MonsterPerfect Good idea lost in the noise

ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.

Portia Hilton Blistering performances.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Armand it is not impressive, interesting or remarkable. it is just a nice comedy who has in lead characters good actors far to give the role of their life. it is funny , with few crazy amusing scenes, almost fake but a not wrong choice for entertainment. so, not great expectations. in same measure, it has, in little measure, the flavor of old situation comedies and this fact saves the construction. a film like a childish game, it is inspired occasion to reflect to serious roles of Streisand and O Neal and to laugh at absurd parts. is it enough ? maybe not. but if you are disappointed, it is only your guilty. because The Main Event can be only funny. not serious, not important, only a childish game.

Bill Slocum The real bout in this movie may be between Barbra Streisand's talent and Babs' ego. Can the often-inspiring light comedienne of "What's Up Doc" and "Funny Girl" overcome La Streisand's need to be the center of every scene?It's a reunion flick between Streisand and "Doc" co-star Ryan O'Neal. She's perfume magnate Hillary Kramer, undone by an embezzling accountant. He's Kid Natural, a former prize fighter who represents Hillary's one asset, if only she can get him in the ring. He'd rather stick to his new career as a driving instructor."Do you want my body on your head for the rest of your life?" he asks her.More than boxing, sex is the main event of the film, from the opening shots of Streisand working out in spandex leotards to the charged byplay between the stars. She teases her ex-husband with pelvic thrusts and dances around the ring with Kid in short-shorts and a halter top with no bra. This is distracting to some extent but helps arouse the movie's one undeniable asset: The chemistry between O'Neal and Streisand.For an actor made entirely of wood, O'Neal is surprisingly spry and able, taking pratfalls, playing shamelessly off his good looks, and trying to get out of the deal with Hillary by clenching his fists and telling her of his vow to "never again use these, these messengers of death." He lives in a giant glove by a freeway which advertises his driving instructions in neon. He proudly claims it an investment made with Hillary's money.For her part, Streisand is clearly the more dominant partner in a way she wasn't in "Doc". The movie starts and ends with a big close-up on her, and the boxing part of the story is shortchanged in order to keep her in the frame as much as possible. Howard Zieff directs this as a vanity project, since that's what it is, with soft lighting playing up her russet locks at every opportunity.But Streisand justifies the spotlight by playing to Hillary's weaknesses as much as her strengths. Hillary has no clue about boxing, but doesn't let that stop her. After the Kid is dinged up in one early match, she announces a new plan: "Better fights with nicer people".Another early scene of Kramer running her perfume business has her deliver a line that seems a playful nod at Streisand's own famously imperious rep: "I want you to go away to a very quiet place, let your brilliant and creative minds blossom with original ideas, and then bring me back exactly what I'm talking about." It might not be as funny delivered by someone else, but that's a benefit to having Barbra on the job.There's enough general funniness like that to overcome the defects of too much Barbra and an ending that literally throws in the towel rather than resolves the romantic tension between Hillary and Kid in a fun yet convincing manner. Also on the plus side, you have Whitman Mayo as Kid's cagey manager and one great theme song, a molten disco masterpiece which Barbra sings with all the relish of Shirley Bassey pouncing on "Goldfinger". I think it made the film such a success in 1979, more than the critical notices of the time which were horrible.So score this one talent over ego, if by points rather than knockout. "The Main Event" is no classic, but it's good enough to make me smile all these years later.

Jonathon Dabell The Main Event tries to capture some of the flavour of those old '30s comedies in which the main characters were fast-talking, argumentative types who ultimately fell in love with other against all expectations. Barbra Streisand and Ryan O'Neal are re-teamed seven years on from their much-admired What's Up Doc? but this film isn't really from the same league. It is, however, moderately enjoyable and sharply written. Streisand plays Hilary Kramer, a successful business-woman who runs a perfume corporation. She discovers that her accountant has fled to South America with all her money and all her assets, leaving her ruined. However, the one contract that the accountant forgot to take with him is that of a boxer, Eddie "Kid Natural" Scanlon (Ryan O'Neal). Hilary threatens Kid Natural with breach of contract if he won't fight for her (even though he's barely been in the ring for goodness knows how many years). Eventually, Kid Natural agrees to box again but he turns out to be pretty useless. Undeterred, Hilary fixes up a lucrative fight with one of his old adversaries, but complications arise when she realises that she has actually fallen for him. Fans of Streisand will undoubtedly enjoy the film. For others, it's a bit irritating. She gets into the role with heart and soul, but her constant fast-talk, put downs and wise one-liners becomes very wearing if you're not an admirer. O'Neal is frustratingly laid-hack and seems to be playing his role with the minimum of effort, but he somehow just about gets across a likable enough performance. The situations and incidents that comprise the plot are nicely thought-out. The only moment which feels wrong is the ending, wherein Streisand does something really crazy to prove her love for O'Neal but what she does would, in actual fact, probably annoy the hell out of him, yet he takes it really well and it all seems somewhat unbelievable. Still, The Main Event is undemanding entertainment and you could do a lot worse.

moonspinner55 Exceptionally brassy, brawling comedy set mostly in the boxing ring. Barbra Streisand is a perfume executive with the #1 nose for business ("It's the kind of scent a man can give to a woman, a woman can give to a man, a man can give to a man, a woman can give to a woman, have I left anybody out?"). Unfortunately, she's been embezzled against and has lost all her finances, except the contract to a boxer who no longer boxes (he just spends her money). Streisand and Ryan O'Neal eke out some laughs from the groaning dialogue (a really bad joke regarding Patti D'Arbanville's threat to meddling Streisand is the most offensive). The plot coasts along on the amiable chemistry between the leads, though all they seem to do here is argue. It bottoms out in the final stretch, ending with an extremely weak climax which got boos from the theater audience I saw this with in 1979. Barbra looks pretty sexy though and--braless in T-shirts and showing lots o' leg in her short-shorts--don't think she doesn't want us to notice. *1/2 from ****