The Firefly

1937 "Jeanette MacDonald Is The Luminous Singing Spy!"
6.8| 2h11m| NA| en| More Info
Released: 05 November 1937 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Nina Maria Azara is the beautiful and alluring singing spy for Spain during the Napoleonic Wars. Her mission is to seduce French Officers, in order for them to reveal Napolean's intentions toward Spain. She is sent to Bayonne, France to gather military secrets. Prior to this, she meets, Don Diego while performing at a club. Unknown to her, Don Diego is actually Captain Andre, who is sent to Spain to spy on her. While in France, Nina discovers Diego's true identity, only after she has fallen in love with him. Nina Maria outwits her potential captors and returns to Spain, and goes into hiding. Napoleon's troops invade Spain, resulting in Nina's capture. In a strange twist of fate, Nina and Captain Andre are reunited, but, the 2 nations are now at war... Written by Kelly

Genre

Drama, History, Music

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Director

Robert Z. Leonard

Production Companies

Metro-Goldwyn-Mayer

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The Firefly Audience Reviews

AniInterview Sorry, this movie sucks
YouHeart I gave it a 7.5 out of 10
Orla Zuniga It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
ksf-2 Spy-thrilla where Jeannette MacDonald must get napoleonic soldiers to reveal their secrets. Warren Williams (The Lone Wolf!) is the Major; Billy Gilbert who sneezed his way through films is the innkeeper. Douglass Dumbrille always played the bad guy, and here is the Marquis. Dance numbers, singing. It's Jeanette MacDonald, who always does operatic arias. Yawn. Pretty dated stuff. Intrigue. suspense. love triangles. It's a pretty dry period piece, which is never my first choice. Kind of a mata hari. Showing on Turner Classics. It's pretty well done, but moves pretty slowly. the songs keep bringing it to a screeching halt. I'd skip this one unless you're a fan of J. MacDonald. Directed by Robert Leonard... nominated twice, but never got the Oscar.
atlasmb France and England are at war. Napoleon has placed troops in Spain "to protect the Spanish" in case England invades.There is a beautiful cantina singer (and dancer!) named Nina Maria (Jeanette MacDonald) whom men fight over. She works as a spy for Spain. When Napoleon invites Ferdinand--who appears guileless--to France for a meeting, Nina Maria must leave for France immediately to determine if Napoleon's intentions are honorable.She is pursued there by Don Diego (Allan Jones), a man smitten by the senorita. Along the way, he tries to charm her by singing "The Donkey Serenade"--one of the most memorable moments in the film.When they arrive in Bayonne, France, things get complicated. The senorita discovers someone is on to her. The love story becomes more political as Nina Maria must make alliances based on trust. Will she let her heart guide her actions? What is Napoleon's true objective?The two leads are excellent. Much of the surrounding cast portray military characters and they are very strong.The lavish sets and a large number of extras give the film a feeling of richness, as when Joseph Napoleon and his military escort ride into Madrid.Part romance, part political intrigue, "The Firefly" entertains while Jeanette MacDonald shines.
bbmtwist Allan Jones has a wonderful voice, but a rather bland personality. He is no match for Jeannette MacDonald, who here gives her best dramatic performance on screen with not much to play against. Warren William is the villain and he has more presence than Jones.Jones and MacDonald play spies, he for France and she for Spain, during Napoleon's attempt to kidnap the King of Spain and add that country to his fiefdom. There is much intrigue and a few songs along the way, the best known being The Donkey Serenade and Gianina Mia. The problem lies in the length of the scenes and musical numbers. This film could easily have had half an hour snipped out of it, bringing it closer to conventional playing times of the period. At 2 hours, 10 minutes, it is just too long. And it is heavy-handedly directed and written.The original operetta from 1912 had a few good tunes. Friml was third in line of talent, behind Romberg and Herbert, as America's trio of operetta composers. The score is just not good enough to mount a major film around.MacDonald is always worth seeing, as she either matches or outshines her best material. This one, like Broadway Serenade a few years later, was not one of her best films and is recommended for her fans and those of Jones only.
Neil Doyle If it wasn't for "Donkey Serenade", this would have been a total loss as a piece of gaudy MGM entertainment for the masses in the 1930s. JEANETTE MacDONALD gives her all as a sexy spy who tries getting potentially harmful information from French officers, but it's all pretty preposterous and finally much too long for sustained interest.The only sequence that comes off as completely charming is the "Donkey Serenade" episode with ALLAN JONES singing his heart out as he rides a dusty trail following her carriage. Jones is a fine match for MacDonald but probably left MGM when he realized it was Nelson Eddy's territory.The score is kind of lackluster, the sets are opulent in typical MGM grand style manner, but the plot is never lively enough to keep one's attention riveted on the plodding story of spies and counter-spies in ye olde Spain. Everyone tries hard, but it just seems to stall somewhere near the middle and never recovers.Trivia: Did Jeanette MacDonald ever show her real hair in a costume film? She must wear at least 25 wigs and hairdos in this film alone, changing her far from simple hairstyles from scene to scene more often than Lana Turner ever changed her costumes in glamorous roles. There must have been a special Jeanette wig department at Metro just for the occasion.