The Love Punch

2014 "You can't pinch a diamond without stealing a few hearts."
5.7| 1h34m| PG-13| en| More Info
Released: 23 May 2014 Released
Producted By: Canal+
Country: United Kingdom
Budget: 0
Revenue: 0
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Retirement at last! Middle-aged and divorced, company owner Richard Jones is looking forward to a worry-free existence as he arrives at his office on his last day of work. Much to his dismay, he discovers that the management buyout of his company was fraudulent. The company is now bankrupt and the employee pension fund — including his own — has been embezzled. Enlisting the help of his ex-wife Kate, Richard sets out to track down the shady businessman behind the fraud.

Genre

Drama, Comedy, Romance

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The Love Punch (2014) is now streaming with subscription on Prime Video

Director

Joel Hopkins

Production Companies

Canal+

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The Love Punch Audience Reviews

TrueJoshNight Truly Dreadful Film
Smartorhypo Highly Overrated But Still Good
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
studioAT Emma Thomson said in the publicity interviews for this film that it marked a return of films that made you happy from start to finish. Sadly I can't agree with this sentiment as for me 'The Love Punch' was nothing more than four very good actors doing highly irrational things.It has a flimsy and improbable plot and then tries to be a middle aged version of Oceans Eleven, with a healthy dose of Pink Panther thrown in for good measure.Why didn't they get a lawyer involved? Why are they so happy for their son to regularly break the law through hacking? For a film that is supposed to be going against the gross out comedy grain why are there so many sexual jokes? All these questions and more remain unanswered in this flimsy film's relatively short running time.It's a great shame that director Joel Hopkins and Emma Thomson couldn't follow up their previous collaboration (Last Chance Harvey) with something of equal standard.
Lynne Butler Emma Thompson and Pierce Brosnan play a divorced couple whose retirement funds and savings are stolen by an unscrupulous French businessman. They enlist the help of their good friends, played by Timothy Spall and Celie Imrie, to carry out a plan to recover what they lost. It's a far-fetched, crazy plot involving kidnap, scuba-diving, impersonation, jewel theft, and wedding-crashing. The zany plot contrasts nicely with the normal, suburban lives lived by the main characters. Oddly enough, even with the outlandish plot, the ending is predictable. That may be due to the fact that it's really a romantic comedy dressed up in an adventure. This movie is likable, but stops short of being great.This is one of my favourite Emma Thompson roles, largely because she has resisted her frequent tendency to over-act. She has a couple of really wonderful lines, most notably "we should nick it", delivered exactly right. Pierce Brosnan does a believable job of playing the aging hunk who is starting to realize he's not 21 anymore. The movie is not hilarious, but does deliver several laughs. Thompson and Brosnan are funny together, particularly the scene in Paris in which Thompson cannot believe that Brosnan's driving skills have not improved over the years.Despite silly plot failings, this movie is worth watching simply to see four really good lead actors show us how it's done.
Amari-Sali Emma Thompson in a comedy, especially after her performances during the 2013-2014 award season, sounds like a sure bet for laughter right? After all, she seems more than comfortable with herself, seems equally deep and hilarious, and then she has Pierce Brosnan as a tag team partner in the movie. Leading to the question: Does this film live up to expectations?Characters & StoryDuring Richard's (Pierce Brosnan) last week before retirement, he finds out the man he sold his company to, Vincent (Laurent Lafitte), has pretty much destroyed all he has worked for after 25 years. His pension is gone, his ex-wife's Kate (Emma Thompson), Richard's employees, and the building of the company Richard formerly ran is in foreclosure. Making it so those near retirement, and nowhere near, are all in a terrible position.So, in order to right this wrong, Richard and Kate use the little bit of money they have left to head to France and confront Vincent. Something which leads to them being kicked out of Vincent's building and them deciding they are going to steal Vincent's wife's $10 million diamond to refund all the money Vincent stole. Something which requires the help of Vincent and Kate's son Matt (Jack Wilkinson), as well as Richard and Kate's friends Penelope (Celia Imrie) and Jerry (Timothy Spall).Leading to a caper type film which has light espionage, a damsel in distress, a bickering former married couple, and Jerry who seemingly did quite well in the military and made loads of friends.PraiseIf you were to look at each of the protagonists' stories, in terms of what happened before the movie, you are given interesting tales. Whether it is Jerry's career in the military, which has led to shrapnel and forceps being found in his body; Richard and Kate's relationship, which perhaps began too soon; or even Richard's pursuit of younger woman and building up his company. With all that is told to us, you are given a wealth of background information. All of which create this sense that these characters have lived full lives before we met them, and that after all the sacrifices and the interesting lives they've lived, they deserve their pension money to relax.CriticismHowever, as much as their little tidbits about what happened in the past are interesting, nothing we see in the present has the same effect. Watching Thompson and Brosnan go back and forth throughout the movie is neither appealing nor funny, and it doesn't even have the passion the bickering between Nick and Meg in Le Week-End had to make it interesting. The jabs are all very shallow and while you see two attractive people who look good together, there is a real lack of chemistry that makes it hard to invest in either their past, or possibly future, relationship, much less their friendship.Then, on top of that, honestly Jerry's random stories about being in the military were strangely more interesting than what most of the film offered. This is despite Thompson and Brosnan kidnapping, and impersonating, Texans; having a will they get back together, or won't they, type of relationship; and Thompson giving motherly advice to Vincent's bride Manon (Louise Bourgoin), of which had one quotable line amongst their conversations. Overall: Skip ItA part of me wants to say this is something which should be labeled "TV Viewing," but in all honesty I think there isn't much here to really garner wasting an hour and a half of your life. Brosnan's charm is there, but there isn't much chemistry between him and Thompson; and while Thompson attempts to be funny, the script doesn't seem geared to her talents at all. If anything, all you get is a story about a divorced couple of which one half speaks on how happy they are they aren't married to the other; we listen to Kate, Richard, and Jerry remind us constantly that they are old; and overall you get the feeling that if they were going to use these characters, minus Vincent and Manon, for a movie, it should of took place when they were still interesting and worth making a film about. Hence the "Skip It" label. The character, not actors mind you, are past the point where they can do or say anything interesting, and really this whole "let's steal a diamond" story seems barely evolved out of being an interesting concept.
ferdinand1932 This film was written in the 1960s several times; then again in the 1970s and even again in the 1980s for some old actors who needed to look funny and sexy still.It's the perfect piece of dross that you'd see on a flight and stick with because your defenses are down. On land, and with plenty of oxygen to the brain, there is no excuse to suffer this series of worn out clichés and stale moves.Brosnan is perfectly at ease in this soggy soufflé, Thompson less so; she seems a schoolteacher who is slightly ashamed at doing this. The other actors all hack their way through the formula of inferior scenes and dialog.It's so utterly lazy that the creative team might have used their time better by dozing on the couch and watching old movies.