Linbeymusol Wonderful character development!

GamerTab That was an excellent one.

BroadcastChic Excellent, a Must See

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Mark Turner I know the fans of director Abel Ferrara are out there. They praise his work and compare him to auteurs from the past all the time. And yet to date I've seen one out of the 42 movies he's directed that I kind of enjoyed. None of the rest do anything for me, including this one.The plot line is fairly simple. Ferrara stars as well as directs here, playing an artist struggling to make it in New York City. He's been working on one project in particular, influenced by the violence and street scenes around him and he's being pushed to complete the project. As he continues working to survive and to create his art he slowly descends into madness. Taking to the streets at night he begins killing people with a power drill.So why does this film get mentioned time and time again, why the notoriety? To being with it was part of the infamous "video nasties", a term designating a list of films that at one time were prohibited from being seen in England. That label guaranteed the fact that people would seek out these movies to watch. With that in mind those movies became ones that were watched more than others and thus gained their fame.The movie has so many flaws it's hard to know where to start. The acting is sub-par for even a low budget film. The cinematography is barely passable. The effects are some of the worst with a bright orange blood used in scenes of carnage. The pacing is so slow you may find yourself dozing off from time to time while trying to watch it. The scenes of New York depict the city at its worst. This is not a place you'd want to visit. But for some they love that sleazier, filthy depiction of the city that way and bemoan the fact that it was cleaned up later on. Sorry, not my thing.In the end I found no enjoyment in watching this movie. I've seen a ton of slasher films and enjoyed many of them. I love horror movies. This one left me longing to go back and watch a good one or at least a passable one. This movie relies on its title and its legendary status to lay claim to fame but as a movie it is one of the worst. Honestly I think I enjoy watching PLAN 9 FROM OUTER SPACE more than this one.All that being said Arrow Video has gone out of their way to provide the best copy of this movie for fans who still love it. They're presenting it in hi def with a restoration from original film elements and extras include audio commentary by Ferrara moderated by Brad Stevens (who wrote ABEL FERRARA: THE MORAL VISION) recorded specifically for this release, a new interview with Ferrara, WILLING AND ABEL: FERRARAOLGY 101 a visual essay guide to the films and career of Ferrara by author Alexandra Heller-Nicholas, MULBERRY STREET a feature length documentary portrait of New York by Ferrara and the theatrical trailer.While this may not be my cup of tea it is important that movies of all kinds be kept alive and in the best condition possible. Praise to Arrow Video for making the effort to do so with films like this one.

Michael_Elliott The Driller Killer (1979)* 1/2 (out of 4) Reno Miller (Abel Ferrara) is living in New York City and the slums finally force him into cracking and he goes on a killing spree with a drill.Ferrara's THE DRILLER KILLER somehow became a cult favorite over the years and I honestly don't understand the appeal. I have heard people compare it to the ugly side of TAXI DRIVER meaning that the character in that film had a good job, lived in a good area and had things that could have worked for him but he had a mental issue. They say that the killer in THE DRILLER KILLER is poor, has nothing going for him and is a truer side of the underbelly of NYC.All of that might be true but whereas TAXI DRIVER was a masterpiece this film here is just a mix of art and exploitation but it doesn't neither thing right. As an art film this thing really doesn't work because it's really not all that well-made. I will say that Ferrara had a great eye for bringing to sleaze to the screen and I'd argue that he also managed to give the film a rather weird atmosphere that works in its favor.The problem with this film is that you just don't care about anything you're watching. The characters are all rather one note and none of them are interesting. Even worse is the fact that the killer just isn't really a person you can connect with, feel bad for or even understand for that matter. The first half of the film is basically just watching him wonder around until he finally picks up the drill and we get some violent death scenes.The BBFC banned this film outright and I'm sure this had something to do with the notorious reputation it got. The film became one of those movies that you just had to see for yourself. The first time left me underwhelmed and I must admit a second and third viewing really didn't help either. While there's some good gore scattered throughout the picture there's still not much entertainment to be had.

PeterMitchell-506-564364 You know I came across this movie, I'd be longing to see, I joined up with a video shop, way out of my area, cause I couldn't get this title anywhere else. Knowing it was an Abel Ferrara film, I was expecting this to be much more gorier, (his gore always shocks) watching some nut go around killing people with a drill. Well.... I was almost, stupefied. I couldn't believe what I was watching. It was the drill that let me down, kind of not keeping up his part of the bargain. Abel plays the nut, and does it well I might add. He's a kind of Lou Reed looking character, a struggling and loud artist, sharing a loft with too girls. As pressure from all sides takes it's toll, he snaps, going out there onto the streets, in the dead of night with his mack drill, and killing derelicts. The pizza chomping scene, I remember well in this disappointing unshocker. On the most part, the film actually bores. I'd probably see it again, one day, out of curiosity, just to confirm my analyzation, but I'm steadfast with this one, as I'm rarely wrong.

Jackson Booth-Millard From director Abel Ferrara (King of New York), I had heard about this film for being one of the films of the late seventies and eighties listed as a "video nasty", along with films like The Evil Dead, I Spit On Your Grave and Cannibal Holocaust, I had to see if it deserved that placing. Basically New York artist and painter Reno Miller (Ferrara) is finding it difficult to pay the bills for the lost he shares with his girlfriend Carol Slaughter (Carolyn Marz), originally married to Stephen (Richard Howorth) who she dumped, and their roommate Pamela (Baybi Day). With his obsession to complete a masterpiece, his lack of success to sell and display his art works, constant arguments with his girlfriend and lack of sleep mean that his anger increases gradually. This eventually causes Reno to snap, have a breakdown and go insane, and to take out his rage out in many random people, most being homeless tramps, using his household drill to kill them. That's really all there is to say about the plot. Also starring Harry Schultz as Dalton Briggs, Alan Wynroth as Al the Landlord and Maria Helhoski as The Nun. This obviously borrows from the concept of The Texas Chainsaw Massacre, a murderer using a household power tool, but obviously we get to see more of the deaths with blood spurting, but they are not enough to save this film from being complete rubbish. The acting is lacklustre, the story is terrible and boring, the deaths that do appear are not horrific enough for "video nasty" quality, and the whole film feels like a straight to video romp, all in all it is an absolutely awful horror. Pretty poor!