The French Line

1954 "OO-LA-LA...IT'S THE BIG MUSICAL THAT HAS FRANCE BLUSHING!"
5.1| 1h42m| NR| en| More Info
Released: 08 February 1954 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Oil heiress Mame Carson takes an incognito cruise so that men will love her for her body, not her money.

Genre

Comedy, Music, Romance

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Director

Lloyd Bacon

Production Companies

RKO Radio Pictures

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The French Line Audience Reviews

Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
jarrodmcdonald-1 It is difficult getting past the terrible condition of the RKO Technicolor print for The French Line. It is even more difficult believing that nobody has wanted to do something about it. Someone: please clean it up, restore it, do whatever needs to be done. Jane Russell is superb as a sassy southern belle on a cruise to Europe. Adding to the fun is character actor Arthur Hunnicutt and leading man Gilbert Roland. The musical numbers are indeed risqué but the lyrics and choreography are not to be missed. Neither is Miss Russell's costuming which one must see to believe. Aside from a better print, the only way this film could have possibly been better: if Robert Mitchum had been in it.
moonspinner55 Oil heiress from Texas, tired of being a one-woman corporation and falling for men who are allergic to her millions, takes a cruise to France posing as a fashion model. Tatty romantic comedy with musical interludes does have some smart lines, Gilbert Roland trying his best as a lovestruck playboy (of French descent!), and Jane Russell in the lead, alternately beaming and scowling, her tall frame self-consciously hunched to make up for everyone else's shortcomings. Russell is very natural and appealing on screen, yet she has a bad habit of filling in the blanks by making silly, exaggerated faces--some of which are funny intentionally as well as unintentionally! A blowsy piece of fluff, the movie does have its pleasures, particularly in the writing department, which is a notch above the fashion show norm. ** from ****
victorsargeant Gilbert Rowland must have had some dirt on someone to get this picture. He has been around since silent films, and a close friend of Raymond Novaro. Gilbert Rowland knew lots of people, off to the side, never the big lead, but in the action just the same.Saw him once in a Chinese restaurant in Beverly Hills called the Fortune Cookie near the Beverly Center, on Fountain. 1979 I forget.He and his wife came in and he sat in the back facing the café. He noticed that I noticed who he was and we just grinned at each other. I learned while living in Hollywood, to leave them alone, as they know that you know who they are. So at the super market, dry cleaners, and the West Hollywood car wash place, you nod and let them go about they lives.Gilbert seemed amused that someone remembered him. My pleasure to make him grin three tables away.So here is the French Line, and I found it amusing Gilbert Roland is in a musical with Jane Russell. He was great and when he pulls up his cuffs, there is the wrist band he usually wore. Women, breasts, gowns by the ton were coming at you 24/7 in this piece of 1950 fluff. Abrabs would go to hell if they were caught watching such a film.Rowlands voice is dubbed, he lip cynics well, and carries himself, delivers his lines, very professional, and I hope he got tons of money.He had a small house in Beverly Hills near down town Rodeo Drive. He managed his career well, stayed out of the papers, knew everyone from the golden age of film, Garbo would have been comfortable with him as well. Rowland adored John Gilbert, and took his first name, Gilbert from John.Gibert Rowland is "Hollywood Royality", was a gentleman, kept everyone's secrets, was respected by stars, and I wish he had written a book. I believe he is entombed at Glendale Forest Lawn. John Gilbert is there as well He did a film with Barbara Stanwick, a western, and he should have gotten an Oscar for his performance.I believe he had more fun and durability with his career, than being the big star, "hot dog", macho stud. Gilbert was macho without being TOO macho, and was fondly remember for his quality classic style and quiet masculine character actor. Bad and the Beauty, and Beneath the 12 Mile Reef are also good examples of his craft. BRAVO Gilbert Rowland. VSS
skad13 Jane Russell was an underrated comedienne and singer (see SON OF PALEFACE and GENTLEMEN PREFER BLONDES), but you'd never guess it from her display here. A real stinker, produced by Howard Hughes in his all-too-successful effort to kill off RKO Radio Pictures.The movie kills its first opportunity to show off sexy Jane when it places her in a bubble bath and then has her chastely singing "I'll Be Switched (If I Ain't Gettin' Hitched)"--and it's all downhill from there. In her autobiography, Russell apologized for the movie's number "Lookin' for Trouble" because it was supposedly so risque--nowadays you could show it on The Disney Channel. (By the way, said autobiography has a jaw-dropping photo of Russell in a bikini, far sexier than anything