Scanialara You won't be disappointed!

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Nigel P In a sea of disconcerting images, the most unpleasant must be the fridge full of snails, bathed in their own excrement. It is something that happens without fanfare and is treated without hysteria, either by lovely new teacher Francesca (Francesca Marciano) or hero Stefano (Lino Capolicchio). There are quite a few disconcerting images like this, some occasional gore and an overriding atmosphere of perversion and unknown horror.The story involves Stefano's deployment to an isolated village (always the best kind) to restore a decaying mural in the local church. He takes up residency in the house owned by the original, deceased artist's two sisters. Whilst carrying out the restoration, his casual investigations reveal that the original artist was an insane murderer, who used his nefarious activities as 'inspiration' for his art.Amidst the chilling night-time whispers of 'purify' and the eerie dilapidation of the titular house, Stefano's affair with doe-eyed (yet hirsute) Francesca is a welcome touch of tenderness. You just know that something unspeakable is going to happen to her.It's a heady concoction of sinister characters and unnerving set-pieces. The surprise revelation at the end of the film is very satisfying and in part, pretty gruesome. Although the film may never quite live up to its glorious title, it provides an entertaining addition to the Italian 'giallo' cinema.

BA_Harrison Art restorer Stefano (Lino Capolicchio) is hired to repair a damaged fresco in a remote village church painted by renowned local artist Buono Legnani, who was reputed to be mad, and who only depicted death and suffering in his work. As he carefully reveals previously unseen sections of the painting, Stefano also gradually uncovers a terrible secret that has blighted the town for decades.This giallo, from director Pupi Avati, seems to get an awful lot of love from Euro-horror fans, who praise it for its unsettling atmosphere, slow-burn approach, and cool visual style. If, like me, you're a fan of the genre, but tend to prefer them on the sleazier side, with lots of nudity and gore, be prepared to be disappointed and read between the lines when checking out the mostly positive reviews here on IMDb.For 'deliberate pacing', read 'slow and lifeless'. For 'brooding atmospherics', read 'dull story'. For 'classy' or 'stylish', read 'boring'. For 'unsettling', read 'it'll have you fidgeting in your seat'.And when people say that the twisted ending is 'a shocking revelation that will unhinge your mind', or some such claptrap, just be prepared to be massively underwhelmed: I found the surprise revelation at the end of the film ridiculous in the extreme but not in the least bit unnerving (far more disturbing for me was the discovery that gorgeous, young, snail-loving school-teacher Francesca, played by Francesca Marciano, wears over-sized granny pants!).

Lucabrasisleeps Yesterday I watched one of the my favourite giallos of all time. The House with the laughing windows(1976) was directed by Pupi avati. I have to admit my ignorance of Pupi avati as a director. I only know he has directed some other cult movie called Zeder. Judging by this movie, he was destined for great things but that potential was never fulfilled.The plot goes like this. Stefano is a restorer comes to an island in order to rescue the fresco depicting the suffering of St.Sebastian. The artist(now dead) was known to be a disturbed individual who painted scenes of death and suffering. He is somehow given a place to live by a somewhat mentally challenged individual. From this point onwards, he notices the sinister behaviour of the villagers. He doesn't understand it and decides to get to the bottom of the mystery that haunts the village.This giallo is unique and quite different from other giallos because unlike other giallos, there is not much gratuitous violence or sex to keep the viewer interested. There are no scenes which would shock the viewer or anything like that. That is one reason why giallo aficionados might not appreciate this movie completely. It does not have the usual gimmicks and over the top acting performances that are generally expected from giallo actors and actresses. The leading man(Lino capollichio) is amazingly capable of carrying the whole movie on his shoulders with a restrained performance of a man who is puzzled and somewhat disturbed by the village and its environment.The ending is one of best aspects of the film. It is the perfect payoff for patiently building the atmosphere throughout the movie. Another aspect is the creepy atmosphere throughout the movie. It is almost downright scary sometimes. In this aspect, this movie is similar to a movie like Don't look now or Japanese horror than generic giallo films or slashers.The negative aspects that may turn off some giallo lovers is that it is quite slow but the slow buildup in fact increases the tension and that makes the ending all the more worthwhile. The best scene(according to me) is the scene in the dark room where the hero walks through the room slowly. There is absolute silence in the room which is very unlike other giallo films.Final rating: 10/10. Yes, it may seem very high but it is worth the high rating. Anybody lucky enough to be able to get a copy of this movie should watch it.

Leonard Smalls: The Lone Biker of the Apocalypse "The House With Laughing Windows" is a very European film. Unlike the gialli of, say, Argento, this film is not 'Americanized' at all. It reminds me more of films like "Don't Torture a Duckling" in that it takes place out in a small town in the Italian countryside. It adds to the ambiance and I really like that.The plot is very slow-moving. I'm not even sure if I'd call this film a giallo, but reading other reviews on here, it seems that it is in fact classified as such. It was hard for me to watch this for the first hour or so. I was wondering when it was going to pick up. Not many people get killed. But, I stuck with it and I recommend doing so. If you can stick with it, the ending is freakin' awesome. I was shocked by it; it really delivers. And it gets nice and bloody too. I had no idea who the killer was, and by the time I found out, my head was spinning from the progression of the final few scenes. It ends abruptly and it feels great. It more than made up for the sluggishness of the first 2/3 of the film. It's not unlike many of the newer Asian films in that regard: it moves very slow but the last few minutes are like a twisting train wreck.In short, I recommend this film to those of you who have patience and enjoy Italian horror.8 out of 10, kids.