Calum Hutton
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
Delight
Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
Allissa
.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
mark.waltz
If movie plots are like train wrecks, this one is up there with the crash in "The Greatest Show on Earth". Every element of this film noir rings a bell of falsehood. In some films, you might be tempted to walk out of the theater or simply press stop on your VCR or DVD player. In the case of "The Inner Circle", you'll stick with it just to see how far down the road of absurdity it will go.The plot deals with a private investigator (Warren Douglas) in need of an assistant who gets one that instant when all of a sudden a mysterious blonde (Adele Mara) walks in and announces that he's just hired her. Then, she takes a mysterious phone call from a "client" whom Douglas agrees to meet which results him stumbling onto a dead body and the veiled brunette client proceeds to conk him over the head. You won't be surprised to find out who she really is, and then the ridiculousness continues at a break-neck speed with a line-up of other suspects and Mara getting Douglas off for a murder he didn't commit on a self-defense charge.Cantankerous William Frawley plays a police investigator who trails both Mara and Douglas and always shows up at the most inconveniently obvious times. There's a grizzled old handyman (Will Wright) and housekeeper (Dorothy Adams) who worked for the victim (a radio columnist), as well as a nightclub singer (Virginia Christine, best known for the Folgers commercials years later) and the nightclub owner (veteran actor Ricardo Cortez). To top off the less than one hour of absurd story-telling, Douglas has Mara named as the killer and re-enacts the crime on a live radio show with everybody present with scripts in hand for the final denouncement.In spite of all the downright atrocious plot twists and developments, you might find yourself engrossed with ironic laughter at it all. Like the clown that slips on a banana peel and slides across the stage floor before landing with a thud, this movie slides through its six reels, landing on the floor, and leaving a rotten egg behind.
stonethrower88
...On Michael Keaton in the 80's noir spoof Johnny Dangerously???? The inner circle even had a bit of tongue-in-cheek itself, though in much more of a 1940's innocence.William Frawley's in top form andAdele Mara really shines in a part that seems tailor made for herThe cinematography is surprisingly top-notch, though you wouldn't notice if you turned it off after the first 15 minutes. It gets a bit more impressive as it goes along.Though not finest quality direction, it does move well with some snappy dialogue and interesting staging.Don't expect academy award performances, but it's still worth a watch, just for a few chuckles and to see it's influence on much later noir spoofs.
dbborroughs
Johnny Strange of Action Incorporated is interrupted by a beautiful woman while placing an ad for a secretary. She hangs up on the newspaper and takes the job. When a mysterious call comes in not long after Johnny finds himself knocked out and framed for the murder of a sleazy radio show announcer (ala Walter Winchell). Johnny must now try to solve the case before he ends up behind bars for the murder.This is a fast moving mystery thriller with a smart ass attitude and a never ending stream of one liners. Running around 55 minutes this movie starts from the first frame and zips right on by to the last. To be certain the film shows signs of a reduced budget, there are only so many sets, but the film over comes the limitations by being very witty. The cast which includes William Frawley as a cop, Ricardo Cortez as suspect William Douglas as Johnny and first (?) billed Adele Mara as the secretary is first rate. The rest of the cast is filled out with many familiar faces and they all come together to make what could have and should have been a less than sterling little mystery into something that is actually quite enjoyable.Definitely worth a bowl of popcorn and a soda (especially on a multi feature evening on a rainy night)
Hitchcoc
The story begins with a pretty blonde lady barging into a PI's office and taking a job before he has a chance to say anything. From this point on the guy should have been suspicious of her motives. But barging in is what she does and that's it. He becomes the victim of a frame-up and goes along with everything. His buddy Fred Mertz (I mean William Frawley) probably would have just looked the other way if he had been asked, but he gets steered away. The whole thing is so lightweight as to be inconsequential. There is a guy killed, but he was an extortionist jerk anyway and got what was coming to him. Everyone plays around, despite the potential seriousness that would exist under real circumstances. The characters mug and fool around and we just know that no-one is going to hang for their crimes. It has a nice quality to it but no real substance.
