SpuffyWeb Sadly Over-hyped

Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

zardoz-13 As both horse operas and American Civil War movies go, seasoned second-unit director Michael D. Moore's "Fastest Guitar Alive" qualifies as egregiously abominable. This execrable, 87-minute, Sam Katzman produced, comic oater casts vocalist Roy Orbison and Sammy Jackson respectively as Confederate spies Johnny Banner and Steve Menlo. Neither one of them has a Southern accent. They masquerade as two slippery snake oil salesmen and rely on the guise of Dr. Ludwig Long's Magic Elixir traveling medicine show to cover their duplicity. At the same time, two cute gals named the Chestnuts sisters, Sue (Joan Freeman of "Roustabout") and Flo (Maggie Pierce of "Cattle King"), accompany them and perform with Johnny in their song and dance routine. This ruse is reminiscent of undercover Southerner spies Van Johnson and Milburn Stone in "Siege of Red River" (1954) who trundled around inconspicuously in a wagon selling patent medicine as a part of their subterfuge. They sang a song to alert their fellows spies about their presence. Basically, our harmless heroes are acting on orders from Confederate General Wingate to rob the San Francisco Mint. They steal a strongbox stuffed with $150-thousand dollars in gold at gunpoint after Johnny blasts a hole in the wall of the Mint. Nobody dies during the hold-up. Steve explains to the girls traveling with them that they stole the gold because the Confederacy has gone bankrupt. "Quiet Gun" scenarist Robert J. Kent has penned a lackluster plot reminiscent of the superior Errol Flynn & Randolph Scott western "Virginia City" (1940) where the Confederates were under orders to take silver from the Comstock Load and usher it south.Meantime, Banner packs the title gimmick, a mean guitar that conceals a secret rifle, and he wields it with splendid accuracy. This exotic gadget anticipated the Lee Van Cleef Spaghetti western where William Berger toted a banjo that hid a repeating rifle. Orbison's character pulls this unusual weapon on a inquisitive deputy on the prowl, Rink (Ben Cooper of "Johnny Guitar"), who sneaks into their camp and tries to molest one of the Chestnut sisters. "In case you're interested," Banner warns the obnoxious Rink after he shoots Rink's black hat off the top of his head, "I can kill you with this and play your funeral march at the same time." Meanwhile, suspicious Marshal Max Cooper (John Doucette of "Sons of Katie Elder") saddles up to leave the city by the bay to pursue Johnny and Steve. Their contact man in San Francisco, Charlie (Lyle Bettger of "The Lone Ranger"), who operates a saloon, hits the trail to track them down not long after they hightail it with the gold. Repeatedly, our heroes encounter an Indian war party, but Johnny scares them off with his blazing guitar. Principally, he shoot an Indian chief spear in two and later the chief's ordinary guitar. Incidentally, these Native Americans are far from deadly. They pose no threat to our heroes or heroines. Eventually, when our heroes roll into the town of Prescott, Arizona, they discover that the South has surrendered. The owner of a local saloon the Palace Grand, Stella Witt (Patricia Donahue) persuades Johnny and the Chestnut sisters to perform, and then we learn that she is in cahoots with treacherous Charlie. As it turns out, our heroes decide to return the gold to Fort Marshal now that they know the civil is over. The Indians that chased them in the first half of this sagebrusher show up near the end to distract the people after them. Before they hit the trail to give up the gold, Marshal Cooper agrees to give them safe escort to the fort.Legendary warbler Roy Orbison cannot act worth a hoot, but he can carry a tune. He sings several colorful songs, but he isn't the least bit convincing as a Southern spy. Of course, Orbison doesn't get much help from a shallow script that exploits the American Civil War for background. Kent's script doesn't develop the characters beyond their initial aims and their apparel. This lame western is nowhere near as enjoyable as Kent's earlier epic "The Quiet Gun" with Forrest Tucker. Just when things are getting interesting, this half-baked western concludes abruptly. Closure is decidedly lacking as our heroes never turn over the gold. Of course, we know that they will, but it's like Katzman quit while he was ahead. Director Michael Moore did his best work as a second unit helmer on hits like "Patton." Orbison never made another movie after this critical and commercial disaster. Reportedly, Elvis turned down this oater. The no frills Warner Archive Collection, made-on-demand, DVD contains only the movie. Production values are a notch above average, but this is strictly a lightweight western without a single killing in it and some veteran 1950s' western villains. Only die-hard Orbison fans need watch this curiosity piece.

railyard I LOVE Roy Orbison! I saw him perform live on four different occasions and I own tons of his records, tapes, CD's and this movie. He was not handsome enough to become a matinée idol like Elvis, but he was the GREATEST singer ever, even Elvis said so! This movie is a light hearted comedy with singing. A few of the songs are not so great by Roy's standards, but most are good and a few are really good e.g. "Pistolero" and "Roll On Mighty River". I especially love the the title song, "The Fastest Guitar Alive". The plot of the movie is not that bad. Has anybody besides me noticed the similarity between this movie and the Errol Flynn/Randolph Scott western "Virginia City"? I love that movie and those two actors too. Roy's movie was not looking for critical acclaim. It was just a good "B" flick, certainly better than a thousand other grade "B" westerns out there. It had some very funny scenes and it was good clean fun. You could watch it with your children and not have to worry about sex and violence. Roy might have become a better actor if he had made a few more movies, but since this is his only movie and if you are a true Roy Orbison fan, treasure it!

Tom Willett (yonhope) Hi, Everyone, Roy Orbison appears to be a nice guy in this movie. So does Sammy Jackson. The script is there, but it is not great. There is a nice plot line that could have been developed in a serious way. Political correctness got in the way and Roy and Sammy seem to be too worried about seeing to it the money in question here gets to almost anyone but themselves.Sammy started his career as a model during the heydey of the Athletic Model Guild and then became an actor in the TV series, No Time For Sargeants. He was also in Night of the Grizzly which is a pretty bad movie.Roy might have done a good job if they had the right script for him. His songs are OK and well arranged. Iron Eyes Cody gets a few laughs along with Ben Lessy. Ben Cooper was a big star in the mid 1950s and here he does an excellent job being a bad guy.Watch for Sam The Sham. He had the big hit in 1965 of "Wooly Bully." I would like to recommend something similar in case you like this. I cannot think of anything similar. A funnier Western would be Blazing Saddles.Tom Willett

jhenderson-3 As a fan of Roy Orbison's music I can only suggest you view this film with an open mind. Roy was a great singer, was a horrible actor and shouldn't be what he isn't. The music is sub-standard and the idea that Roy could be a matinee idol is beyond his scope in this piece of tripe. It's been said that this vehicle was to be an "Elvis movie" ... it isn't even that good. The plot is thin, if you consider this a plot! The acting slightly above that of a simple children's television show calibre, the directing is laughable and any attempt at humour doesn't reach heights attained by James Arness! Video tapes and DVDs on this release should last in your library for quite a few years, you won't watch it but the once! Remember Roy Orbison for his music: positive, creative and unique!