The Haunting of Helen Walker

1995
5.8| 1h28m| NA| en| More Info
Released: 03 December 1995 Released
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TV remake of the Henry James' classic tale "Turn of the Screw", with changes in location and character names. A live in nanny discovers two children haunted by the spirits and deeds of their former care givers.

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Director

Tom McLoughlin

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The Haunting of Helen Walker Audience Reviews

NekoHomey Purely Joyful Movie!
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
TheGuyWithTheFeet Is it just me or is this almost a scene-for-scene remake of The Innocents? I know that they're both based on the same story. But dialog is similar, scenes are similar. Only thing that's not similar is that The Innocents is a high-class, beautifully shot, well-acted production. I found this one to be cheap and poorly played. Valerie Bertinelli doesn't really belong in period pieces. She doesn't have a period look. She doesn't have a period voice. Diana Rigg, however, is pretty great (as usual). She always turns in amazing performances and her Mrs. Gross is no exception. Everyone else though is lackluster and kind of boring. And, adding to the pile, it really drags. It just kind of lays there like a dead fish.
helpless_dancer This was worse than a Harlequin romance novel: the only good part was the old castle and the surrounding landscape. Hammy, overdone rehash of every 2 bit ghostly/old manse film that's ever been done. It provided rain, lightning, dim corridors, haunting music, candles blowing out, spectral beings, and on and on and on all the way to the 'creepy' finale. Valerie should have stayed home and let Eddie bring home the bacon.
aesgaard41 I'm a big fan of Valerie Bertinelli; she's a very lovely and under-rated actress, and she does very well in this movie. The problem is that "A Turn of the Screw" by Henry James has been done too many times with little variations or deviations from the original novel. Done best as "The Innocents" (1961), the plot was only really done differently and interestingly on "Dark Shadows" with David Selby and Terry Crawford. The Bertinelli movie is very scary and has great convincing special effects, but some problem does rest in the direction and execution. She finds all these clues that something is wrong at the estate she works on, but it is hard to tell just how all these clues relate to each other once you realize that the children are under the thrall of two ghosts who hate each other. The movie on its own is a very top-notch ghost story, but you have to be totally unaware of the original novel to appreciate it.
Oriel My friends have a difficult time stifling their giggles when I mention a quality film version of Henry James's classic "Turn of the Screw" starring Valerie Bertinelli, but she does quite a good job in the title role (a character altered just slightly from the novella to account for her American origins in a British cast and setting) of an altogether excellent film.Those who have seen the earlier screen treatment of this story, _The Innocents_ (with Deborah Kerr in the Bertinelli role) will enjoy this version for similar reasons, foremost among them the excellent screenplay and eerie atmosphere. The 1995 film adds effective ghostly special effects (chilling but never overdone) to heighten the spookiness, a lush location setting, and increased emphasis on the disturbingly sexual nature of the hauntings. The children may not be as sympathetic as they should be--it's difficult to believe that their natural, unpossessed state is cherubic innocence--but the young actors are convincingly creepy and sly when under the spirits' influence. Altogether the cast is wonderful, with the incomparable Diana Rigg especially effective as the housekeeper who unwillingly comes to recognize that the new governess is _not_ just imagining things. Bertinelli's devotion, fear, and ultimate determination are completely believable, and the final showdown with the evil Peter Quint is haunting indeed--it will take your breath away. This film deserves a place in every ghost story lover's video collection.