Linbeymusol Wonderful character development!

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

lastliberal This film was released in the UK under the name Blood Rites. It was banned outright and never submitted again for release.As The Ghastly Ones, it was supposedly a hit with the horror hungry denizens of New York City's famed 42nd Street Grindhouse circuit. If you are looking for some bloody horror, then you will find it in this film.Unfortunately to see the developmentally disabled Colin (Hal Borske) chomp down on a live rabbit, you have to put up with shaky 16mm camera work that makes Ed Wood look positively marvelous.Three sisters are to spend three days in the family homestead with their husbands before the old man's money is disbursed. Naturally, in such a situation, people start dropping dead. Family secrets are exposed and lots of blood is spilled, especially during a gruesome dismemberment.Maybe it was the bunny bit that the Brits objected to, I know I did.

The_Void I saw this film purely based on the fact that it was on the DPP Video Nasty list, and while I'm glad I saw it because it's now 'another Video Nasty down' - on its own merits, Andy Milligan's film really isn't worth bothering with. There are, of course, far worse films on the infamous list; but that doesn't make the pain of viewing this one any easier. The film was obviously shot on an extremely low budget, and that has translated into the script; as Blood Rites works on an idea often seen in horror cinema, and doesn't do anything new with it. Basically, the plot centres on three couples who find themselves at a house awaiting the results of a will. It's not long before they start getting picked off...blah blah blah. For most of the film, nothing happens; and then when we finally get down to the scenes that justify the movie being banned, they're so amateurish and silly that they're impossible to take seriously on any level. It's a very good thing that this movie doesn't have a very long running time as otherwise it could have been used as a particularly nasty method of torture. It all boils down to a fittingly tedious ending, which also succeeds in being a non-event of epic proportions. Apparently, this movie is still banned here in the UK; but somehow I doubt it's because of its shock value. Basically, Blood Rites isn't worth seeing and I personally can see no reason to recommend it. Unless, of course, you've made it your business to see everything on the Video Nasty list...

Flixer1957 **May Contain Spoilers**A gore opera set in the late 1800s, made by one of the most infamous exploitationers of all time. Three sisters and their husbands convene on Crenshaw Island for the reading of the family will. The tired plot is given new blood–and guts–when a hooded mutilator starts knocking off the heirs with pitchforks, saws and meat cleavers. A real backyard effort, literally, since the $8,000 horror was shot on Staten Island property owned by Milligan at the time. Of course, you're better off filming at home when you set your actors on fire and splatter gore all over the walls. During one nasty murder, Milligan's voice can be heard on the soundtrack as he gives direction. Effects range from fake and obvious to fairly gruesome. These include dismemberment, eyeball-yanking, hanging, bisection, stabbing, evisceration, a cleaver in the skull and a severed head on a turkey platter. Except for Hal Borske's sympathetic portrayal of an abused hunchback, the acting is comically bad. This looney-tune for gorehounds is worth checking out--especially if you want to delight fellow trash-fiends and appall your friends who enjoy normal motion pictures.

reptilicus Whether you love Andy Milligan's films or hate them everyone is in agreement; they are a genre unto themselves! You know you are in some paralell universe in the opening minutes of this film when a mad killer attacks a couple having a picnic on a private island. The maniac gouges out the eye of the man and then turns to the camera holding up a tennis ball sized object that is meant to be the eye! If you listen carefully during the murder scene you can even hear Andy Milligan's voice calling out "Cutting away, move!" to the actors! When I met Andy in the late 70's he confided to me that whenever an enucleated eye was needed he found Hostess Sno-Balls not only filled the bill nicely but also provided an impromptu snack for his performers. The plot involves the gathering of heirs on a lonely island to hear the will of the rich, eccentric father. Andy knew that plot had a long white beard well before 1969 so he loaded his movie was sado-masochism, marital rape, homosexual incest, a hooded killer that you'd have to be deaf and blind not to know was stalking you, and of course the bargain basement gore that made him so (in)famous to the people who gathered at drive-ins to watch his movies. THE GHASTLY ONES was his first gore film. After doing soft core movies like THE NAKED TEMPTRESS, GUTTER TRASH and FLESHPOT he saw the market movie away from soft to hardcore and decided to move into the terror genre. Actually this film offers some interesting things. Neal Flanagan, one of his stock company, plays a withered ancient lawyer who appears to have stepped out of a Charles Dickens novel. Haal Borske,a writer and director of several plays, plays the first of many idiot characters in Andy's films. His character of Colin appears to have been the killer in the opening scenes and he looks perfectly normal (apart from being a total sociopath, that is) yet later in the film he has becomes a hunchbacked, snaggletoothed halfwit who eats raw meat. Maggie Rogers also appears in SEEDS OF SIN and TORTURE DUNGEON and her acting is actually several notches above what is expected in a Milligan film. Gore is very . . .well . . .unusual. Bloody scenes include a pitchfork to the throat, a man cut in half with a bandsaw, a hand chopped off, a head in a roasting pan and wait'll you see what happens to the killer at the end! Andy remade this movie a few years later as LEGACY OF BLOOD with a different cast but the same plot and effects. To further confuse matters there is another movie called LEGACY OF BLOOD that stars John Carradine, Faith Domergue and Rex Reason that offers a similar plot but more sex and better effects. Don't worry it will be impossible for you to confuse these movies; an Andy Milligan film is like no other. Back in '69 THE GHASTLY ONES played on a double bill with Kent Bateman's HEADLESS EYES. If I had not been only 4 back then I sure would have paid to catch a programme like that!