from gunshots) with a victim who doesn't bother to ask why he is being targeted and vigilantes who don't think to tell him or even ask if he is guilty. Invariably in a scene like this the avenger will relish saying something along the lines of 'this is what happens when you rape someone's wife, her husband comes looking for you'; but, that would, of course, spoiled things, left the husband with egg on his face and taken the film on a different course. If you can get over this hurdle there are things to be admired and even enjoyed though I for one have to take on trust the notion of 'abandoned' villages which the film implies litter the landscape in Spain.