The Great Yokai War

2006
6.4| 2h4m| PG-13| en| More Info
Released: 30 June 2006 Released
Producted By: KADOKAWA
Country: Japan
Budget: 0
Revenue: 0
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A young boy with a troubled home life becomes "chosen," and he stumbles into the middle of a great war of yōkai (a class of mythological creatures), where he meets a group of friendly yōkai who become his companions through his journey. Now he must fight to protect his friends and free the world of the yōkai from oppression. The yōkai originate in Japanese folklore and range from the cute and silly to the disturbing.

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Director

Takashi Miike

Production Companies

KADOKAWA

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The Great Yokai War Audience Reviews

LastingAware The greatest movie ever!
Tedfoldol everything you have heard about this movie is true.
Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Film Chaser Takashi Miike is one of my favorite directors and I was worried about him doing a kids film, because I would hate to see him depart from his films I came to love: Visitor Q, Gozu, Izo, Ichi the killer and Black Socioty Trilogy. Lately he seems to be exploring new territory and I think he's succeeding. Still this was the first of his films I'd seen him take that direction, so I was nervous. Of coarse I bought it without seeing it and was glad I did.Great Yokai War is a perfect kids film and adults should like it too. The whole film reminded me so much of the movies I loved as a child: Neverending story, Labyrinth, Return to Oz, etc. I enjoyed those films because they didn't treat kids like they're stupid and this one doesn't either. The dark underlying morals are there, but, it's also as silly as any kids film should be. I personally wasn't bothered by the CGI and prosthetics. I feel like they fit well and don't think kids will notice.If you are a die hard Takashi Miike fan, you may not like this one. But, I suggest giving it a shot. It proves that Miike is as diverse and talented as I suspected he is. He also continues to make his signature Miike films outside of these ones, which is very reassuring.To those people that are new to Takashi Miike and want something light hearted or dramatic like this one, I suggest these other Miike films: 'Zebraman' 'The Happiness of the Katakuris' 'Sabu' and 'The Bird People in China.' Good job Takashi Miike! 8/10 stars.
I_John_Barrymore_I One of director Miike Takashi's very best. It's so good it's difficult to put into words. At nearly fifteen years older than the target audience it thrilled me from beginning to end.It recalls similar children's films from the 1980s in the sense that (unlike today) those films weren't afraid to scare - there's a lot of nasty detail here that I initially found jarring but soon realised it's nothing different to what I grew up on. The film is a compilation of '80s kid's films conventions. You name it, it's there: a young boy hero thrust from his own unhappy/dysfunctional world into another, inhabited by mythical and mystical goblins; a quest to save both worlds from an evil force; a beautiful heroine he has a crush on; a sadistic henchwoman (Go-Go Yubari from Kill Bill Vol. 1); a lead villain who draws his evil power from something everyone in the world can relate to. But all these genre conventions are given a fresh spin and added depth.One of the IMDb reviews begins "Where was this film when I was a kid?" and it's a sentiment I agree with wholeheartedly. Even while watching it I lamented the fact that I hadn't grown up on it; that it wasn't a part of my childhood like Labyrinth, Masters Of The Universe and, to a much lesser extent, The Neverending Story. Those films, and others like The Goonies are recalled but never copied - Miike relentlessly offering us a new take on things.Poor CGI is a staple of many of his films, sometimes due to budgetary limitations but just as frequently an artistic choice - a desire to present things in an outlandish way. Here the CGI is mostly average, solely due to budgetary limitations, but nevertheless he does a fantastic job of putting on a spectacle. The CG effects combine with traditional puppets, animatronics and truly extraordinary make-up to create a world filled with rich characters (and characterisation) that frequently borders on the visionary.This ranks as one of the greatest children's films ever made. Not for younger or more sensitive kids though.Just jaw-droppingly wonderful. See it for yourselves and if you think your kids can handle/appreciate it then show it to them. Let them grow up on The Great Yokai War as some small compensation for the fact you couldn't.
Meganeguard I believe that almost every fan of Japanese film, if they actually like his films or not, are familiar with the cinema of Miike Takashi. With such films as Audition, Ichi the Killer, and Visitor Q Miike has left his mark on the world of cinema because of the pure brutality often depicted in his films, however, there is also another side of Miike. With films such as The Bird People of China Miike displays that his filmic scope can go beyond the realm of visceral violence, and with The Great Yokai War Miike does something that few of his fans and critics would think possible: create a film for children.After his parents get divorced, Ino Tadashi moves with his mother to his grandfather's home in a rural village. Teased by the other children because of his Tokyo origins, Tadashi leads a pretty solitary existence either reminding his grandfather that he is not his mother's deceased older brother Akira or leading his grandfather back home from one of his aimless wanderings. He lives a pretty drab existence, but this is soon to change. One night while attending a local festival, Tadashi is chosen by the Kirin, two men in a costume, to be the one that it will bite that year. Receiving gifts of azukj beans and rice and a towel, makes his way home and has a phone conversation with his elder sister who he longs to see. Later he learns from a couple of the boys who bully him that because he is the Kirin Rider he must climb Hobgoblin Mountain to retrieve the sword of the Hobgoblin King. Making his way up the mountain, Tadashi is frightened by some voices and he runs to board an odd bus where he encounters an odd cat/rat/hamster creature that had been injured in an earlier scene by a mechanical monster and a female yokai, Kuriyama Chiaki, sporting a beehive hairdo and wielding a whip. However, this little, fuzzy creature is only the first of many yokai that Tadashi will meet. Later after learning that because he is the one chosen to be the Kirin Rider he is the one chosen to save the yokai from evil, Tadashi joins a group of yokai, including a kappa, a water princess, and an azuki bean washer in an amazing quest that will remind any child of the 1980s of the films The Never Ending Story, The Dark Crystal, Labyrinth, and Legend.Although this might seem like an odd comparison, the first film director I thought of while watching this film was Miyazaki Hayao. While it does not play as strong of a role in this film as it does in many of Miyazaki's animated classics, the battle between nature and technology does play a role in this film. However, this role is quite tenuous at best and at some points it comes across as being a bit heavy handed. However, underlying meanings are not the main purpose of this film, what The Great Yokai War brings to the table is a visual delight of monsters that have filled Japanese folklore for centuries. While many of the creatures will remain unknown to the non-Japanese many such as the snow woman, tengu and demonic lanterns and umbrellas will be familiar to those with a basic familiarity with Japanese folklore. While not a great film, The Great Yokai War is a fun film to watch and, as I stated above, it is an interesting film to be added to the cinematic work of Miike.
dvdguy2005 2005 Toronto Film Festival Report It is official; "Takashi Miike" is whacked.The annual midnight screening of the new "Takashi Miike" film, "The Big Spook War" or "The Great Yokai War" or "Yôkai daisensô". Call it what you will this is a fanatical ride.Colin Geddes, the fearless programmer stated this film was originally geared towards children in Japan. Think of "Lord of the Rings" or "Neverending Story" for Japan. After the screening I can understand where they were going with that, but damn this is "Takashi Miike" after all. He directed the '01 film "Ichi the Killer", when it screening at the festival barf bags were handed out at the screening. And no, that wasn't just a marketing ploy.Plot Summary: A young boy with a troubled home life becomes "chosen," and he stumbles into the middle of a Great Spirit war, where he meets a group of friendly spirits who become his companions through his journey.This is not really for kids, well not 'too' young. Certainly see them getting scared shitless with some of these spirits (even the friendly ones) on display. This is unlike anything I've seen in the movie theater before. A fantasy naturally, some very funny (but dark) material. You will not be bored can guarantee that. Will this ever hit North America? Doubtful.My rating = B