Diagonaldi Very well executed

Lovesusti The Worst Film Ever

Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

gridoon2018 "The Night Evelyn Came Out Of The Grave" is, in some ways, a quintessential giallo - it has nearly everything the genre is known for: a colorful title, poor English dubbing, lots of nudity, a decidedly chauvinistic / anti-feminist bent, a ludicrously convoluted plot, a series of murders, and a pervading sense of trashiness (a corpse is fed to a cage full of foxes in this one!). However, "Evelyn" lacks the artiness with which the better films of the genre bring together all those elements; there is a reason why you are familiar with the names of Dario Argento or Lucio Fulci, but not with that of Emilio Miraglia. For the first hour or so, nothing really happens in the plot of this movie except two murders; the twist at the end almost redeems the film, but then there is another, and another: you begin to get the impression that Miraglia threw in everything but the kitchen sink, without really knowing what he's doing. *1/2 out of 4.

Reaper-of-Souls Having sat through nearly every pre-1990 American horror movie worth watching, I began broadening my horizon quite a few years ago now. It was a necessary step, an evolution, to see what the rest of the world offered in the genre that I most adore. Growing up with the many slasher films of the 80s, it wasn't long before I discovered the sub-genre, Giallo, and from there it branched out to the many other horrors from Italy. I was hooked. Several Italian horror films are now amongst my favorites. La notte che Evelyn uscì dalla tomba is not one of them, but I still enjoy it. Just because it's not a favorite doesn't mean it isn't worth watching.A very wealthy, widowed English Lord lives in a castle and isn't coping very well with the death of his red-headed, cheating wife, Evelyn. So, being the sadist he is, he brings home many young, red-headed women to torture and kill. Will a new wife cure him? ...and what about Evelyn? I don't want to say more than that. Spoilers isn't really my thing. If you're a fan of Italian horror films, then I suggest you seek this one out if you haven't already. Try to get the uncut version. Trust me, it's much better.

mhantholz The majority of posters here have plainly viewed this giallo on DVD, on a small screen. I saw this film at the old UA Academy Of Music on East 14th Street, NYC on its opening day, and while not quite up to the level of Il Maestro (Bava), it is one of the better giallos of the period. The original color-scope print was fine---this sort of film was meant to be viewed on a *big* screen (=seats 800+). Viewing a film like this on a small screen gives no hint of its original impact. I know from bitter experience that the modern prints of old films seldom live up to the original release prints' quality. Indeed, in too many cases, all that is left is a bleached, ragged fossil of the original. This is something that must be borne in mind when viewing old films. The poster art for EVELYN is a classic---I wear a t-shirt with the poster on the front. This, and many others, are available from Filmfax.com. Cheers!

lastliberal Nice mix of giallo an Gothic horror, brought to you by Emilio Miraglia, writer/director of Red Queen Kills 7 Times. Maybe Miraglia likes red, as this is a tale of a dead red-headed wife, and a series of red-headed prostitutes brought home by the rich widower, Lord Alan Cunningham (Anthony Steffen).Not only does Alan bring a lot of redheads home to his castle, which means a lot of flesh for your enjoyment, but he has a propensity to engage in a little sadism while he is at it, as Susan (Erika Blanc) finds out.After Susan, he meets Gladys (Marina Malfatti) at a party. He is instantly attracted (and who wouldn't be?) even though she is a blond, not a redhead. So much so, that he asks her to marry before he even gets her in bed. She is much more practical, and goes to bed without marrying, though I suspect she feels it will lead there eventually.When they are married, the title comes alive as does Evelyn, his first wife. Naturally, I suspected Albert (Roberto Maldera) and Aunt Agatha (Joan C. Davis) in this ruse, but that is quickly dispelled. Needless to say, the foxes didn't have any appetite for breakfast after a late night snack.Things move forward with a double double cross and a surprise ending. Interesting giallo with boobilicious treats.