RyothChatty ridiculous rating

MoPoshy Absolutely brilliant

ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

dlrowell-98165 A really wonderful book by Tom Drury, converted into an aimless, confusing mess. Anton Yelchin's Pierre seems aimless and lost throughout, and Zooey Deschanel's character lacks the vigor of the book. The best character was Shane.

krocheav From Canada - the land of great short subjects 'n documentaries but a few too many dismal features - what's in their psyche that produces some of these misguided movies - could it be the cold that numbs their senses?. The opening of this movie looked most intriguing. Photographically it's all class, it has good performances, the music maybe a bit loose but it fitted the story. Looking at the "story" - it seems too many writers and directors want to copy the Cohen Bros - problem is, now that the Cohen Bros have gone commercial and begun copying themselves, it's become tiresome and overdue for a face lift. Are there so few left out there who remember how to tell a strait-quality-story?. It doesn't need to be outlandish just interesting!. Apart from D.O.P. Daniel Voldheim's quality cinematography (AKF: Into The White '12) the best thing about this film is the fine performance from interesting Russian born Anton Yelchin (Hearts In Atlantis" '01). What a great shame we lost this interesting young man in such a tragic accident - way before his time. Will look forward to seeing his final complete performance in "We Don't Belong Here" '16/17, hoping it may offer a better departure note for Anton. Farewell Chekov. This story seemed to be heading down an OK path till it wanders off the trail, then ends up stumbling over itself. It's yet another stylish looking movie in search of better overall treatment and script. The cultists will excuse its sometimes pretentious pseudo "psychology" along with the usual bunch of foul-mouthed-bad-ass low lifers but, anyone looking for depth could find themselves being led into a dismal driftless bog.

BogdanH I assume you haven't seen this movie yet and you're deciding if it's worth to spend time watching it. At the time I write this, there are only two reviews here, so...First, current rating of about 6 stars is just right, I think. That is, if you like mystery stories with a touch of love. Of course, this movie can't compete with movies like City of angels, Sixth sense, What dreams may come, Ghost -to name some of the best in similar genre.The Driftless Area has a good story, and I think cast was picked very well. Pierre (A.Yelchin) appears so "next door guy" which suits this role very good. And if it ever happens to me I see a "ghost", I hope it will look like Stella (Z. Deschanel).OK, story interesting, good cast, nice photography... What I missed in this (kind of) movie, was: emotions. It's not about acting, it's just good story is presented badly. I can't judge who's fault that is. Relationship between Pierre and Stella is quite sterile, considering their destiny is to stay together (forever). In general, it's an easy to watch movie with almost expected ending. However, if you like complex and mind challenging content, see The Fountain (2006).I give 6 stars.

zif ofoz This is one of those films that should be watched two or three times to catch everything that is happening in this story. I will not attempt to relate the plot line here. My advice is to listen to the philosophical statements many of the characters speak during the movie. That is key in understanding whats happening just above the obvious.Anton Yelchin as 'Pierre' finds himself, on his return to his hometown, caught between the real world and the metaphysical world and a murder. Human desire and action - is it impulsive or predetermined? What controls our life - lust for material gain and if so what effect does that have on the next life? Maybe I'm reading way too much into this film but I found it entertaining and thoughtful. The murder for profit eventually comes to the surface and Pierre's fate hangs by a thread. There is mystery and action enough to keep the casual viewer entertained.