Incannerax What a waste of my time!!!

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.

mgdanimals Alzheimer's disease and dementia can both be fought using natural methods. When my 86 year old grand-aunt developed it, I searched for a long time to try and find a way to help her cure it without expensive medicines, and stumbled upon Brain Revitalizer (Here's a good review of it: http://steamspoils.com/brain-revitalizer-review ) I''ve been the primary caregiver for her and her dementia/Alzheimer's for the past nine years. She was 86 and fading away by inches and by bit and pieces when I found the book. It was so unbelievably cruel and torturous to watch someone who was an excellent teacher and active lover of life be whittled away by this hideous disease a tiny bit at a time. Since she started reading this book, she has been slowly but SURELY improving her mental health each and every day. She can remember details much better now! I now HIGHLY recommend the book to anyone fighting Alzheimer's and dementia- and the best part is that the book can be used by the sufferer even in the comfort of their own home.

Robert J. Maxwell Angelo Ledda, an aging hit man, is assigned the task of killing a twelve-year-old girl and finally balks, putting the gang and its aristocrat capo on his trail, as well as Antwerp's finest detectives. Ledda is developing Alzheimer's and this complicates matters, but in the end he gets his just desserts and deliberately leaves behind evidence that leads the police to the Baron who heads the criminals.This is a set up for a Hollywood remake. Hollywood seems to have completely run out of ideas of its own and is now stumbling along on fumes and copies -- "The Departed," "Insomnia," and who knows what all else.It taps into many veins of American interest. Plenty of violence. A nice role for an aging (but not elderly) star on the order of Dustin Hoffman or Jack Nicholson. Lots of opportunities for razzle-dazzle directorial exploits -- negative flashbacks, fast cutting -- because of the onset of an unsettling neurological disease. And then there's Alzheimer's itself, the bugaboo of every aging yuppie who has forgotten an old phone number of the name of an old love.This film isn't especially ambitious. It's a crime thriller and does not beg for sympathy. The hit man has a face that seems to have been modeled out of play-do by a five year old. It does what it sets out to do, and it does it with style and dash. There's a particularly ominous moment when Ledda is sitting in a car holding two honest detectives hostage. The car is surrounded by Antwerp police armed with rifles and laser beams. The dark interior of the BMW seems to be filled with little pink dots that drift across the faces of the guilty and the innocent alike. That scene is a sure target for imitation in the remake.

whist As other reviewers have pointed out, De Zaak Alzheimer is unremarkable. The movie feel like an episode of a BBC cop series, MI-5 or something of that kind. Not bad for what it is - just not particularly interesting - and a full 2 hours of it. The story is unoriginal and linear, the characters are standard, and the direction is strictly for TV (flashbacks galore and cops standing out in the rain). There's no mystery about who done what, and the whys were entirely predictable. The explication and use of the micturition gag was tiresome. Finally, what I found most irritating was the lighting - red or green bathing every wall and building in the movie, and every person smothered in blue. It just lacks imagination.A couple of qualities I found refreshing. Hearing a variety of languages, none of them English, was cool; if I knew more about the interaction of Dutch, Flemish, and French, I might have found their varied use was a comment on the Belgian social structure. And the dark dance between politics, aristocracy, and morality was interesting but ultimately stillborn once the killing of "all the bad guys" was completed. I'd give this pic a 5 out of 10.

gradyharp 'De Zaak Alzheimer' or 'The Alzheimer Case' or the US titled 'The Memory of a Killer' is a stunningly well written, directed, acted, and photographed film from Belgium. Though termed by director Erik Van Looy as a 'police thriller', this gripping drama is so much more: this is the story of organized crime, of the men and women who fight crime, and of a man afflicted with progressive Alzheimer's Disease which alters his entire view of his life of crime. It is a police thriller with a soul and as such is one of the finest films of this genre this viewer has ever seen.Angelo Ledda (the enormously gifted Jan Decleir) is a hit man sent to Antwerp to eliminate some important 'clients'. He is hesitant to take on the job as he understands that his mind is being slowly altered by the effects of Alzheimer's disease. But go he must and after his first successful 'kill', he is ordered to kill a young girl, an order he cannot follow, and an order, which with his failing memory and abilities acknowledged, he decides to turn on his employers and rid the world of those big crime magnates. The Flemish police, lead by two superb minds - Vincke (Koen De Bouw) and Verstuyft (Werner De Smedt) - follow the path of corpses that lay in Ledda's wake of destroying the important heads of crime in Antwerp. Ledda becomes strangely connected and committed to the two police, in reality helping them by remote stance do their job, but the movie is a cat and mouse chase between the police and Ledda and one whose ending, though somewhat predictable, manages to tear at the heart of the audience as the unwinding of Ledda's mind by Alzheimer's disease results in a metamorphosis of a killer's mentality to that of a quasi-hero.Brilliantly photographed by Danny Elsen and accompanied by an electrifying musical score by Stephen Warbeck THE MEMORY OF A KILLER is a taut, tense, unnerving, and fascinating tale told to perfection by Carl Joos' screenplay based on Jef Geeraerts' novel. There isn't a weak link here - every actor is superb and the performance by Jan Decleir is the stuff of which legends are made. Recommended without reservation. In Dutch and French and Flemish with English subtitles. Grady Harp