YouHeart I gave it a 7.5 out of 10

Breakinger A Brilliant Conflict

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Neil Doyle My only reason for watching this is because I caught the tail end of it on cable and saw the ending before I saw the re-run of the film starring GUY PEARCE, an actor whom I liked in L.A. CONFIDENTIAL and MEMENTO. It's no more than an average crime caper movie but watchable enough to pass the time.It's one of those hard to define flicks about a trio of hoodlums (brothers, actually) who are exploited by a crooked lawyer and, in the end, decide to take revenge. That's the basic plot in a nutshell, with some equally corrupt cops thrown into the mix. But first time Aussie director Scott Roberts has taken some very far out material with lots of quirky potential and turned it into a fairly interesting heist film that moves swiftly toward a most unlikely ending. Along the way there are a lot of twists and turns--watch especially for the crucial scene where Pearce decides to take care of the corrupt lawyer all by himself until the unexpected happens.RACHEL GRIFFITHS is effectively cunning as Pearce's blonde and trashy wife, and JOEL EDGERTON has fun with his role as the wildest brother who is most brazen about his prison behavior with a counselor. A guy by the name of ROBERT TAYLOR is apparently unaware of his moniker's use by an already famous classic star.With a serious/comic flavor, it starts out promisingly but turns into an average thriller aided and abetted by an upbeat musical score.Warning: Lots of profanity, sexual doings and coarse lingo make it unacceptable for the kiddies. A major flaw are the heavy Australian accents which blur much of the dialog.

George Parker "The Hard Word", just another B-flick about a bunch of people after a bunch of money, sticks Pearce front and center with a beard and perpetual sneer as a bad/good guy with Griffiths looking equally out of her element as his blond bimbo in a padded bra. Everything about this convoluted flick is ordinary, uninspired, and just so much of the same old stuff we've all seen soooooo many times before. "The Hard Word" does not distinguish itself in any way and is probably destined to die a slow death on late night Aussie tv. A step backward for Pearce and Griffiths. Not recommendable. (C)

snake77 One of those films I found myself liking a lot, but it's difficult to say exactly why. The Hard Word has a little bit of everything going at once - heist film, love story, comedy, and drama. It could be (and was) marketed as a thriller about lowlife criminals, double crosses and crime not paying - in other words an obvious Australian-style Tarantino rip-off like the boring and derivative "Two Hands". However it seems to take its cues more from the kind of slower paced, character-based crime movies that were popular from the 70's.Often movies like this one choose style over substance, and skitter along on simplistic scripts and dumb dialogue. Not the case here at all-The Hard Word has enough going in both departments to keep you more than interested and entertained, a credit to writer/director Scott Roberts. The music in this film is also worth mentioning - it's very good and matches the style of the film perfectly. What makes the movie special is an amazing, low-key performance from Guy Pearce, whose talent becomes more evident every time he graces the screen. Playing one of three incorrigible but non-violent bank robbing brothers, he manages to make his character watchable, interesting and original. Co-star Rachel Griffiths plays his sneaky, trashy, two-timing wife; her performance is not quite up to Pearce's, but doesn't do anything to weigh the film down, and most of the other actors are top-notch. I don't think this film did much business in the US (yet another indie that probably played on about three screens and no one heard about), but I predict it will find an audience on video and could even become a bona fide cult classic.

s3160292 The Hard Word is the result of what happens when you take a bunch of OK ideas, string them together and just hope the rest falls into place. Unfortunately it doesn't. the film tries to be a character driven piece, but never bothers developing its characters. This film is hard to connect with. At no point does it actively engage its audience. A bunch of stuff happens, but you just don't care.The script is second rate at best. More often than not, trite contrivances drive the story and characters do completely illogical things (often going out of their way to do so) for no reason. I've heard more better conceived and more logical storylines from my 6 year old nephew. Half the characters could easily be written out of the film without affecting the film in any negative way (take Rachel Griffiths character; half her involvement in the film seems like an afterthought - something they came up with when the producers realised they had a "real" actress on board).Acting is a highly mixed bag. Most of the characters aren't too bad, but some are awful. The character "Frank" had the worst timing for delivering lines I've ever come across in a major character. Many of the extras or minor characters are crap.A poorly directed mess, which at the same time is not unwatchable. wait until it's on TV, or if you're really keen to see it video. Certainly not worth the time or money on the big screen. 4/10