Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

saundersjan There's a profound and stark beauty to this movie, despite the horror of its subject matter. I saw this at the Melbourne premier in 2014 and was truly mesmerized. The most important movie of it's kind because it can reach across the divide of activists to the general film goer who simply appreciates a well-made documentary and indeed a thriller of a story line. Jo-Anne makes a most sympathetic yet clearly reluctant heroine, my heart ached for her and what she is compelled to do to make the world a better, more just place. A war correspondent indeed.I cannot rate this documentary highly enough. In short, I think it's stunning and should reach a much broader audience than it does.

Edward Rutledge Ghosts is one of the most, if not the most, beautifully filmed and constructed documentaries I've ever seen. And it is surely the most moving and powerful film I've ever seen regarding our complex, and frankly shameful and abhorrent, relationships with the sentient beings among us, hidden from us, that we call animals. To be able to look through director Liz Marshal's and protagonist Jo-Anne MacArthur's lenses into the eyes of beings whom we know to be fully present and to possess the senses and faculties to know and experience deeply the unfathomable suffering we impose on them for the most fleeting, trifling and unjustifiable purposes imaginable is an experience not soon to be forgotten and one which should be widely shared and experienced. The astonishingly beautiful sanctuary scenes are a source of great joy and hope for a future of compassion, empathy and liberation for the ghosts and for all beings.

Shel Graves This beautifully told tale follows photographer Jo-Anne McArthur as she takes photos of individual animals used for entertainment, fashion, food, and research and seeks to bring her work to a wider audience.It's the story of one woman following her calling and passion. She sees herself as a war photographer. She wants to save the world. Her work as a McArthur's clear counterculture mission is animal liberation. The film follows her vision of animals as sentient beings who deserve to live their own lives for those lives' sake, not as as means to human ends. She documents animals' confinement and suffering.It's an intriguing vision and watchable filled with gorgeous cinematography and many soulful eyes (sometimes filled with confusion and pain, but the film also shows images of animals at peace and pleasure).This is director Liz Marshall's first animal rights film and she said after watching many other films in the genre she purposefully chose to steer away from more graphic images. It's often visually pleasing and even funny. Even so, it's overall effect is heart-wrenching.Much of the film's power comes from its juxtaposition of images that contrast McArthur's conscious awareness of animal interests with the general disregard and commoditization of animals displayed in the dominant culture.McArthur works to document and bring to light what industries take great pains to hide — the abuse of animals behind their products. She seeks to stimulate people's natural affinity with and compassion for animals to change these cruel systems.Therefore, the film has a keen awareness of the animal origin (and the lives injured and cruel systems behind) products commonly seen and displayed while walking down a city street.It's a perspective worth considering and a film worth watching.

Danielle Legg The Ghosts in Our Machine is a brilliant look at the relationships that humans have with the animals that we see, or deny the existence of, every day. We see and get to know each of them through the lens of Animal Rights photographer Jo-Anne McArthur, we feel her emotion as her photographs tell a story few people know, and fewer want to hear. There is a beautiful balance of sorrow and joy in the film, and a hope that Jo-Anne's work with We Animals, and this film, will change the world for animals.Anyone can watch this film and learn more about how they can become a part of the change. The films robust social media campaign provides support and resources on changes that anyone can make in their everyday life to help make the world a better place. For themselves, and for the Ghosts.