ShangLuda Admirable film.

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Horst in Translation (filmreviews@web.de) "The Gruffalo's Child" is the sequel to "The Gruffalo" and also got released for the holidays again. I liked the original and was fine with its Oscar nomination, but in this case once is enough. This is basically a story with turned tables. We do not follow the mouse, but the title character this time. They got a pretty great cast for an animated short film, I will hold that in their favor. Helena Bonham Carter does the narration voicing the mother of a bunch of young squirrels and Robbie Coltrane, John Hurt, Tom Wilkinson and Steve Corden are fairly popular as well. It's not their fault really that this did not work out as nicely as the first. Maybe they should have kept it at 10 minutes max this time. Even the rhyming did not feel as smoothly as in the original. The animation wasn't bad. I liked the snowy landscape. Just like the first, this was directed by a duo of Germans, however not the same duo as 2 years ago. I guess it's all these small ingredients that made one big impact, in this case a negative one. I cannot recommend "The Gruffalo's Child".

tedg Oh help. Oh no! This is not the Gruffalo.If you know the book of which this story is the sequel, then you have experienced something special. It has an untrusted narrator nested in another untrusted narrator. The inner con is by a mouse who fools dumb predators with a tale of a fictional creature. The outer con has the noir storyteller change the nature of the world to make this creature real.The mouse then modifies his original con to escape the new danger. The surrounding execution of the book is good: rhythms and detail in the drawings. But the real power of the thing is the way it takes a Chinese folk tale (similar to the Br'er Rabbit stories) and adds in this meta-noir, meta-cinematic structure.So imagine my anticipation on hearing that the same team produced a sequel and that it had been translated into film. Back into film would be my preferred notion.Well, "The Gruffalo's Child" book has none of the magic of the original — none of the teasing of truth that made me want to expose my kids to it.This story is told without any folds in the narration. There is a nesting in the film version that copies that of the film of the first story: a mother squirrel telling the story of the child, but even that is straight; there is no causal connection between the world of the squirrels and that of the mouse. This only works if you have the original story in your head and consider this a second half-chapter.The style of the animation is poor. The book's text is jaunty and the illustrations support that (without adding to it). The studio who did this apparently had a good procedure for snow, but chose to renter all the creatures as balloons.Ted's Evaluation -- 2 of 3: Has some interesting elements.

Hellmant 'THE GRUFFALO'S CHILD': Two and a Half Stars (Out of Five)This 2011 TV animated short film is a sequel to the 2009 animated short 'THE GRUFFALO', which was nominated for a 2011 Academy Award. Once again it's based on a children's book (of the same name) by Julia Donaldson and Axel Scheffler. It was adapted for the screen by Donaldson and Johanna Stuttmann and directed by Uwe Heidschotter and Johannes Weiland. It features the same all star voice cast as the original (including Helena Bonham Carter, Robbie Coltrane, John Hurt, Rob Brydon, James Corden and Tom Wilkinson). Coltrane once again voices the beast known as 'The Gruffalo' and in this story he's telling tales to his daughter (Shirley Henderson) of a 'Big Bad Mouse'. The child then ventures out to find the ferocious mouse and comes across various other animals on her journey (including the snake, owl and fox from the original film). It was screened with the 2013 Oscar nominated animated shorts in theaters and billed as 'highly commended'. At 27 minutes it's a tad too long and kind of just feels like more of the same (as the original film). It once again is nothing special as well. It will probably fascinate small children but no one else. I don't especially care for the animation in these films either.Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=k6yq7kwUUDQ

MartinHafer I have been going to the theater on a pilgrimage for quite a few years now each January-February to see the annual showings of the Best Animated and Best Live Action Shorts. I am lucky enough to live in one of the few places in the country that shows it each year. And, along with the nominated films, they usually show several commended films--animated films which didn't make the final cut but which are well worth seeing.The final commended film shown in this viewing was "The Gruffalo's Child". I must admit that I don't understand the Gruffalo films. They are slickly made but the films never really excited me and seem purely of interest to small kids. HOWEVER, when I went to Europe (where the stories originated), I went in quite a few bookstores and saw HUGE displays of the books. Clearly, the kids in Europe love those Gruffalos!! I may sound very selfish in saying this, but although this film was nice, I wish they hadn't picked it since I'd already seen "The Gruffalo" during a similar screening last year (or was it the year before?) and it was by far the longest of the shorts shown this year. So, this means other wonderful films made by smaller film makers didn't get to be seen because they showed this one. Surely, the Gruffalo folks appreciated the exposure but also didn't NEED it nearly as much as the struggling artists whose work COULD have been shown. And, at almost a half hour, two or three other shorts could have been shown instead. Just my two cents worth. A good film but a familiar one as well.