Laikals
The greatest movie ever made..!
StunnaKrypto
Self-important, over-dramatic, uninspired.
Senteur
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Mehdi Hoffman
There's a more than satisfactory amount of boom-boom in the movie's trim running time.
floydianever
For a made-for-tv movie it's obviously still intriguing enough to have captured the Millennial generations attention and spawned an updated remake. This is ORIGINAL movie based on Margaret Atwood's novel that pretty much follows her book as originally written.The questionable ensemble of actors chosen seem to give this film a disjointed feel possibly due to the lack of chemistry between them. Faye Dunaway as Serena Joy and Ed Harris as the Commander seem more like abusive grandparents to Natasha Richardson's Offred, (Elizabeth McGoverns' Moira only stands out because of her age and garters at Jezebels) STILL a good movie (for network tv) and enjoyable if you want the original tale as written.
cembalo-91031
For those who think this might be far-fetched I refer to the Christian and very influential theologian, St Augustine of Hippo, who thought sex was disgusting (and he had had quite a bit of it) and only redeemed by its procreative aspect. This ably demonstrates that reducing sex to that function is debased, and totally wrong. Yet sanctions on contraception are still widely upheld. Figure out the implications of that. The series ably illustrates the ridiculous and artificial restrictions on female behavior: women are overly delicate in speech and gesture but when violence is mandated they are expected to, and do, comply. And even for unbelievers, quaint, pious expressions are so successfully inculcated they can't resist mouthing them even when unobserved. It reminded me suddenly of Joan of Arc who saved France as a separate country, but simply had to die, because, what do you do with a talented, heroic female soldier whose existence undermines the male biases of the whole system? This movie is not merely futuristic but a kind of parodic reflection of the status and lives of most women in this so-called civilized world. Traditional religion has not been the only negative factor, but it certainly hasn't helped much.
preppy-3
This is a nightmare vision of the future. It seems 1 out of every 100 women is fertile (for some reason). The ones who aren't perform slave labor. The ones that are are "sold" off to rich families where they have sex with the husband to produce a baby. Kate (the late and missed Natasha Richardson) is one such servant to Serena Joy (Faye Dunaway) and her husband the Commander (Robert Duvall). Kate wants out--but it seems there's no way.The synopsis only scratches the surface of a VERY dark and disturbing movie. It slowly shows how women are treated and used and it just gets more horrifying as it unfolds. The parallels to Hitler's Nazi Germany are fairly obvious but here we have barren women instead of Jews and gays. The good acting by everybody makes this hard to shake off. Aidan Quinn (as Nick) and Duvall are OK; Victoria Tennant is chilling as a leader of the camps; Elizabeth McGovern is just great as a fellow prisoner who befriends Kate; Dunaway is also very good in her role. Best of all is Richardson. This couldn't have been an easy role but she pulls it off beautifully. She died at far too young an age. This is basically an unknown movie and it's easy to see why--it's far too dark and disturbing for a general audience. However the ending is (sort of) uplifting (and changed from the book). Grim, dark and depressing. View it at your own risk. The ceremony sequences are almost impossible to watch and shocked the hell out of me the first time I saw this.
SatyrIX
thoroughly abject, plain Jane production design and vanilla mush of a story. The premise of this lunatic, virginity-obsessed oligarchy that America has somehow become is merely unexplored window-dressing to a soporific and pedestrian story arc. All in all this film stands as an anti-adaptation of the source material. Hard to believe Volker Schlondorff was a participant in turning this one out. Aside from consideration of this doleful picture it is rather amusing to notice that to a comment every positive review of this film is a transparent excuse for righteous soapboxing against misogynism in society rather than the film per se.
